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akg8555245 CZACHÓRSKI, LADISLAUS VON1850 Grabowczyk/Lublin - 1911 MunichDreaming Girl. Oil on canvas. 36 x 57cm. Notation: Signed and dated lower right: Czachorski 1896. Frame/Pedestal: Framed. Provenance:Private collection, Europe.The gaze of the ""dreaming girl"", who seems to look through the viewer, captivates in a completely different way than the both paintings by Eugen von Blaas (Lot 1195, Lot 1196). One can observe her ""unnoticed"", as it were, and enjoy every detail of this fascinatingly haptically painted painting - the image in front of her inner eye, however, remains the secret of the dreamer.The young lady had certainly sat upright on the upholstery with a sloping backrest at first to complete the rich embroidery with needle and thread, which she holds in her lap. Now the young body has slid forward on the seat, her head rests on the edge of the backrest and she dreams with her eyes open, the needle still in her hand. The result is a charming, light, diagonal arch in various shades of pink, cream and white against the dark green of the tapestry in the background and the seat cushion. This light play of colours is taken up by the lush bouquet of flowers in the upper right-hand corner of the image and by a white flowering houseplant in the lower left-hand corner.The painter of this painting, the Polish-born Ladislaw Czachorski, is convincing in composition and content with his fascinating technique, which proves him to be a grandmaster of history painting of his time. In this small painting he shows that he is not inferior in quality to his teacher, the great Carl von Piloty. Czachorsky, who was born in Poland, came to Munich after his first training in Warsaw with a stopover at the Dresden Academy. Here he became a student of Piloty, who influenced the Munich art scene and especially history painting. Besides genre paintings and portraits Czachorski also specialised in Shakespearean scene motifs. Already at a young age Czachorski was celebrated by the public and critics, e.g. in 1879 he received a gold medal for a Hamlet painting at the 2nd International Art Exhibition in Munich's Glass Palace. His portraits of young ladies, often in historical costumes and in richly decorated boudoirs, were so popular with buyers that they had to wait up to two years to receive a work by the artist.Even today's viewer of the ""dreaming girl"", ""saturated"" with completely different viewing habits, can experience this fascination when the eye revels in the tactile promise the artist makes with the delicate execution of the most varied materials presented side by side. Czachorski devotes the same attention to the surface design of all the details in the image and is closely related to Eugen de Blaas in this respect.The gaze of the young dreamer leaves the viewer alone with all the splendour, but is able to make him feel the all too human feeling of daydreaming, removed from time..

akg8555246 CZACHÓRSKI, LADISLAUS VON1850 Grabowczyk/Lublin - 1911 MunichDreaming Girl. Oil on canvas. 36 x 57cm. Notation: Signed and dated lower right: Czachorski 1896. Frame/Pedestal: Framed. Provenance:Private collection, Europe.The gaze of the ""dreaming girl"", who seems to look through the viewer, captivates in a completely different way than the both paintings by Eugen von Blaas (Lot 1195, Lot 1196). One can observe her ""unnoticed"", as it were, and enjoy every detail of this fascinatingly haptically painted painting - the image in front of her inner eye, however, remains the secret of the dreamer.The young lady had certainly sat upright on the upholstery with a sloping backrest at first to complete the rich embroidery with needle and thread, which she holds in her lap. Now the young body has slid forward on the seat, her head rests on the edge of the backrest and she dreams with her eyes open, the needle still in her hand. The result is a charming, light, diagonal arch in various shades of pink, cream and white against the dark green of the tapestry in the background and the seat cushion. This light play of colours is taken up by the lush bouquet of flowers in the upper right-hand corner of the image and by a white flowering houseplant in the lower left-hand corner.The painter of this painting, the Polish-born Ladislaw Czachorski, is convincing in composition and content with his fascinating technique, which proves him to be a grandmaster of history painting of his time. In this small painting he shows that he is not inferior in quality to his teacher, the great Carl von Piloty. Czachorsky, who was born in Poland, came to Munich after his first training in Warsaw with a stopover at the Dresden Academy. Here he became a student of Piloty, who influenced the Munich art scene and especially history painting. Besides genre paintings and portraits Czachorski also specialised in Shakespearean scene motifs. Already at a young age Czachorski was celebrated by the public and critics, e.g. in 1879 he received a gold medal for a Hamlet painting at the 2nd International Art Exhibition in Munich's Glass Palace. His portraits of young ladies, often in historical costumes and in richly decorated boudoirs, were so popular with buyers that they had to wait up to two years to receive a work by the artist.Even today's viewer of the ""dreaming girl"", ""saturated"" with completely different viewing habits, can experience this fascination when the eye revels in the tactile promise the artist makes with the delicate execution of the most varied materials presented side by side. Czachorski devotes the same attention to the surface design of all the details in the image and is closely related to Eugen de Blaas in this respect.The gaze of the young dreamer leaves the viewer alone with all the splendour, but is able to make him feel the all too human feeling of daydreaming, removed from time..

akg8555271 KALLMORGEN, FRIEDRICH1856 Altona - 1924 GrötzingenSiechenhäuser in Lübeck. Oil on canvas. 162 x 229cm. Notation: Signed and dated lower left: Fr. Kallmorgen 1908. Frame/Pedestal: Framed. Literature: Exhib. cat.: Friedrich Kallmorgen 1865-1924. Malerei zwischen Realismus und Impressionismus, Städtische Galerie Karlsruhe 19.03. - 26.06.2016, Petersberg 2016, ill. p. 134;Eder, Irene: Friedrich Kallmorgen 1856-1924. Monographie und Werkverzeichnis der Gemälde und Druckgraphik, Karlsruhe 1991, cat. rais. no. G 618. Provenance:Kaletta collection, Hamburg.Collecting in itself has probably always been a characteristic of man.Among contemporaries there are those who are more addicted to this ""drive"" than others, once the subject of the collection, the focusing interest, has been found. From the universal compilation of a ""Kunst- und Wunderkammer"" to an absolutely limited specialisation in a narrowly defined field, the creative spirit of the collector creates a superior work of art in the selection itself.Rolf Kaletta from Hamburg was such a collector's specialist. Even before his sudden death in September 2020, he also managed to let go and hand over his works, which he had meticulously brought together in a phase of his life - this was certainly not an easy step, as each object has a personal history of finds. We are all the more pleased that he has repeatedly placed his trust in us over the past years to sell his musecollection of works by the painter Friedrich Kallmorgen, which has been assembled over several decades, in our house.When Rolf Kaletta ""discovered"" his first painting by Friedrich Kallmorgen in the 1970s, he had no idea how much space this painter and his work would make room in his own life. Rolf Kaletta, who was born in Altona, liked a view of Hamburg by Kallmorgen, who lived in the Hanseatic city, so much that he raved about it; a generous family and a generous circle of friends surprised the jubilant at an upcoming round birthday with a gift that was to have consequences. Living together with this wonderful work aroused Rolf Kaletta's curiosity and spirit of research. He wanted to know more about the creator of this work and met people in the Hamburg art trade and in the Städtische Galerie Karlsruhe, who opened the doors for him and arranged the decisive contact to Kallmorgen's grandson, Hans Knab. In the meantime some paintings from the art trade had already joined the first view of Hamburg, but now Rolf Kaletta was with Hans Knab, who was at first somewhat reserved, at the most immediate source to research Friedrich Kallmorgen and to expand the collection he had begun.Giesela Nehring-Knab, the wife of Hans Knab, initially mediated between the so different personalities of the Hanseatic collector and the older, Baden artist grandson, but soon the spell was broken and a lifelong, close friendship between the two Kallmorgen enthusiasts developed. Regular encounters lasting several days with innumerable conversations and access to Hans Knab's private archive made Rolf Kaletta an expert, who trained his view of the painter's work ever more finely, but who was also able to distance himself from his ""mentor"" Hans Knab in terms of taste. If the grandson loved his grandfather's finer and more precisely executed, more graphic paintings, Rolf Kaletta's heart beat especially for the freer, impressionistic and impasto works, but without limiting himself to these in his collection.Among the paintings masterfully executed with a light brush in our current auction are ""Brand im Dorf"" from 1901 (lot 1211), ""Vesper in der Werkstatt"" from 1907 (lot 1210), ""Lieselotte nascht Johannisbeeren"" from 1911 (lot 1217) or ""Sonnenuntergang"" from 1919 (lot 1214). The dates show that Kallmorgen cultivated this relaxed, impressionistic style throughout, parallel to the more austere, emblematic one. Occasionally, such free works are also studies for larger, sometimes more austere versions of the same motif. But the studies are also fully signed and exist on an equal footing within the oeuvre.The ""Brand im Dorf"" (Lot 1211) shows the painter as a village chronicler: In 1901 the community barn in Grötzing, the village near Karlsruhe, where the Kallmorgen couple had owned a ""refuge"" for decades, was destroyed in a night-time fire. Under the immediate impression of this event Kallmorgen created the present work. The flickering blaze of the flames, the dramatic struggle of the firemen illuminated by the glow of the fire, the nocturnal inferno, so charming for the painter and so rich in contrast, was captured by Kallmorgen with rapid, impressionistic brushstrokes.Lot 1208, ""Siechenhäuser in Lübeck"", also appears to have been painted by the hand of an exact chronicler, with a very expressive composition: Seen close up, a house wall with a door and two windows running diagonally into the image space blocks the view. The detail of the image is chosen low, so that the door and window are cut off at the upper edge of the image. Five old people, staggered one behind the other, sit on chairs, stools or steps and look ahead. Four of them look towards the right edge of the image. Only the middle old woman in the middle looks out of the image at the viewer. The space in the image, so narrowed by the angle of view, the passive posture and the empty facial expressions of the five old people, but also the smallest details, such as a slightly protruding tongue of one woman or the thinning hair of another, make this large-format work so impressive. As narrow the pictorial space is, as limited are the possibilities of the short remaining life, when material possibilities do not open up spaces.There are magnificent images of the creation of this painting, which show Friedrich Kallmorgen and his students at work in front of their easels. In fact, the photos and also Kallmorgen's own sketches for this painting were not taken in Lübeck, but during an excursion with his students to Havelberg near Berlin in 1905.Friedrich Kallmorgen travelled a lot and was always looking for impressions, landscapes and motives, which he then - as it was usual in his time - composed into large works in his studio. On the spot, in nature, he made studies, created a repertoire of staff and landscapes and sometimes he collaged several of such elements to a narrative whole of a painting.A wonderful proof of this working method is the painting ""Feierstunde"" from 1913 (lot 1215). Already in 1911 Kallmorgen had worked out the motif of the deserted ""Plauer Schleuse"" with its atmospheric water reflections into a smaller painting. From the same year dates another small work ""Heimkehrende Fischer"". Two years later the painter ""weaved"" these two images and created the present large-format painting. The four fishermen standing in the boat as they glide through the mirror-smooth water towards the people waiting at the lock actually radiate an atmosphere which, in combination with the mighty, colourful trees in the background and the charming reflection in the water, is exaggerated to a solemnity.Friedrich Kallmorgen's favourite travel destinations were in Holland, and it was there that he created the earliest painting offered here, ""The Narrator"" from 1892 (lot 1209), which stylistically also belongs to the more austere, more graphic works. On a street at a Dutch harbour a group of young women and children listen to a man sitting on the ground. Another man smoking a pipe is leaning against the fence next to the narrator. The background with buildings and the hustle and bustle of the harbour, although elaborated in detail, becomes quite secondary. The small group of people, which is so closely knit and so concentrated on each other, captivates the viewer.The variety of Kallmorgen's thirteen works on offer here from the various style and motif groups shows impressively the high quality standards with which Rolf Kaletta has built up his collection. Starting with a first image of Hamburg, he has, with the help of Hans Knab, developed a holistic approach to the artist Friedrich Kallmorgen..

akg8555272 KALLMORGEN, FRIEDRICH1856 Altona - 1924 GrötzingenSiechenhäuser in Lübeck. Oil on canvas. 162 x 229cm. Notation: Signed and dated lower left: Fr. Kallmorgen 1908. Frame/Pedestal: Framed. Literature: Exhib. cat.: Friedrich Kallmorgen 1865-1924. Malerei zwischen Realismus und Impressionismus, Städtische Galerie Karlsruhe 19.03. - 26.06.2016, Petersberg 2016, ill. p. 134;Eder, Irene: Friedrich Kallmorgen 1856-1924. Monographie und Werkverzeichnis der Gemälde und Druckgraphik, Karlsruhe 1991, cat. rais. no. G 618. Provenance:Kaletta collection, Hamburg.Collecting in itself has probably always been a characteristic of man.Among contemporaries there are those who are more addicted to this ""drive"" than others, once the subject of the collection, the focusing interest, has been found. From the universal compilation of a ""Kunst- und Wunderkammer"" to an absolutely limited specialisation in a narrowly defined field, the creative spirit of the collector creates a superior work of art in the selection itself.Rolf Kaletta from Hamburg was such a collector's specialist. Even before his sudden death in September 2020, he also managed to let go and hand over his works, which he had meticulously brought together in a phase of his life - this was certainly not an easy step, as each object has a personal history of finds. We are all the more pleased that he has repeatedly placed his trust in us over the past years to sell his musecollection of works by the painter Friedrich Kallmorgen, which has been assembled over several decades, in our house.When Rolf Kaletta ""discovered"" his first painting by Friedrich Kallmorgen in the 1970s, he had no idea how much space this painter and his work would make room in his own life. Rolf Kaletta, who was born in Altona, liked a view of Hamburg by Kallmorgen, who lived in the Hanseatic city, so much that he raved about it; a generous family and a generous circle of friends surprised the jubilant at an upcoming round birthday with a gift that was to have consequences. Living together with this wonderful work aroused Rolf Kaletta's curiosity and spirit of research. He wanted to know more about the creator of this work and met people in the Hamburg art trade and in the Städtische Galerie Karlsruhe, who opened the doors for him and arranged the decisive contact to Kallmorgen's grandson, Hans Knab. In the meantime some paintings from the art trade had already joined the first view of Hamburg, but now Rolf Kaletta was with Hans Knab, who was at first somewhat reserved, at the most immediate source to research Friedrich Kallmorgen and to expand the collection he had begun.Giesela Nehring-Knab, the wife of Hans Knab, initially mediated between the so different personalities of the Hanseatic collector and the older, Baden artist grandson, but soon the spell was broken and a lifelong, close friendship between the two Kallmorgen enthusiasts developed. Regular encounters lasting several days with innumerable conversations and access to Hans Knab's private archive made Rolf Kaletta an expert, who trained his view of the painter's work ever more finely, but who was also able to distance himself from his ""mentor"" Hans Knab in terms of taste. If the grandson loved his grandfather's finer and more precisely executed, more graphic paintings, Rolf Kaletta's heart beat especially for the freer, impressionistic and impasto works, but without limiting himself to these in his collection.Among the paintings masterfully executed with a light brush in our current auction are ""Brand im Dorf"" from 1901 (lot 1211), ""Vesper in der Werkstatt"" from 1907 (lot 1210), ""Lieselotte nascht Johannisbeeren"" from 1911 (lot 1217) or ""Sonnenuntergang"" from 1919 (lot 1214). The dates show that Kallmorgen cultivated this relaxed, impressionistic style throughout, parallel to the more austere, emblematic one. Occasionally, such free works are also studies for larger, sometimes more austere versions of the same motif. But the studies are also fully signed and exist on an equal footing within the oeuvre.The ""Brand im Dorf"" (Lot 1211) shows the painter as a village chronicler: In 1901 the community barn in Grötzing, the village near Karlsruhe, where the Kallmorgen couple had owned a ""refuge"" for decades, was destroyed in a night-time fire. Under the immediate impression of this event Kallmorgen created the present work. The flickering blaze of the flames, the dramatic struggle of the firemen illuminated by the glow of the fire, the nocturnal inferno, so charming for the painter and so rich in contrast, was captured by Kallmorgen with rapid, impressionistic brushstrokes.Lot 1208, ""Siechenhäuser in Lübeck"", also appears to have been painted by the hand of an exact chronicler, with a very expressive composition: Seen close up, a house wall with a door and two windows running diagonally into the image space blocks the view. The detail of the image is chosen low, so that the door and window are cut off at the upper edge of the image. Five old people, staggered one behind the other, sit on chairs, stools or steps and look ahead. Four of them look towards the right edge of the image. Only the middle old woman in the middle looks out of the image at the viewer. The space in the image, so narrowed by the angle of view, the passive posture and the empty facial expressions of the five old people, but also the smallest details, such as a slightly protruding tongue of one woman or the thinning hair of another, make this large-format work so impressive. As narrow the pictorial space is, as limited are the possibilities of the short remaining life, when material possibilities do not open up spaces.There are magnificent images of the creation of this painting, which show Friedrich Kallmorgen and his students at work in front of their easels. In fact, the photos and also Kallmorgen's own sketches for this painting were not taken in Lübeck, but during an excursion with his students to Havelberg near Berlin in 1905.Friedrich Kallmorgen travelled a lot and was always looking for impressions, landscapes and motives, which he then - as it was usual in his time - composed into large works in his studio. On the spot, in nature, he made studies, created a repertoire of staff and landscapes and sometimes he collaged several of such elements to a narrative whole of a painting.A wonderful proof of this working method is the painting ""Feierstunde"" from 1913 (lot 1215). Already in 1911 Kallmorgen had worked out the motif of the deserted ""Plauer Schleuse"" with its atmospheric water reflections into a smaller painting. From the same year dates another small work ""Heimkehrende Fischer"". Two years later the painter ""weaved"" these two images and created the present large-format painting. The four fishermen standing in the boat as they glide through the mirror-smooth water towards the people waiting at the lock actually radiate an atmosphere which, in combination with the mighty, colourful trees in the background and the charming reflection in the water, is exaggerated to a solemnity.Friedrich Kallmorgen's favourite travel destinations were in Holland, and it was there that he created the earliest painting offered here, ""The Narrator"" from 1892 (lot 1209), which stylistically also belongs to the more austere, more graphic works. On a street at a Dutch harbour a group of young women and children listen to a man sitting on the ground. Another man smoking a pipe is leaning against the fence next to the narrator. The background with buildings and the hustle and bustle of the harbour, although elaborated in detail, becomes quite secondary. The small group of people, which is so closely knit and so concentrated on each other, captivates the viewer.The variety of Kallmorgen's thirteen works on offer here from the various style and motif groups shows impressively the high quality standards with which Rolf Kaletta has built up his collection. Starting with a first image of Hamburg, he has, with the help of Hans Knab, developed a holistic approach to the artist Friedrich Kallmorgen..

akg8555414 MOLINARI, ANTONIOVenice 1655 - 1704Sophonisbe. Oil on canvas. Relined. 113,5 x 94,5cm. Frame/Pedestal: Framed. Literature:A. Craievich: Antonio Molinari, Cremona 2005, p. 200;S. Brink: Genio vigoroso ed originale. Die Zeichnungen des Antonio Molinari, Düsseldorf 2005, p. 40-41, cat. 6.Provenance:Private ownership, Italy.The figure of the Sophonisbe originates from Roman history and has traditionally been popular both for her beauty and her intelligence. She was the wife of Syphax, who, as king of the Massäsyliers, allied himself with the Carthaginians against the Romans on their advice. After the defeat by the Romans in 203 B.C., she made the king of Numidia Massinissa fall in love with her. To escape the humiliation of slavery after her capture by Scipio, Massinissa sent her a cup of poison. Sofonisba drank the tragic gift and preferred to die rather than live as a slave to the Romans.The present painting shows Sophonisbe holding the cup of poison in her right hand and the letter from her husband in her left, which tempts her to commit suicide. The author of the work is the Venetian Antonio Molinari, born in 1655, who was trained by his father Giovanni and Antonio Zanchi, known as a representative of the Tenebrosi. When Molinari was about twenty years old, he began to paint on his own, always following the example of the Tenebrosi in the spirit of naturalism and an accentuated theatricality of the scenery. From the eighties onwards Molinari changed his style and turned to more elegant forms and more delicate colours in the taste of the Neo-Renaissance, achieving considerable success with the smaller and medium-sized image formats. These represented in particular episodes of historical, mythological or biblical character, the success of which is confirmed by the demand for numerous repetitions. These paintings often celebrate famous heroines, such as Portia or, as in the present painting, Sofonisba, some of them depicting figures from Roman history, depicted in theatrical poses in front of classical backdrops. Molinari was also an excellent draughtsman, whose extensive graphic activity is documented by two collections, one in the Kunstpalast Musein Düsseldorf and the other in the drawing cabinet of the Louvre. Molinari was able to summarize an entire composition with a few pen and watercolour strokes. The drawings often serve as graphic models for paintings: this Sofonisba was created on the basis of a drawing preserved in Düsseldorf..

akg8555413 MOLINARI, ANTONIOVenice 1655 - 1704Sophonisbe. Oil on canvas. Relined. 113,5 x 94,5cm. Frame/Pedestal: Framed. Literature:A. Craievich: Antonio Molinari, Cremona 2005, p. 200;S. Brink: Genio vigoroso ed originale. Die Zeichnungen des Antonio Molinari, Düsseldorf 2005, p. 40-41, cat. 6.Provenance:Private ownership, Italy.The figure of the Sophonisbe originates from Roman history and has traditionally been popular both for her beauty and her intelligence. She was the wife of Syphax, who, as king of the Massäsyliers, allied himself with the Carthaginians against the Romans on their advice. After the defeat by the Romans in 203 B.C., she made the king of Numidia Massinissa fall in love with her. To escape the humiliation of slavery after her capture by Scipio, Massinissa sent her a cup of poison. Sofonisba drank the tragic gift and preferred to die rather than live as a slave to the Romans.The present painting shows Sophonisbe holding the cup of poison in her right hand and the letter from her husband in her left, which tempts her to commit suicide. The author of the work is the Venetian Antonio Molinari, born in 1655, who was trained by his father Giovanni and Antonio Zanchi, known as a representative of the Tenebrosi. When Molinari was about twenty years old, he began to paint on his own, always following the example of the Tenebrosi in the spirit of naturalism and an accentuated theatricality of the scenery. From the eighties onwards Molinari changed his style and turned to more elegant forms and more delicate colours in the taste of the Neo-Renaissance, achieving considerable success with the smaller and medium-sized image formats. These represented in particular episodes of historical, mythological or biblical character, the success of which is confirmed by the demand for numerous repetitions. These paintings often celebrate famous heroines, such as Portia or, as in the present painting, Sofonisba, some of them depicting figures from Roman history, depicted in theatrical poses in front of classical backdrops. Molinari was also an excellent draughtsman, whose extensive graphic activity is documented by two collections, one in the Kunstpalast Musein Düsseldorf and the other in the drawing cabinet of the Louvre. Molinari was able to summarize an entire composition with a few pen and watercolour strokes. The drawings often serve as graphic models for paintings: this Sofonisba was created on the basis of a drawing preserved in Düsseldorf..

akg8555075 FLEMISH MASTERca. 1600Holy Family. Oil on wood. 65,5 x 51,5cm. Frame/Pedestal: Framed. Provenance:Private ownership, Germany.The composition of the present panel goes back to a work by the Flemish artist Gerard David (ca. 1460 - 1523), which is lost today. It is known from a drawing in the Vienna Albertina, which in turn served as the model for a small series of different versions.Catheline Périer-D'Ieteren mentions ""Dal Ritrovamento all'Indagine. Due Sacre Famiglie di ambito fiammingo a confronto: storia, iconografia, restauro"" (2008) as well as in the revue Belge d'Archéologie et d'Histoire de l'Art a total of five known versions: in addition to the Viennese drawing, two works in museums in Genoa and two additional versions, one in the Haggerty Museof Art in Milwaukee, another in private ownership, which was exhibited in Bruges in 1902 and was offered for sale at Christie's in 2006. What they all have in common is the composition of the image with a central Madonna and Child on her lap, and architecture in the background. In the left-hand area, the carpenter Joseph is always seen in a passageway; in contrast to the versions quoted, Joseph appears in this panel against a landscape background rather than a city view. Stylistically, the panel was probably created somewhat later, so that the scope for variation is explained here.Cf. Literature:C. Périer-D'Ieteren: Production d'Atelier et Exportation. Cinq Versions de Sainte Famille de l'Entourage de Gérard David. In: Revue Belge d'Archéologie et d'Histoire de l'Art LXXVII, Brussels 2008, p. 27ff;C. Périer-D'Ieteren: Sainte Famille, Etourage de Gérard David - Prototype et Variantes. In: exhib. cat. ""Dal Ritrovamento all'Indagine. Due Sacre Famiglie di ambito fiammingo a confronto: storia, iconografia, restauro"", Museo Diocesano, Genoa 2008, p. 9ff.We are grateful to Peter van den Brink, Aachen, and Catheline Périer-D'Ieteren, Brussels, for their kind support in cataloguing the present work..

akg8555074 FLEMISH MASTERca. 1600Holy Family. Oil on wood. 65,5 x 51,5cm. Frame/Pedestal: Framed. Provenance:Private ownership, Germany.The composition of the present panel goes back to a work by the Flemish artist Gerard David (ca. 1460 - 1523), which is lost today. It is known from a drawing in the Vienna Albertina, which in turn served as the model for a small series of different versions.Catheline Périer-D'Ieteren mentions ""Dal Ritrovamento all'Indagine. Due Sacre Famiglie di ambito fiammingo a confronto: storia, iconografia, restauro"" (2008) as well as in the revue Belge d'Archéologie et d'Histoire de l'Art a total of five known versions: in addition to the Viennese drawing, two works in museums in Genoa and two additional versions, one in the Haggerty Museof Art in Milwaukee, another in private ownership, which was exhibited in Bruges in 1902 and was offered for sale at Christie's in 2006. What they all have in common is the composition of the image with a central Madonna and Child on her lap, and architecture in the background. In the left-hand area, the carpenter Joseph is always seen in a passageway; in contrast to the versions quoted, Joseph appears in this panel against a landscape background rather than a city view. Stylistically, the panel was probably created somewhat later, so that the scope for variation is explained here.Cf. Literature:C. Périer-D'Ieteren: Production d'Atelier et Exportation. Cinq Versions de Sainte Famille de l'Entourage de Gérard David. In: Revue Belge d'Archéologie et d'Histoire de l'Art LXXVII, Brussels 2008, p. 27ff;C. Périer-D'Ieteren: Sainte Famille, Etourage de Gérard David - Prototype et Variantes. In: exhib. cat. ""Dal Ritrovamento all'Indagine. Due Sacre Famiglie di ambito fiammingo a confronto: storia, iconografia, restauro"", Museo Diocesano, Genoa 2008, p. 9ff.We are grateful to Peter van den Brink, Aachen, and Catheline Périer-D'Ieteren, Brussels, for their kind support in cataloguing the present work..

alb3659517 The Last Kiss of Romeo and Juliet. Artist: After a composition by Francesco Hayez (Italian, Venice 1791-1882 Milan). Culture: Italian. Dimensions: Overall (confirmed): 5 × 5/16 × 3 5/8 in. (12.7 × 0.7 × 9.2 cm);Framed (with bail, confirmed): 6 1/2 × 4 1/2 in. (16.5 × 11.5 cm). Maker: Giovanni Beltrami (Italian, Cremona 1770 or 1777-1854 Cremona). Date: crystal 1824, frame possibly contemporary.The front of the oval rock crystal is flat with a wide, outward sloping beveled edge. Into the flat back Giovanni Beltrami engraved a miniature version of Francesco Hayez's painting, The Last Kiss of Juliet and Romeo (Milan, Brera). The image and its accompanying inscription are carved in reverse so that they are correctly oriented when the crystal is viewed from the front. Beltrami executed his reproduction exclusively in matte engraving. Its silvery translucence makes The Last Kiss appear to be suspended both within and beyond the transparent confines of the highly polished stone - an illusion underscored by the slight cropping of the scene's corners. The crystal's beveled cut and lucent clarity act like a lens to enlarge the engraved details and impart startling three-dimensionality to the figures of Juliet and Romeo. The gemstone was commissioned by Count Giovanni Battista Sommariva (1760-1826).Born in Lodi of obscure parentage, the barrister, financier, and art collector, Giovanni Battista Sommariva, rose to prominence as a supporter of France during Napoleon's conquest of Italy. At the height of his influence from 1800 to 1802 Sommariva was the de facto ruler of Milan. After Napoleon replaced him, Sommariva retired from politics and devoted his attention to speculative finance. He promoted his European prestige by dedicating his increasingly grand fortune to collecting works of art that he displayed in his principal residences in Paris and in Tremezzo (Villa Carlotta, formerly Sommariva, on Lake Como). Sommariva patronized the greatest sculptors and painters of his day, among them Canova, Thorvaldsen, Girodet, Prud'hon, and Hayez. Until his death in 1826, his private holdings were must-stop destinations for royalty, nobility and cognoscenti on the continental Grand Tour.Sommariva's emphasis on contemporary art endowed his collection with its unique distinction and historic importance. His preference for Italian and French works mirrors the international taste that is characteristic of the Napoleonic and post-Napoleonic eras. His equal enthusiasm for classical and troubadour subjects, such as The Last Kiss of Juliet and Romeo, reflects the transition from Neoclassicism to Romanticism. The Renaissance tale of the doomed lovers of Verona, later immortalized by Shakespeare, was undergoing a revival. Sommariva's special interest in this subject is indicated by the fact that sometime between 1822 and 1825 he acquired one of the seven luxury editions of Luigi da Porto's Novella di Giulietta et Romeo that were illuminated by Giambattista Gigola (1767-1841). These years bracket his acquisition of Hayez's The Last Kiss and the completion of the painting's reproduction in crystal.In spectacular fashion, Sommariva had his most important sculptures and paintings reproduced as cameos and intaglios. Only a man possessing tremendous wealth and a bent for unbridled self-promotion could have conceived of a project that directly linked his collection with the glyptic art form associated with the ancient Caesars, Renaissance princes, and contemporary royalty. By commissioning reproductions in precious, enduring gemstones Sommariva strove to secure the fame and integrity of his collection for posterity. Like The Last Kiss, each gem was inscribed with the artist's and the carver's names, the gem's date, and "Sommariva owns this." The phrase equally applies to the original work and to its record in precious stone. The Sommariva family name combined with a declaration of ownership in the present tense signaled the collection's dynastic intent.For his costly, ambitious project Sommariva primarily engaged members of the distinguished school of gem engravers who were located around Milan. Giovanni Beltrami, a native and resident of Cremona, who had established his fame as one of the greatest gem carvers in Europe with his work for the Bonapartes, was singled out with the demanding task of creating intaglios of Sommariva's paintings. During his association with Sommariva between 1811 and 1824, Beltrami is estimated to have produced about forty such gems of which only a handful are known today. Based on the plaster and glass reproductions of the gems that Sommariva commissioned for wide distribution, the Last Kiss was by far the largest and one of the most complex intaglios of any in his collection.The 1823 exhibition of Francesco Hayez's early work, The Last Kiss of Juliet and Romeo, at the Accademia di Belle Arti in Milan, heralded the dawn of the Romantic era in Italy. The painting, which was lauded for its meticulous naturalism and criticized for its overt depiction of mutual passion, hung as a centerpiece in the Villa Sommariva. The importance and innovative character of Beltrami's intaglio reflects the picture's status. Beltrami was known for his bravura execution of crowded figure groups on relatively small gems. With The Last Kiss, he took on the challenge of engraving a very large stone with two foreground figures set in a complex spatial interior. Engraving the scene's multi-layered perspective and the couple's full-bodied embrace demanded absolute precision. In hard transparent stone, with miniscule grinding strokes and hairsbreadth distinctions between depths of relief, Beltrami created the pictorial illusions of three-dimensional form, distance, and illumination. He accurately rendered the painting's smallest details, magisterially evoked its subtle play of shifting light, and memorably captured the young lovers' physical and emotional passion. Beltrami's contemporaries praised The Last Kiss as one of the engraver's masterpieces. The format, medium, scale, and pictorial ambition of The Last Kiss directly relate it to the Renaissance tradition of engraved crystal plaquettes that are represented at the Met by works such as Giovanni Bernardi's Battle of Tunis of c. 1544 (17.190.540). Museum: Metropolitan Museum of Art, New York, USA.

alb3635633 Male figurine. Culture: Inca. Dimensions: H. 2 7/16 in. (6.2 cm). Date: 1400-1533.This figurine depicts a man wearing a llautu, an Inca headdress often made of camelid wool, who is otherwise naked. The almond-shaped eyes, nose, and mouth, along with the ears with extended lobes that suggest they were fitted with spools and a small raised region on the proper left of mouth, indicating that the person depicted is actively chewing coca, a sacred plant whose consumption helps to fortify relationships among Andean peoples to the natural world and with each other (Allen 2002). The male figure stands upright with arms and hands brought in close to the chest. The figurine was likely fabricated and deposited as a huaca, a Quechua and Aymara term for a sacred being, and may have been part of a wider Inca offering to a huaca. One such type of offering was the Inca imperial practice of capac hucha, or royal obligation, involving the collection of materials and human beings to be offered in Cusco and their sacrifice there, in the Inca imperial center, or in provincial regions as a way of marking the geographical extent of the empire (Cieza de León 1959, 190-193; Diez de Betanzos 1996, 46). There tend to be three height groups (5-7 cm, 13-15 cm, 22-24 cm) among this corpus of Inca anthropomorphic figurines in metal (see McEwan 2015, 282, n. 15), and this figurine is in the smallest height group. The figurine was fabricated by joining seven pieces of metal sheet together, whose composition is approximately 53% gold, 40% silver, and a small amount of copper, by XRF. It may have once been wrapped in textiles, including an uncu (tunic) and a yaqolla (mantle), adorned with feathers on its head, and woven fibers, in the form of a llautu, wrapped around the metal version of this headdress (see MAAM 2007, 72 for examples of such figurines from the capac hucha assemblage from Llullaillaco). As the x-rays indicate (see image 2), the seven sheet components of the object include: the llautu, or headdress; the head, torso, and legs; the two ears; the penis; a gusset in the crotch region; and the two feet. The metalsmith hammered rectangular sheet, wrapping it around to form the cylindrical shape of the llautu body and raising it to form the hemispherical cap of the llautu from the same piece of metal. Any seam that would have resulted from joining the two vertical lengths of this semi-cylinder is not apparent (contra. Dumbarton Oaks PC.B.474 in Lechtman 1996, 309). The llautu is engraved with horizontal lines extending around the cylinder (see image 3), in a way creating the wraps of woven camelid fiber that may have encircled the head or providing the base for an external layer of Spondylus shell decoration, as included on male figurines from Llullaillaco and Choquepujio respectively. The ears, elongated to show that they could accommodate spools, a marker of Inca nobility, were hammered to shape and joined to the sides of the head likely by soldering, as Lechtman (1996, 309) observed for DO PC.B.474. The body of the llautu overlaps the top edges of the head (see image 3). In the process of joining these components, some irregularities emerged in the head region, including an overlap of metal on the proper right forehead immediately underneath the headdress. The details on the face have been hammered from the interior and/or exterior, including the indication of a quid of coca in the mouth, shown by a slight indentation on the proper left side of the lip. Like the semi-cylindrical headdress piece, the head/torso/legs piece was also joined at its ends, though along its major axis in this case, and a seam is visible down the back of the figurine, slightly right of center. It appears that the left end of this torso region overlaps the right end, and the two ends were soldered, given the presence of porosity and partial discoloration, suggesting a different metal composition, in this region. The individual fingers on the hands have been indicated by fine hammering from what is now the interior of this sheet. The penis is a separate sheet component (see image 4). The metalsmith perforated the head/torso/legs piece in the region of the penis. The metal in this location is no longer present, except for the upper portion which is attached at the top. The penis is made of a hammered tube of metal that was attached by soldering to the top of this perforated region. The profile x-ray shows that it extends into the figurine. The testicles have been indicated by hammering the head/torso/legs sheet. Seams are also present on the legs; in both cases, the seam is on the inside-facing part of the leg and thus less conspicuous to the viewer. From macroscopic observation and x-radiography, it appears that solder was used to join the two vertical lengths of the cylinder that formed each leg. There is a slight discontinuity visible below the testicles suggesting that a gusset of metal has been added in the region to fill the space that would have remained open once the head/torso/legs component was in place. The feet are individual sheets hammered to shape that may have extension on the tops and that were inserted into the leg components. The smith has indicated toes by engraving the top of each foot piece (see image 5). This figurine and others in the corpus of Inca figurines of metal emerged out of a long tradition in the central Andes of the plastic deformation of metal and the joining of multiple pieces of sheet. The location of their production is uncertain, but, in terms of their deposition, many of these figurines were specially curated to play an efficacious role, as huacas themselves, in larger assemblages of metal, Spondylus, and textiles at key sacred sites throughout the Inca landscape. Technical notes: Optical microscopy, X-radiography, and XRF conducted in 2017. Bryan Cockrell, Curatorial Fellow, AAOABeth Edelstein, Associate Conservator, OCDEllen Howe, Conservator Emerita, OCD2017. Museum: Metropolitan Museum of Art, New York, USA.

alb3630025 Female figurine. Culture: Inca. Dimensions: H. 5 7/8 x W. 1 3/8 in. (14.9 x 3.5 cm). Date: 1400-1533.This female figurine resembles other Inca metal figurines, often associated with the ritual performance of capac hucha, in terms of its appearance and design. Made of hammered sheet, of the approximate composition of 52% silver and 44% gold, by XRF, the figurine shows a woman standing with arms and hands close to the chest. Her hair is pulled back, extending to the lower back, into two tresses that have been tied at this end. Capac hucha has been defined in varied ways by 16th century Spanish chroniclers (Cieza de León 1959, 190-193; Diez de Betanzos 1996, 46, 132), but they note that it typically involves offerings in Cusco or in provincial regions made in honor of the Sun or in reverence of the Sapa Inca, the paramount Inca ruler. In some cases, it may involve gathering children from provinces, bringing them to Cusco, and then sending them to distant locations along with a range of other objects, including metal figurines, to be sacrificed and buried (see Diez de Betanzos 1996, 132). As with other instances of capac hucha assemblages that have been identified archaeologically (Gibaja et al. 2014; King 2016; Onuki and Rosas 2000), this figurine likely would have been dressed, wrapped in textiles fastened with pins (tupus) when it was deposited and accompanied by Inca ceramic and/or wooden vessels as well as other figurines made of metal or Spondylus spp. and the remains of the children sacrificed. However, Inca figurines have been deposited in contexts from which human remains have not been recovered, in a form of ritual practice separate from capac hucha (cf. Farrington and Raffino 1996, 73 on figurines from the main plaza or Haukaypata at Cusco, and Rojas et al. 2012 on a figurine from an Inca offering at the Moche site of Huaca de la Luna).The figurine is comprised of at least five sheet components that have been joined together to form a hollow figure (see image 4): the hair; the head and body; a gusset in the genital region (see image 5); and two separate feet. Several features of the face and body were added before the head-body sheet was formed into a hollow cylinder to be joined to the other components. The arms, hands, two breasts, and groin area were shaped from the reverse side of the sheet followed by chasing from the front. The hands were shaped by fine hammering from the reverse side of the sheet, now hidden from view, and the vagina and individual fingers were distinguished by engraving or tracing (see image 6). Unlike other figurines, the toes on the present figurine have not been indicated. The joins of the different sheet components were achieved through soldering and welding (involving pressure and/or heating [cf. Lechtman 1996]). Further joins were made in the torso and the legs. On the torso's reverse, the proper left end of the sheet overlaps the proper right end. There is a region of porosity that extends to the top of the proper right leg, visible macroscopically and by x-ray, that indicates the use of soldering to achieve the join in this area. Seams are visible on the inside-facing areas of each leg (see image 7). The texture of the hair was achieved through engraving (see image 8). There is variation in the engraving between long continuous lines and series of distinct segments. There is a central line dividing the hair in half that also has been engraved, and this line terminates at the top of the head while in other cases, the central line extends farther down the back. The profile x-ray shows that the dome-shaped hair piece slightly overlaps the edges of the head, which is open at the back, but hidden to the viewer. Unlike other figurines (e.g., Field Museum 4450 from Isla de la Plata) (Cockrell et al. n.d.), the legs have been secured to the feet by flat flanges extending from the bottom edges onto the top of the feet and then soldered in place. Due to the large amounts of silver in the metal, the face and body show a combination of red and black silver-gold sulfide corrosion layers. There tend to be three height groups (5-7 cm, 13-15 cm, 22-24 cm) among this corpus of Inca anthropomorphic figurines in metal (see McEwan 2015, 282, n. 15), and this figurine is in the middle height group. While the corpus of Inca figurines in metal--of humans and camelids--shows a range of internal similarities in shape and design, there are nuances to each, such as the joining of the legs to the feet, which suggest the work of different metallurgists. Inca leaders drew on metallurgists from Chan Chan, Pachacamac, and other locations to produce work. The Inca artists built on a Central Andean tradition centered on shaping metal as a solid, that is, by hammering, and using copper, silver, and gold, and alloys of these three metals, to make objects (Lechtman 2007, 320-1). Museum: Metropolitan Museum of Art, New York, USA.

alb3600110 Cassone with painted front panel depicting the Conquest of Trebizond. Culture: Italian, Florence. Dimensions: H. 39-1/2 x W. 77 x D. 32-7/8 in. (100.3 x 195.6 x 83.5 cm); Painted surface 15 1/4 x 49 1/2 in. (38.7 x 125.7 cm). Maker: Attributed to workshop of Apollonio di Giovanni di Tomaso (Italian, Florence ca. 1416-1465 Florence); and workshop of Marco del Buono Giamberti (Italian, Florence 1402-1489 Florence). Date: after ca. 1461.Purchased in 1913 from the Florentine dealer Stefano Bardini (1836-1922), this elaborate chest, or cassone, has long enjoyed status as one of the few fifteenth-century objects of its kind to survive intact and, moreover, to portray a contemporary historical event--the conquest of Trebizond, the last outpost of the Byzantine Empire, by Mehmed II in 1461 (for another example of a cassone panel depicting a contemporary historical event, see 07.120.1). This status has been called into question by a detailed, technical examination undertaken in 2008. It has now been demonstrated that so far from being intact, various parts of the chest are not integral and that, most importantly, the painted front may originate from another chest. This means that the purported provenance of the chest from Palazzo Strozzi, first asserted by Weisbach [see Ref. 1913], may have no bearing on the interpretation of the scene on the painted front. That the chest itself is connected with some member of the Strozzi family is clear from the emblems that appear on the end pieces, which are original to it: the Strozzi falcon or hawk perched on a caltrop (spiky metal devices that, when scattered on the ground, destabilize the enemy's horses) with a banderole inscribed ME[Z]ZE--perhaps indicating another Strozzi emblem, the half-moon crescent [see Ref. Nickel 1974]. The inside of the lid and the back of the cassone retain their original stenciled patterns simulating patterned fabric, and the top of the lid is embellished by a gessoed piece of cloth that is gilded and tooled to simulate a runner of cut velvet (this motif is worn, the paint having been almost entirely lost, so that the design is barely legible today). The scene on the painted front is universally recognized as coming from the most active and prestigious workshop for the production of painted cassone in mid-fifteenth-century Florence: that shared by Apollonio di Giovanni and Marco del Buono. Its subject is neither biblical nor mythological, nor even based on a contemporary novella such as those by Boccaccio. Rather, it depicts an event that unfolds before two identifiable cities of the Byzantine Empire. Much work has been done identifying the places shown [see especially Refs. Paribeni 2001, Paribeni 2002, and Lurati 2005]. In the left background, clearly labeled on its walls, is Constantinople. An attempt has been made by the artist to suggest a number of the city's landmarks and distinguishing topographical features, some of which are also labeled. There is the Latin church of San Francesco; the monumental column of Justinian in the Augustaion and the Egyptian obelisk (evidently topped by a crescent) in the Hippodrome originally laid out by Emperor Septimus Severus in the third century AD and further embellished by Constantine; the Hagia Sofia; the nearby sixth-century church of Saint Irene; what must be intended either as the Blachernae Palace or its thirteenth-century annex, the Palace of Porphyrogenitus, which served as the imperial residence for the last Byzantine emperors (the fragmentary inscription may possibly have been intended as [PALAZZO] DEILO [IM]PER[AT]ORI); the Golden Horn--the city's fabled inlet that was protected by a chain that could be drawn across it--with western ships (carracks) moored next to the Genoese quarter of Pera, the walls of which are dominated by the great circular Galata tower, atop which the Genoese flag can be seen. Other boats in the Golden Horn and the Sea of Marmara may be either Greek dromons or Ottoman. Further back, on the European side of the Bosphorus, is the CHASTEL NVOVO (the "new fortress" of Rumeli Hisari built by Mehmed II in 1451-52 in preparation for the seige of Constantinople; its distinctive towers are still a landmark today). Across the Bosphorus is another walled city designated as LO SCUTARIO--Scutari, present-day Üsküdar (the name, Skutarion, derived from the leather shields of the Roman soldiers stationed there; it fell to the Ottomans almost a century before Constantinople). Then, dominating the hill on the right is the walled city of Trebizond (modern-day Trabzon). Located on the southern coast of the Black Sea, it became the seat of a separate Byzantine empire when it was conquered by Alexios Komenos in 1204--the year Constantinople fell to the crusaders--and was the last outpost of the Byzantine Empire following the conquest of Constantinople by the Ottomans in 1453. It fell to the Ottomans in 1461, marking the final demise of Byzantium. Although hardly an accurate depiction, it seems clear that for his depiction of Constantinople the artist was supplied with descriptions and maps, such as the one included in Cristoforo Buondelmonti's Liber insularum Archipelagi of 1420 [see Ref. Pope-Hennessy and Christiansen 1980] as well as, possibly, drawings by that inveterate traveler Cyriac of Ancona and the reports of other visitors to the city [see Ref. Lurati 2005].Before the walled city of Trebizond is depicted a battle. An encampment of tents is shown on the far right, in front of which the leader of one of the armies is seated on a triumphal chariot drawn by two white horses. He wears a turban, as do other members of his army, including the troops emerging behind Scutari, and he points his white baton towards a gesticulating, bearded figure who, dressed in blue, wears the sort of cylindrical hat splayed out at the top that was associated in Western Europe with the Byzantine Greeks [see Ref. Lurati 2005]; he rides a black steed and is plainly either reporting on the progress of the battle or taking orders. Prior to 1980 it was presumed that the figure on the chariot was Mehmed II [see Ref. Weisbach 1913] and that the battle depicted the Ottoman defeat of the Byzantines in 1461--hence the designation of the chest as the Trebizond Cassone. However, as has been pointed out by Paribeni [see Ref. 2001], Trebizond was taken by Mehmed II without a battle: it capitulated without bloodshed. Moreover, a close examination of the costumes reveals that it is the Ottomans who are being vanquished (for the costumes, see especially Refs. Paribeni 2001, Paribeni 2002, and Lurati 2005). Clearly shown among the captives and those in retreat are members of the Ottoman elite infantry, the Janissaries, wearing their distinctive white conical hats with the top folded over. Other conical hats are gold, some with a feathered decoration (for similar Turkish costumes, see Cesare Vecellio's Degli habiti antichi . , Venice, 1664, book 7, pp. 297-302). Their commander is almost certainly the turbaned figure to the left of the melee, dressed in gold, holding a scepter and mounted on a black horse. He is defended by Janissaries, one of whom turns around while pointing with his left hand. Scimitars are wielded by both armies, as are the distinctive recurved composite bows of Ottoman warfare. In front of the triumphal chariot five captives, two of whom kneel, are being presented to the victorious army commanders. The characterization of the two armies should have been enough to refute the common identification of the figure on the triumphal chariot as Mehmed II. And, in fact, a careful examination with the aid of infrared light in 1980 revealed an inscription identifying him as TAN[B]VRLANA--Tamerlane, or Timur (1336-1405), the celebrated Mongol emperor and commander who defeated the Ottomans under Bayezid I at Ankara in 1402 (Bayezid was taken prisoner). The battle, then, would seem to be Tamerlane's victory over Bayezid at Ankara, but anachronistically shown against the backdrop of Trebizond. As remarked by Gombrich [see Ref. 1955], "it cannot have been the intention of the painter simply to represent a Greek disaster." And, indeed, the setting of a battle that took place in 1402 in front of a city that fell to the Ottomans in 1461 signals an emblematic intent.In the minds of Europeans, Tamerlane's victories assured him a place among the "worthies". As such, his image was included in a fresco cycle of famous men commissioned about 1432 by Cardinal Giordano Orsini for his palace in Rome. A number of interpretations have been suggested to explain the apparent anachronisms (see the thorough summary in Ref. Krohn 2008). One would have it that the figure is not actually Tamerlane but the Turkmen rival of the Ottomans, Uzun Hasan (1423-1478), who was known in his time as a second Tamerlane [see Ref. Paribeni 2001 and Baskins, as reported in Ref. Krohn 2008]. Uzun Hasan made a pact with Mehmed II not to aid the Byzantine forces and thus to assist the Ottoman conquest of Trebizond. How this relates to the actual battle scene depicted remains problematic, but it may be worth noting that the Venetians sought Uzun Hasan as an ally against the Ottomans. What cannot be doubted is the intention to conflate historical events, using the past as a template for the future by reminding viewers that the Ottomans--now a threat to Europe--were not invincible. Paribeni [see Ref. 2001] has indicated a pair of cassoni panels commissioned from the workshop of Apollonio, apparently in 1461, that illustrate the triumph of the Greeks over Xerxes' invading Persian army in 480-79 BC. Given the date of the commission, there would appear to be a reference to the conquest of Trebizond, the collapse of the Byzantine Empire, and a hoped for reversal. At the Council of Mantua in 1459, Pius II promoted a crusade against the Turks. An army was assembled in Ancona in 1464, but dispersed when Pius died there on August 15. There were, of course, also mercantile interests, and Paribeni [see Ref. 2001] has pointed out that in December 1460 an accord established a Florentine commercial presence in Trebizond. The presence on the MMA cassone of the two cities of Constantinople and Trebizond would thus seem to transform Tamerlane's victory at Ankara in 1402 into an emblematic prognosis for the defeat of the Ottoman conquerors of Trebizond.As noted above, the painted front may have belonged to another chest so that the attempts to link it with the Strozzi remain speculative. Moreover, it has not been proven that the chest itself came from the Strozzi palace, though it contains Strozzi emblems. Several Strozzi marriages have been suggested as appropriate moments for the commission: Caterina Strozzi, who married Jacopo degli Spini in 1462 [see Ref. Nickel 1974]; the brother of Vanni di Francesco Strozzi, who traveled to Constantinople and Trebizond in 1462 and who commissioned a cassone from Apollonio for the marriage [see Ref. Paribeni 2001]; Strozza di Messer Marcello degli Strozzi, who married in 1459; Benedetto di Marco degli Strozzi, who married in 1462 [Baskins, reported in Ref. Krohn 2008]; and finally, most prominent of all, the wealthy banker Filippo Strozzi--the builder of Palazzo Strozzi--who married Fiammetta degli Adimari in 1466 [Beatrice Paolozzi-Strozzi, in Ref. Krohn 2008]. Museum: Metropolitan Museum of Art, New York, USA.

alb3674251 Rama and Lakshmana Overwhelmed by Arrows: Folio from a Ramayana 'Siege of Lanka' Series. Artist: Attributed to Manaku (active ca. 1725-60). Culture: India (Guler, Himachal Pradesh). Dimensions: Page: 23 1/2 x 33 in. (59.7 x 83.8 cm)Image: 22 3/8 x 31 1/2 in. (56.8 x 80 cm). Date: ca. 1725."Rendering himself invisible by virtue of the boon he received from Brahma, [Indrajit, the son of Ravana] . loosened sharp arrows bright as lightening on Rama and Lakshmana . [so] not a hair's breath on their bodies was not lacerated, pricked and pierced by these irresistible darts." The Ramayana tells us that the shafts resembled serpents, a metaphor the artist rendered literally, depicting writhing snakes covering the bodies of the two fallen heroes. Surrounding them are the distressed monkey and bear armies that carry boulders and trees in preparation for their defense.In this unfinished preparatory drawing the artist, Manaku, brilliantly conveyed the essence of the narrative. We can only imagine how much more powerful a work it would have been if finished in the characteristically robust palette of the early eighteenth-century Guler style, as seen in Rama Releases the Demon Spies Shuka and Sarana and The Monkey Leader Angada Steals Ravana's Crown from His Fortress.About the ArtistManakuActive at the court in Guler ca. 1725-ca. 1760; son of Pandit Seu, brother of Nainsukh, father of two sons, Fattu and KhushalaThe painter Pandit Seu worked in Guler, Himachal Pradesh, and together with his two sons Manaku and Nainsukh, he dominated one of the most exciting periods of Pahari painting. Manaku remained more indebted to his father's style, while Nainsukh studied Mughal painting extensively and left the court in Guler to work for other patrons. Manaku, the older of the two brothers, produced a true masterpiece in 1725, his illustrations to the last part of the Ramayana, the so-called Siege of Lanka series. In that work, he continued the large-format Ramayana series that his father had begun, developing new compositional solutions for the depiction of complex narrative scenes. The young Manaku painted with the sure hand of a seasoned practitioner, and his talent, attested by his drawings, was immediately celebrated. Around 1730, he produced a series of 150 folios on one of the central texts of Krishna worship, the Gita Govinda. No illustrations for that text had been painted before in the Pahari region. Created for a Lady Malini, the series represents the crucial turning point in Manaku's early work. It presented a considerable challenge to understand all the subtleties and complexities of the text and to develop appropriate compositional solutions. An especially beautiful example is Manaku's visualization of the textual passage describing the south wind cooling itself in the Himalayas.Manaku's work borrowed from that of his father, Pandit Seu, in its formal repertoire, especially visible in conventions for rendering trees and faces and in its compositions with monochrome backgrounds and high horizon lines with white and blue washes. Only in his later works did more realistically painted elements become more evident.The artistic legacy of the brothers Manaku and Nainsukh was taken up by their sons. A series attributed to Manaku's son Fattu, from around 1760, reveals considerable borrowing from Manaku's work, while the style of other known works by the sons of these brother artists is more reminiscent of that of Nainsukh. Museum: Metropolitan Museum of Art, New York, USA.

akg7927263 VEEN, OTTO VAN1556 Leiden - 1629 BrusselsMiles Christianus. 1609-1629. Oil on canvas. 159 x 116cm. Inscription lower edge: Miles Christianus contra peccata mortalia pugnans coronam recipit. Framed. Verso:- Note on upper stretcher reading: 'Cabinet de tableaux J. Merlo'; inscription on canvas 'No. 8'; inscription on lower frame 'MC Witthoff a Cologne'. Literature: Ost, Hans, Unbekannte Werke von Otto van Veen, in: Wallraf-Richartz-Jahrbuch, Vol. LXVIII, Cologne 2007, p. 279-294. Provenance:- Johann Jakob Merlo Collection, mid-19th century; - 1890 sale at auction, unknown buyer; - since 1920s private ownership, Cologne. Otto van Veen, one of Antwerp's leading figure painters, was the teacher of Peter Paul Rubens. His work 'Miles Christianus', impressively depicting the Christian knight's dramatic battle against the seven deadly sins and Death, was considered lost for ages. Hans Ost thoroughly appreciated the painting in his 2007 contribution 'Unbekannte Werke von Otto van Veen' to the Wallraf-Richartz yearbook. The painting must have been created between 1609 and 1629 for a Cologne clergyman. During the 19th century it entered Johann Jakob Merlo's collection, who in 1850 made a name for himself in art history with his seminal writing 'Nachrichten vom Leben und den Werken Kölnischer Künstler' (News of the Life and Works of Cologne Artists). After his death in 1890, the painting was sold at auction and following years of uncertainty it was recently rediscovered in a private collection. Merlos devoted a thorough accout to this work:'As central part of my collection I cherish an allegorical painting by Otto Veenius, which displays, alongside exquisite technique, the artist's poetic spirit in its full grandeur. Intending to illustrate the subime truth that any true Christian had the inherent strength to overcome all temptations of evil and by that victory to gain the crown of eternal bliss. A young male, who in serene sublimity is guided by the virtues of faith, love, and hope, boldly and imperturbably wields his sword against the ferociously assailing vices; these are betrayed by their ingeniously selected attributes: gluttony, lust, wrath, envy, avarice, pride, and sloth - known as the seven cardinal sins. His shield bears the scene of Abraham sacrificing his son Isaac, a meaningful allusion to the imperative of obedience to God's commands. The fairest host of angels is floating above the young hero, presenting to him the Arma Christi as invigorating reminders; the ruptured ground however discloses an abyss, down which those who wandered from the straight and narrow are squirming in desperation, caught in the blaze, dammed to endure the agony of hell. (...) Aloft we gain a view of this glorious future of the Christan: within a halo embraced by the rainbow arch of peace, stands the Redeemer holding the victory banner with cross, rewarding the kneeling male with the crown of the Blessed. At the bottom stands be read: Miles Christianus contra peccata mortalia pugnans coronam recipit. (...) According to former owners, Otto Veenius painted this work, excellent in every respect, in Cologne for a noble art lover and member of the cathedral chapter - information that seems all the more plausible as the Italian school's style is predominant (initially reminding of Giulio Romano) and it seems to have been created shortly after his return from Italy, when he was still under the vivid imressions of his studies there.'From the 4th century onwards the motif of the battle between vices and virtues has persisted in the arts. Its threefold composition is evocative of Doom paintings. The arrangement of allocating the 'good' to the left and the 'damned' to the right may also have been adapted from these medieval representations. This thought also goes in line with the fact that the fair principal female character at the bottom of the painting does not belong with the damned to her left, but is rather refering the viewer to the inscription below by leaning over the balustrade as to read it herself. According to Ost the wording testifies to Otto van Veen's 'intellectual literary, text-based interests', hence to him being a pictor doctus. The motif itself can be traced to Paul's Epistle to the Ephesians in the Bible (Eph.6, 10-17). Otto van Veen worked at the court of Gerard von Groesbeck the Prince-pishop of Liége, in Rome, at Emperor Rudolf II's court in Prague, and at the court of the House of Wittelbach in Munich, before eventually going to Cologne in 1583, where he was appointed court painter by Ernest of Bavaria the Prince-elector of Cologne. The time he spent in Italy probably inspired him to the painting at hand: it was adapted from a large Chiaroscuro woodcut by Andrea Andreani. Who, according to his own writings on the work, in turn referred to a drawing by Battista Franco, which is presumably lost today. Moreover, he adopted the monogram at the bottom of the image. While Merlo dated the painting to 1585, Ost gives convincing reasons to assume a later date of origin between 1609 and 1629.The upper stretcher on the back of the painting bears a note reading 'Cabinet de tableaux J. Merlo'. The canvas is inscribed 'No. 8' and the lower frame reads 'MC Witthoff a Cologne'..

akg7927265 VEEN, OTTO VAN1556 Leiden - 1629 BrusselsMiles Christianus. 1609-1629. Oil on canvas. 159 x 116cm. Inscription lower edge: Miles Christianus contra peccata mortalia pugnans coronam recipit. Framed. Verso:- Note on upper stretcher reading: 'Cabinet de tableaux J. Merlo'; inscription on canvas 'No. 8'; inscription on lower frame 'MC Witthoff a Cologne'. Literature: Ost, Hans, Unbekannte Werke von Otto van Veen, in: Wallraf-Richartz-Jahrbuch, Vol. LXVIII, Cologne 2007, p. 279-294. Provenance:- Johann Jakob Merlo Collection, mid-19th century; - 1890 sale at auction, unknown buyer; - since 1920s private ownership, Cologne. Otto van Veen, one of Antwerp's leading figure painters, was the teacher of Peter Paul Rubens. His work 'Miles Christianus', impressively depicting the Christian knight's dramatic battle against the seven deadly sins and Death, was considered lost for ages. Hans Ost thoroughly appreciated the painting in his 2007 contribution 'Unbekannte Werke von Otto van Veen' to the Wallraf-Richartz yearbook. The painting must have been created between 1609 and 1629 for a Cologne clergyman. During the 19th century it entered Johann Jakob Merlo's collection, who in 1850 made a name for himself in art history with his seminal writing 'Nachrichten vom Leben und den Werken Kölnischer Künstler' (News of the Life and Works of Cologne Artists). After his death in 1890, the painting was sold at auction and following years of uncertainty it was recently rediscovered in a private collection. Merlos devoted a thorough accout to this work:'As central part of my collection I cherish an allegorical painting by Otto Veenius, which displays, alongside exquisite technique, the artist's poetic spirit in its full grandeur. Intending to illustrate the subime truth that any true Christian had the inherent strength to overcome all temptations of evil and by that victory to gain the crown of eternal bliss. A young male, who in serene sublimity is guided by the virtues of faith, love, and hope, boldly and imperturbably wields his sword against the ferociously assailing vices; these are betrayed by their ingeniously selected attributes: gluttony, lust, wrath, envy, avarice, pride, and sloth - known as the seven cardinal sins. His shield bears the scene of Abraham sacrificing his son Isaac, a meaningful allusion to the imperative of obedience to God's commands. The fairest host of angels is floating above the young hero, presenting to him the Arma Christi as invigorating reminders; the ruptured ground however discloses an abyss, down which those who wandered from the straight and narrow are squirming in desperation, caught in the blaze, dammed to endure the agony of hell. (...) Aloft we gain a view of this glorious future of the Christan: within a halo embraced by the rainbow arch of peace, stands the Redeemer holding the victory banner with cross, rewarding the kneeling male with the crown of the Blessed. At the bottom stands be read: Miles Christianus contra peccata mortalia pugnans coronam recipit. (...) According to former owners, Otto Veenius painted this work, excellent in every respect, in Cologne for a noble art lover and member of the cathedral chapter - information that seems all the more plausible as the Italian school's style is predominant (initially reminding of Giulio Romano) and it seems to have been created shortly after his return from Italy, when he was still under the vivid imressions of his studies there.'From the 4th century onwards the motif of the battle between vices and virtues has persisted in the arts. Its threefold composition is evocative of Doom paintings. The arrangement of allocating the 'good' to the left and the 'damned' to the right may also have been adapted from these medieval representations. This thought also goes in line with the fact that the fair principal female character at the bottom of the painting does not belong with the damned to her left, but is rather refering the viewer to the inscription below by leaning over the balustrade as to read it herself. According to Ost the wording testifies to Otto van Veen's 'intellectual literary, text-based interests', hence to him being a pictor doctus. The motif itself can be traced to Paul's Epistle to the Ephesians in the Bible (Eph.6, 10-17). Otto van Veen worked at the court of Gerard von Groesbeck the Prince-pishop of Liége, in Rome, at Emperor Rudolf II's court in Prague, and at the court of the House of Wittelbach in Munich, before eventually going to Cologne in 1583, where he was appointed court painter by Ernest of Bavaria the Prince-elector of Cologne. The time he spent in Italy probably inspired him to the painting at hand: it was adapted from a large Chiaroscuro woodcut by Andrea Andreani. Who, according to his own writings on the work, in turn referred to a drawing by Battista Franco, which is presumably lost today. Moreover, he adopted the monogram at the bottom of the image. While Merlo dated the painting to 1585, Ost gives convincing reasons to assume a later date of origin between 1609 and 1629.The upper stretcher on the back of the painting bears a note reading 'Cabinet de tableaux J. Merlo'. The canvas is inscribed 'No. 8' and the lower frame reads 'MC Witthoff a Cologne'..

alb3684559 Rama Releases the Demon Spies Shuka and Sarana: Folio from a Ramayana 'Siege of Lanka' Series. Artist: Attributed to Manaku (active ca. 1725-60). Culture: India (Guler, Himachal Pradesh). Dimensions: Page: 23 1/2 x 32 3/4 in. (59.7 x 83.2 cm)Image: 22 1/4 x 31 1/4 in. (56.5 x 79.4 cm). Date: ca. 1725.On the eve of the great battle, Ravana sent the spies Shuka and Sarana to assess the strength of Rama's monkey and bear armies. Vibhishana discovered the spies, arrested them, and brought them before Rama (at right). Rama, sitting with Lakshmana and Sugriva, set them free, as they had come as "envoys" and were not armed. The demon spies are seen entering the palace and, at the top, reporting to Ravana. They tell of the terrifying strength of Rama's generals and his invincible army: "Vibishana took us captive with the intention of slaying us, O king, but Rama, he whose valor is immeasurable, seeing us, let us go."This painting is from an important commission, only a few folios of which were finished. The artist, Manaku, used a continuous narrative, sequencing the three events. That, in turn, shaped the composition, which juxtaposes Ravana's golden fortress with Rama's encampment, encircled by monkey and bear warriors. It contrasts flat planes of color, characteristic of earlier Basohli styles, with more naturalistic elements that were becoming the trademark of the Guler-Kangra style.About the ArtistManakuActive at the court in Guler ca. 1725-ca. 1760; son of Pandit Seu, brother of Nainsukh, father of two sons, Fattu and KhushalaThe painter Pandit Seu worked in Guler, Himachal Pradesh, and together with his two sons Manaku and Nainsukh, he dominated one of the most exciting periods of Pahari painting. Manaku remained more indebted to his father's style, while Nainsukh studied Mughal painting extensively and left the court in Guler to work for other patrons. Manaku, the older of the two brothers, produced a true masterpiece in 1725, his illustrations to the last part of the Ramayana, the so-called Siege of Lanka series. In that work, he continued the large-format Ramayana series that his father had begun, developing new compositional solutions for the depiction of complex narrative scenes. The young Manaku painted with the sure hand of a seasoned practitioner, and his talent, attested by his drawings, was immediately celebrated. Around 1730, he produced a series of 150 folios on one of the central texts of Krishna worship, the Gita Govinda. No illustrations for that text had been painted before in the Pahari region. Created for a Lady Malini, the series represents the crucial turning point in Manaku's early work. It presented a considerable challenge to understand all the subtleties and complexities of the text and to develop appropriate compositional solutions. An especially beautiful example is Manaku's visualization of the textual passage describing the south wind cooling itself in the Himalayas.Manaku's work borrowed from that of his father, Pandit Seu, in its formal repertoire, especially visible in conventions for rendering trees and faces and in its compositions with monochrome backgrounds and high horizon lines with white and blue washes. Only in his later works did more realistically painted elements become more evident.The artistic legacy of the brothers Manaku and Nainsukh was taken up by their sons. A series attributed to Manaku's son Fattu, from around 1760, reveals considerable borrowing from Manaku's work, while the style of other known works by the sons of these brother artists is more reminiscent of that of Nainsukh. Museum: Metropolitan Museum of Art, New York, USA.

iblnit02158759 Prospect in front of the New Gate in Nuremberg, old woodcut from the 18th Century#18th,aged,and,architecture,article,articles,Arts,arts,Bavaria,Bavarian,being,beings,black,black-and-white,bricolage,building,buildings,Century,cities,city,crafted,crafting,craftmanship,crafts,depiction,depictions,figure,figures,from,front,Gate,German,good,goods,hand,hand-crafted,hand-made,handicraft,handicrafts,handicraftsmanship,handmade,historic,historical,house,houses,human,humans,in,item,items,made,method,methods,New,Nuremberg,of,old,painting,paintings,people,person,persons,picture,pictures,presentation,presentations,print,printer,printers,printing,prints,procedure,procedures,Prospect,representation,representations,technique,techniques,technologies,technology,the,town,towns,urban,wall,walls,white,woodcut,woodcuts,writing,writings,xylograph,xylographs,xylography#Michael Nitzschke#No#No#RM#Landscape#imagebroker.com#50 MB#4997x3498iblvan02159471.jpg#Olympic swimming pool of Montpellier, architect Ricardo Bofill, Antigone, Montpellier, Hérault, Languedoc-Roussillon, France, Europe#architects,architecture,architect,arenas,arena,building entrances,building entrance,buildings,building,Caucasian,daylight,daytime,day,entrances,entrance,entry,Europeans,European,France,French,Languedoc-Roussillon,modern,neo-classical,neoclassical,Neoclassicism,Occitanie,Olympic,people,pools,Pools,pool,Pool,Region Occitanie,Region of Occitanie,Roussillon,sports facilities,sports facility,sports stadiums,sports stadium,stadium,swimming bath,swimming pools,swimming pool,venues,venue,viewing,views,view,writes,write,writing#Giovanni Guarino#No#No#RM#Portrait#imagebroker.com#50 MB#3456x5184ibljwl02160829.jpg#WWI era German train in Leipzig Hauptbahnhof main station, Saxony, Germany, Europe#Caucasian,Eastern Europe,East Europe,Europeans,European,German,historical,historic,Indoors,indoor,Leipzig,Main,nobody,no one,No People,old,platform,rail stations,rail station,railway station,railways,railway,Saxon,stations,station,train an animal,training an animal,training,train platforms,train platform,trains an animal,train station,trains,train,viewing,views,view#Jason Langley#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3409iblsce02160937.jpg#Irrigation pipes in the desert, Arabian Peninsula, Middle East, Asia#Arabian Peninsula,Arabian,Arabia,daylight,daytime,day,deserts,desert,irrigation plants,irrigation plant,Middle East,Mid East,Mideast,Near East,nobody,no one,No People,Oman,peninsulas,peninsula,pipelines,pipeline,pipes,pipe,planting,plants,plant,South Asia,Southern Asia,Southwest Asia,Southwestern Asia,Sultanate of Oman,Sultanate Oman,systems,system,watered,water pipes,water pipe,West Asia,Western Asia#BAO#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblfwa02161942.jpg#Young woman on a motorcycle#1 person,18,19,20,adolescence,bangs,bicycle,Caucasian,chic,clothes,coats,coat,coiffures,coiffure,confident,cycles,cycle,cycling,daylight,daytime,day,direct look,does hair,do hair,doing hair,eighteen,engine,Europeans,European,fairs,fair,fashionable,fashion,females,Female teenagers,Female teenager,female,feminine,fringes,fringe,frontal,front views,front view,hairstyles,hairstyle,jackets,jacket,leather jackets,leather jacket,leathery,long haired,looking,looks,look,motorcycles,motorcycle,motors,motor,nineteen,people,person,poses,pose,posing,possessions,possession,puberty,self-assured,self-confidence,self-confident,self assured,self confident,twenty,vehicles,vehicle,view from the front,wild,woman,women,youth#Franz Waldhäusl#Yes#No#RM#Portrait#imagebroker.com#50 MB#4872x6496iblhdf02163984.jpg#Historical illustration from the 19th Century, portrait of Thomas Carlyle, 1795 - 1881, a Scottish essayist and historian#1 person,black-and-white,British,Caucasian,centuries,century,cropped,depictions,depiction,Europeans,European,Europe,figures,figure,Great Britain,head shots,head shot,heads,head,history,illustrated,illustrations,illustration,old,Partial View,personalities,personality,portraits,portrait,Scotch,Scotland,Scots,Scottish,Scot,travel photography,travel,UK,United Kingdom#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#3876x4512ibldwb02171215.jpg#Restaurant Schwanenschloesschen, Kreuzteich pond, Freiberg, Saxony, Germany, Europe#architecture,bodies,body,building house,Caucasian,daylight,daytime,day,Eastern Europe,East Europe,Europeans,European,framed,gastronomy,German,guesthouses,guesthouse,guest house,guests,guest,hotel restaurants,hotel restaurant,hotels,hotel,inns,inn,nobody,no one,No People,outdoor catering,outdoor gastronomy,ponds,pond,restaurants,restaurant,Saxon,services,service,taverns,tavern,timber buildings,timber building,trades,trade,trading,viewing,views,view,wooden house#Dr. Wilfried Bahnmüller#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412ibldwb02171220.jpg#Canal, Spree river, in Burg, Spreewald, Brandenburg, Germany, Europe#alluvial forests,alluvial forest,architecture,bodies,body,Brandenburg,bridges,bridge,buildings,building,canal,Caucasian,daylight,daytime,day,Eastern Germany,East Germany,Europeans,European,Europe,German Federal Republic,Germany,German,nobody,no one,No People,Spreewald boats,Spreewald boat,Spree,timber buildings,timber building,waterways,waterway,wooden boats,wooden boat,wooden house,wood#Dr. Wilfried Bahnmüller#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblatf04709973.jpg#Young woman, Fashion, Photoshoot, Germany, Europe#1 person,20-24 years,beautiful,Central Europe,confident,cool,direct look,easygoing,Europe,facing camera,fashion,female,German Federal Republic,Germany,lifestyle,looking at camera,looking,looks,look,Middle Europe,multiethnic,nonchalant,one person,people,person,photo shootings,photo shoot,self-assured,self-confident,self assured,self confident,single person,styles,style,sunglasses,woman,women,young adult woman,young adult women,young woman,young women,young#Lex Rayton#Yes#No#RM#Portrait#imagebroker.com#50 MB#3712x5568iblmox04722220.jpg#Aerial view, fishing village and bay of Kottes, Trikeri-Milina, Volos region, straits of Trikiri, Pelion peninsula, Pagaitic gulf, Greece, Europe#aerial photography,aerial photos,aerial photo,aerial shot,aerial view,Balkan Peninsula,Balkans,Balkan,bays,bay,birds-eyes-view,boats,boat,cala,coastal areas,coastal area,coastal region,coastlines,coastline,coasts,coast,Europe,fishing villages,fishing village,Greece,Greek,high-angle shot,high-angle view,High Angle View,landscape shot,landscapes,landscape,nature,nobody,no one,No People,oceans,ocean,overviews,overview,peninsulas,peninsula,sea,shoreline,small towns,Southeastern Europe,Southeast Europe,Southern Europe,South Europe,straits,strait,topviews,topview,top view,townscapes,townscape,townsmall,travel photography,travel,turquoise,View of,villages,village views,village view,village,water#Martin Moxter#No#No#RM#Landscape#imagebroker.com#50 MB#4833x3620iblmox04722231.jpg#Aerial view, fishing village and bay of Kottes, Trikeri-Milina, Volos region, straits of Trikiri, Pelion peninsula, Pagaitic gulf, Greece, Europe#aerial photography,aerial photos,aerial photo,aerial shot,aerial view,Balkan Peninsula,Balkans,Balkan,bays,bay,birds-eyes-view,boats,boat,cala,coastal areas,coastal area,coastal region,coastlines,coastline,coasts,coast,Europe,fishing villages,fishing village,Greece,Greek,high-angle shot,high-angle view,High Angle View,landscape shot,landscapes,landscape,nature,nobody,no one,No People,oceans,ocean,overviews,overview,peninsulas,peninsula,sea,shoreline,small towns,Southeastern Europe,Southeast Europe,Southern Europe,South Europe,straits,strait,topviews,topview,top view,townscapes,townscape,townsmall,travel photography,travel,View of,villages,village views,village view,village,water#Martin Moxter#No#No#RM#Landscape#imagebroker.com#50 MB#7151x3901iblrsn01981505.jpg#Library of Deutscher Bundestag, German parliament, Marie-Elisabeth-Lueders-Haus, building, view of the reading room, Berlin, Germany, Europe#Berlin,building,buildings,Bundestag,democracies,democracy,democratic,democtratically,Deutscher,Elisabeth,Europe,European,Federal,FRG,German,Germany,Haus,inboard,indoor,indoors,inside,interior,internal,legislative,libraries,library,Library,Lueders,Marie,Marie-Elisabeth-Lueders-Haus,member,members,MOP,nobody,of,parlamentarian,parlamentarians,parliament,Parliament,photo,political,politically,politics,reading,Republic,room,the,view,views#Rolf Schulten#No#No#RM#Landscape#imagebroker.com#50 MB#5123x3415iblrsn01981599.jpg#Quechua girl taking fish to the market with her converted bike, Playa Chifron on the northern shore of Lake Titicaca, Capachica, Peru, South America#America,American,american,being,beings,bike,Capachica,Chifron,converted,costume,costumes,cultural,culturally,culture,cultures,custom,customs,day,daylight,daytime,during,exterior,exteriors,female,fish,girl,her,human,humans,indigenous,Lake,local,market,native,natives,northern,of,on,outdoor,people,person,persons,Peru,photo,photos,Playa,population,populations,Quechua,shore,shot,shots,South,south,taking,the,Titicaca,to,tradition,traditional,traditions,with,woman,women#Rolf Schulten#No#No#RM#Landscape#imagebroker.com#50 MB#5125x3416iblrsn01981608.jpg#Japanese man looking at a flowering cherry tree, Tokyo, Japan, Asia#Asia,asian,at,being,beings,bloom,blooming,blooms,blossom,blossoming,blossoms,Cerasus,cherry,day,daylight,daytime,deciduous,during,examine,examines,examining,exterior,exteriors,flower,flowering,flowers,fruit,human,humans,in,indigenous,Japan,japanese,Japanese,leafed,leafy,local,look,looking,looks,man,native,natives,outdoor,people,person,persons,photo,photos,population,populations,regard,regarding,regards,shot,shots,spectator,spectators,spring,spring-time,springtime,the,time,Tokyo,tree,trees#Rolf Schulten#No#No#RM#Landscape#imagebroker.com#50 MB#5125x3416iblkwf02050275.jpg#Israeli Palestinian women wearing headscarves resting with their children on the base of the Ascension Church, Temple Mount, Muslim Quarter, Old City, Jerusalem, Israel, Middle East, Asia#architecture,children,child,Christian,churches,church,cities,city,daylight,daytime,day,district,female Moslem,female Muslims,female Muslim,Har haBáyit,headdresses,headdress,headgears,headgear,headscarf,headscarves,indigenous,Israeli,Israel,Jerusalem,kerchiefs,kerchief,Khet,locals,local,Middle East,Mid East,Mideast,mom,Moslem,mothers,mother,Muslims,natives,native,Near East,neighborhood,old woman,old women,people,person,populations,population,quarters,quarter,resting,rests,rest,several,sits,sitting,sit,South Asia,Southern Asia,Southwest Asia,Southwestern Asia,Temple Mount,West Asia,Western Asia,woman,women#Klaus-Werner Friedrich#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblesp02059412.jpg#People, Nyatapola Pagoda, Taumadhi Square, Bhaktapur, Kathmandu Valley, Nepal, Asia#children,child,daylight,daytime,day,indigenous,Kathmandu Valley,locals,local,natives,native,Nepalese,Nepal,Pagodas,Pagoda,people,person,populations,population,sits,sitting,sit,squares,square,temple complex,temple sites,temple site,temples,temple,travel photography,travel#Stefan Espenhahn#No#No#RM#Landscape#imagebroker.com#50 MB#5110x3421iblesp02059688.jpg#Man carrying load on back, Swayambhunath temple, Kathmandu, Nepal, Asia#architecture,Asian,Asiatic,belief,Buddhism,Buddhistic,Buddhist,buildings,building,carries,carrying,carry,daylight,daytime,day,faith,flags,flag,indigenous,Kathmandu,loading,loads,load,locals,local,male,man,men,natives,native,Nepalese,Nepal,Oriental,people,person,populations,population,prayer flags,prayer flag,religions,religion,religious buildings,religious building,religious,stupas,stupa,temple complex,temple sites,temple site,temples,temple,travel photography,travel#Stefan Espenhahn#No#No#RM#Landscape#imagebroker.com#50 MB#5110x3421iblebo02068693.jpg#Blue door with a door knocker, Chefchaouen, northern Morocco, Morocco, Africa#adorned,adornment,adornments,Africa,African,african,Arab,Arabian,Arabic,architecture,Blue,blue,building,buildings,Chefchaouen,custom,customs,day,daylight,daytime,decorated,decoration,decorations,decorative,decoratively,door,doors,during,entrance,entrances,entry,entry-way,entry-ways,entryway,entryways,exterior,exteriors,facade,facades,front,fronts,knocker,Moroccan,Morocco,nobody,North,northern,ornament,ornamentation,ornamentations,ornaments,ornate,ornately,outdoor,photo,photos,shot,shots,the,tradition,traditional,traditions,way,ways,with#Egon Bömsch#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132iblmzj02071713.jpg#Che Guevara relief, Plaza de la Revolucion, city centre of Havana, Habana Nueva Vedado, Cuba, Greater Antilles, Caribbean, Central America, America, Central America#America,Antilles,architecture,building,buildings,Caribbean,Central,centre,Che,city,Cuba,Cuban,cult,day,daylight,daytime,de,during,exterior,exteriors,Greater,Guevara,Habana,Havana,la,mural,murals,nobody,Nueva,of,outdoor,personality,photo,photos,Plaza,propaganda,relief,Revolucion,revolution,revolutionist,revolutionists,revolutions,Sea,shot,shots,the,Vedado#Michael Zegers#No#No#RM#Portrait#imagebroker.com#50 MB#3412x5128iblesp02075198.jpg#Holy men, Sadhus, with painted faces and long beards, Durbar Square, Kathmandu, Nepal, Asia#2 people,ascetics,ascetic,Asian,Asiatic,bearded,beards,beard,belief,cropped,daylight,daytime,day,faces,face,faith,head shots,head shot,heads,head,Hinduism,Hindu,holy,indigenous,Kathmandu,locals,local,long,male,man,men,natives,native,Nepalese,Nepal,Oriental,painted,Partial View,people,person,populations,population,portraits,portrait,religions,religion,religious people,religious person,sacred,Sadhus,sadhus,Sadhu,saints,saint,squares,square#Stefan Espenhahn#No#No#RM#Landscape#imagebroker.com#50 MB#5110x3421iblbfm02079677.jpg#Kastro Monolithos Castle, Rhodes, Greece, Europe#aged,architecture,building,buildings,Castle,castle,castles,day,daylight,daytime,decayed,delapidated,derelict,deteriorated,down,during,Europe,European,exterior,exteriors,fortress,fortresses,Greece,Greek,Kastro,Monolithos,neglected,nobody,old,outdoor,photo,photos,Rhodes,ruin,ruined,ruinous,ruins,run,run-down,rundown,shot,shots,South,Southern,stone,stonewall,stonewalls,stony,stronghold,strongholds,the,wall,walls#Maria Breuer#No#No#RM#Landscape#imagebroker.com#50 MB#4888x3576iblbfm02079955.jpg#Embonas, the wine capital of Rhodes, Greece, Europe#architecture,building,buildings,capital,catering,day,daylight,daytime,during,Embonas,Europe,European,exterior,exteriors,gastronomy,Greece,Greek,house,houses,of,outdoor,photo,photos,restaurant,restaurants,Rhodes,service,shop,shops,shot,shots,South,Southern,store,stores,the,town,towns,trade,village,villages,wine#Maria Breuer#No#No#RM#Landscape#imagebroker.com#50 MB#5122x3415iblbdn02080742.jpg#Wasabi sign and logo, London, England, United Kingdom, Europe#and,Britain,British,day,daylight,daytime,during,emblem,emblems,England,English,Europe,European,exterior,exteriors,Great,indicating,indication,indications,info,information,Kingdom,label,labels,logo,logos,London,nobody,outdoor,photo,photos,sentinel,sentinels,shot,shots,sign,signboard,signboards,signs,the,UK,United,Wasabi#XYZ PICTURES#No#No#RM#Landscape#imagebroker.com#50 MB#5579x3719iblbdn02080758.jpg#Cyclists on the pedestrian bridge over the Nam Khan River, Luang Prabang, Laos, Southeast Asia, Asia#architecture,Asia,asian,being,beings,bicycle,bicycle-riding,bicycles,bicycling,bicyclist,bicyclists,bike,bike-rider,bike-riders,bike-riding,biker,bikers,bikes,biking,bridge,bridges,building,buildings,cycle,cycler,cyclers,cycles,cycling,cyclist,cyclists,Cyclists,day,daylight,daytime,during,East,exterior,exteriors,human,humans,indigenous,Khan,Lao,Laos,Laotian,local,Luang,means,moped,mopeds,motorbicycle,motorbicycles,motorbike,motorbikes,Nam,native,natives,of,on,outdoor,over,pedestrian,people,person,persons,photo,photos,population,populations,Prabang,ride,rider,riders,rides,riding,River,road,shot,shots,small,South,South-East,Southeast,the,traffic,transportation,vehicle,vehicles#XYZ PICTURES#No#No#RM#Landscape#imagebroker.com#50 MB#5321x3547iblmea02087085.jpg#Woman holding her hands around the Sun, Nasca, Atacama Desert, Peru, South America#ambiance,ambient,America,american,American,around,Atacama,atmosphere,atmospheric,back,back-light,back-lighting,back-lit,backlight,backlighting,backlit,being,beings,contre,contre-jour,contrejour,Desert,dusk,evening,exterior,exteriors,female,filled,full,hands,her,hold,holding,holds,human,humans,jour,light,lighting,lit,mood,mood-filled,moods,Nasca,of,outdoor,people,person,persons,Peru,population,populations,silhouette,silhouettes,South,south,Sun,sun,sunset,sunsets,the,twilight,Woman,woman,women#Harald von Radebrecht#No#No#RM#Landscape#imagebroker.com#50 MB#5110x3421iblbas02087799.jpg#Bare-chested mixed-race British man with tattoos, East End, London, England, United Kingdom, Europe#20,20-25,20-30,25,25-30,30,about,age,aged,airy,Bare,Bare-chested,being,beings,black,blacks,body,Britain,British,casual,chalant,chest,chested,color,consider,considering,considers,contemplate,contemplates,contemplating,contemplative,cool,coolly,dark,dark-skinned,darkly,darkly-skinned,day,daylight,daytime,debonair,debonaire,deliberate,deliberates,deliberating,during,earnest,earnestly,East,easy,easy-going,easygoing,End,England,English,Europe,European,exterior,exteriors,going,grave,gravely,Great,human,humans,informal,Kingdom,London,man,men,mixed,mixed-race,naked,non,non-chalant,non-white,non-whites,nonchalant,nude,of,old,outdoor,pensive,pensively,people,person,persons,ponder,pondering,ponderous,ponders,race,reflective,relaxed,serious,seriously,severe,severely,skinned,something,somethings,stern,sternly,tattoo,tattooed,tattoos,the,think,thinking,thinks,thorax,thoughtful,thoughtfully,to,torso,twenty,twenty-something,twenty-somethings,twentysomething,twentysomethings,UK,United,unsmiling,unsmilingly,upper,white,whites,with,year,year-old,years,years-old,young,younger#Bettina Strenske#Yes#No#RM#Landscape#imagebroker.com#50 MB#5123x3414iblgvi02088905.jpg#Puszta potatoes with paprika, Hungary, Europe#appetising,appetizing,appetizingly,available,bell,Capsicum,capsicum,capsicums,cuisine,cuisines,dish,dishes,East,Eastern,eating,Europe,European,,food,Food,foods,foodstill,foodstills,foodstuff,foodstuffs,for,hearty,Hungarian,Hungary,inboard,indoor,indoors,inside,interior,internal,life,lives,Magyar,meal,meals,nourishment,nourishments,nutrition,paprika,pepper,peppers,photo,potato,potatoes,product,products,Puszta,,savory,savoury,served,shot,Solanum,still,stills,Stills,studio,sweet,tuberosum,vegetable,vegetables,vegetarian,with#gourmet-vision#No#No#RM#Portrait#imagebroker.com#50 MB#4111x4257iblpws02089304.jpg#Red fox (Vulpes vulpes), portrait, south east England, United Kingdom, Europe#alert,animal,animals,attentive,Britain,British,canid,Canidae,canids,Carnivora,carnivore,carnivores,day,daylight,daytime,direct,directly,during,east,England,English,Europe,European,exterior,exteriors,fauna,fox,Fox,foxes,Foxes,from,front,front-view,frontal,Great,head,heads,Kingdom,kingdom,look,looking,looks,mammal,Mammalia,mammalian,mammalians,mammals,meadow,meadows,nature,nobody,oberservant,one,outdoor,photo,photos,portrait,portraits,predator,predators,Red,red,shot,shots,south,straight,tetrapod,the,UK,United,Vertebrata,vertebrate,vertebrates,view,viewed,vulpes,Vulpes,watchful,wild,wildlife,world#Paul Whippey#No#No#RM#Landscape#imagebroker.com#50 MB#6480x4320iblgvi02089349.jpg#Allgaeu cheese pasta with onions, Germany, Europe#Allgaeu,Allium,available,basic,cheese,cheeses,detail,details,dish,dishes,display,eating,Europe,European,Federal,,food,Food,foods,foodstill,foodstills,foodstuff,foodstuffs,for,FRG,German,Germany,indoor,indoors,inside,interior,life,lives,meal,meals,nobody,noodle,noodles,nourishment,nourishments,nutrition,of,onion,onions,pasta,pastas,photo,product,products,,Republic,shot,staple,staples,still,Stills,stills,studio,with#gourmet-vision#No#No#RM#Landscape#imagebroker.com#50 MB#4359x4012iblgvi02090196.jpg#Fried vegetable rice, China, Asia#Asia,asian,available,China,Chinese,dish,dishes,eating,,food,Food,foods,foodstill,foodstills,foodstuff,foodstuffs,for,fried,Fried,indoor,indoors,inside,interior,life,lives,meal,meals,nobody,nourishment,nourishments,nutrition,Oryza,photo,product,products,,Rice,rice,roasted,shot,still,Stills,stills,studio,vegetable,vegetables,vegetarian#gourmet-vision#No#No#RM#Landscape#imagebroker.com#50 MB#4279x4086iblkhs02091706.jpg#Empty seats of a Chairoplane or swing carousel in front of the Television Tower in Alexanderplatz, Berlin, Germany, Europe#Alexanderplatz,amusement,annual,architecture,Berlin,building,buildings,carnival,carousel,carousels,caroussel,caroussels,carrousel,carrousels,chain,chairoplane,Chairoplane,chairoplanes,colored,colorful,coloured,colourful,day,daylight,daytime,during,empties,Empty,empty,emptying,Europe,European,exterior,exteriors,fair,fairground,fairs,Federal,festival,festivals,folk,FRG,front,fun,funfair,funfairs,German,Germany,go,hang,hanging,hangs,in,landmark,landmarks,merry,merry-go-round,merry-go-rounds,nobody,of,or,outdoor,photo,photos,public,Republic,ride,rides,round,roundabout,roundabouts,rounds,seat,seats,seeing,shot,shots,sight,sights,swing,swings,telecommunication,telecommunications,television,Television,the,tower,Tower,towers,TV,waveswinger,waveswingers,whirligig,whirligigs,worth#Karl-Heinz Spremberg#No#No#RM#Portrait#imagebroker.com#50 MB#3623x5434ibljwl02091981.jpg#Old Uru woman grinding wheat into flour for sale to tourists, Uros Floating Islands, Lake Titicaca, near Puno, Peru, South America#America,American,american,being,beings,cereal,cereals,cultural,culturally,culture,cultures,custom,customs,day,daylight,daytime,during,exterior,exteriors,female,Floating,flour,flouring,flours,for,grain,grains,grind,grinding,grinds,human,humans,indigenous,into,Islands,Lake,local,mill,milling,mills,native,natives,near,Old,outdoor,people,person,persons,Peru,population,populations,Puno,sale,South,south,the,Titicaca,to,tourists,tradition,traditional,traditions,Uros,Uru,wheat,woman,women#Jason Langley#No#No#RM#Landscape#imagebroker.com#50 MB#5123x3415ibljwl02092040.jpg#A vendor holds a plate of fried piranha and other fish caught in the Ucayali River, Requina, Loreto, Peru, South America#America,American,american,and,catch,catches,caught,day,daylight,daytime,during,eating,exterior,exteriors,fish,fishes,fishing,food,Food,foods,foodstill,foodstills,foodstuff,foodstuffs,fried,haul,hauls,holds,in,Loreto,nobody,nourishment,nourishments,nutrition,of,other,outdoor,Peru,piranha,plate,product,products,Requina,River,roasted,south,South,still,stills,the,Ucayali,vendor#Jason Langley#No#No#RM#Landscape#imagebroker.com#50 MB#5120x3417iblbfm02093007.jpg#Mill, Muehlenweg, Terenten, Val Pusteria, Pustertal Valley, South Tyrol, Italy, Europe#architecture,building,buildings,day,daylight,daytime,during,Europe,European,exterior,exteriors,flow,flowing,flows,italian,Italy,mill,Mill,mill-wheel,mill-wheels,mills,Muehlenweg,nobody,outdoor,photo,photos,Pusteria,Pustertal,shot,shots,South,Southern,stream,streaming,streams,Terenten,the,Tyrol,Val,Valley,water,wheel,wheels,wood,wooden#Maria Breuer#No#No#RM#Portrait#imagebroker.com#50 MB#3415x5122iblimw02093602.jpg#Coach Holger Stanislawski, TSG 1899 Hoffenheim, portrait, WIRSOL Rhein-Neckar-Arena, Sinsheim-Hoffenheim, Baden-Wuerttemberg, Germany, Europe#1899,Arena,Baden,Baden-Wuerttemberg,being,beings,close,close-up,close-ups,closeup,closeups,Coach,coach,coaches,congenial,day,daylight,daytime,during,Europe,European,exterior,exteriors,Federal,field,football,FRG,friendly,German,Germany,head,heads,Hoffenheim,Holger,human,humans,lawn,likable,likeable,male,man,men,Neckar,nice,nicely,outdoor,people,person,personable,persons,photo,photos,pleasant,portrait,portraits,Republic,Rhein,Rhein-Neckar-Arena,shot,shots,Sinsheim,Sinsheim-Hoffenheim,smile,smiles,smiling,soccer,Southern,sport,sports,Stanislawski,sympathy,trainer,trainers,TSG,up,ups,winsome,WIRSOL,Wuerttemberg#Michael Weber#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412ibltke02093671.jpg#Burg Hohenzollern castle in morning light, mist, Schwaebische Alb, Swabian Alb, Baden-Wuerttemberg, Germany, Europe#Alb,ambiance,ambient,architecture,atmosphere,atmospheres,atmospheric,autumn,autumnal,autumnally,Baden,Baden-Wuerttemberg,blanket,blankets,break,building,buildings,Burg,castle,castles,dawn,day,daylight,daytime,during,Europe,European,exterior,exteriors,fall,Federal,filled,fog,foggy,fortification,fortifications,fortress,fortresses,FRG,full,German,Germany,haze,hazy,hill,hills,historic,Hohenzollern,in,light,matutinal,mist,mists,misty,mood,mood-filled,moods,morning,mornings,nobody,of,out,outdoor,photo,photos,poke,pokes,poking,protrude,protrudes,protruding,Republic,Schwaebische,sea,seas,seeing,shot,shots,sight,sights,site,sites,Southern,stick,sticking,sticks,stronghold,strongholds,Swabia,Swabian,the,worth,Wuerttemberg#Lilly#No#No#RM#Panorama#imagebroker.com#50 MB#14602x5839iblhdf02093696.jpg#Historic print, woodcut, 1563, page of a book by Hans Wilhelm Kirchhof or Kirchhoff, 1525 -1605, a German landsknecht, Burggraf, baroque poet and translator, from the Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887#1525,1563,1605,1887,aged,an,and,atlas,baroque,Bildatlas,book,books,Burggraf,by,der,Deutschen,document,documents,education,file,files,from,German,Germany,Geschichte,Gustav,Hans,historic,Historic,historical,historically,history,illustrated,Kirchhof,Kirchhoff,Koennecke,landsknecht,literature,Nationalliteratur,of,old,or,page,paper,papers,poet,print,the,translator,Wilhelm,woodcut,writ,writing,writings,writs,zur#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#3278x6120iblest02094148.jpg#Painted cows, neolithic rock art at Tin Meskis, Adrar n'Ahnet, Algeria, Sahara, North Africa, Africa#Adrar,Africa,African,african,aged,Algeria,Algerian,art,at,carving,carvings,colored,coloured,cow,cows,drawing,engraving,engravings,historic,historical,historically,history,inboard,indoor,indoors,inside,interior,internal,Meskis,mural,murals,nAhnet,neolithic,North,of,old,painted,Painted,painting,paintings,petroglyph,petroglyphs,petrograph,petrographs,photo,pictogram,pictogramme,pictogrammes,pictograms,pictograph,pictographs,rock,Sahara,Tin,wall,work,works#Egmont Strigl#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3409iblebo02094160.jpg#Fortezza Sforzesco, Sforza Castle, built from 1450, Milan, Milano, Lombardy, Italy, Europe, PublicGround, Europe#1450,architecture,building,buildings,built,Castle,castle,castles,day,daylight,daytime,during,Europe,European,exterior,exteriors,Fortezza,from,italian,Italy,Lombardy,Milan,Milano,nobody,outdoor,palace,palaces,photo,photos,PublicGround,Sforza,Sforzesco,shot,shots,South,Southern,the#Egon Bömsch#No#No#RM#Portrait#imagebroker.com#50 MB#3412x5128iblmox02094781.jpg#Ceiling paints, monastery church of St. Georg, Kloster Ochsenhausen Monastery, Ochsenhausen, Biberach district, Upper Swabia, Baden-Wuerttemberg, Germany, Europe#architecture,art,Baden,Baden-Wuerttemberg,baroque,Baroque,Biberach,building,buildings,ceiling,Ceiling,ceilings,Christian,Christianity,church,churches,cloister,cloisters,convent,convents,district,drawing,Europe,European,Federal,FRG,Georg,German,Germany,indoor,indoors,inside,interior,Kloster,monasteries,Monastery,monastery,mural,murals,nobody,Ochsenhausen,of,painting,paintings,paints,perspective,photo,Religion,religious,Republic,Southern,St,Swabia,Upper,Wuerttemberg#Martin Moxter#No#No#RM#Portrait#imagebroker.com#50 MB#3654x5481iblbej02094981.jpg#Walls of Saint Malo, Bretagne, Brittany, France, Europe#architecture,being,beings,Bretagne,Brittany,building,buildings,city,day,daylight,daytime,during,Europe,European,exterior,exteriors,France,French,house,houses,human,humans,Malo,of,outdoor,people,person,persons,photo,photos,Saint,shot,shots,the,town,wall,walls,Walls#Bernard Jaubert#No#No#RM#Landscape#imagebroker.com#50 MB#4261x4107iblbmb02095608.jpg#Old market woman, Vietnam, Southeast Asia, Asia#Asia,asian,being,beings,day,daylight,daytime,during,East,exterior,exteriors,female,human,humans,indigenous,local,market,market-woman,market-women,native,natives,Old,outdoor,people,person,persons,photo,photos,population,populations,salesperson,saleswoman,saleswomen,shot,shots,South,South-East,Southeast,the,Vietnam,Vietnamese,woman,women#Bernd Bieder#No#No#RM#Landscape#imagebroker.com#50 MB#5124x3416iblhsh02097221.jpg#Burg Pfalzgrafenstein Castle, Kaub am Rhein, Rhine, UNESCO World Heritage Site, Upper Middle Rhine Valley, Rhineland-Palatinate, Germany, Europe#am,architecture,bodies,body,building,buildings,Burg,castle,Castle,castles,day,daylight,daytime,during,Europe,European,exterior,exteriors,Federal,fortification,fortifications,fortress,fortresses,FRG,German,Germany,Heritage,Kaub,Middle,nobody,of,outdoor,Palatinate,Pfalzgrafenstein,photo,photos,Republic,Rhein,Rhine,Rhineland,Rhineland-Palatinate,river,rivers,shot,shots,Site,Sites,stronghold,strongholds,the,UNESCO,Upper,Valley,water,waters,World#Hartmut Schmidt#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3409iblbab02097239.jpg#Santa Claus figures, Christmas market, Dortmund, North Rhine-Westphalia, Germany, Europe#Christmas,Christmas-time,Christmas-y,Christmassy,Christmastime,Christmasy,Claus,claus,Clauses,decoration,decorations,decorative,decoratively,detail,details,Dortmund,Europe,European,exterior,exteriors,fair,fairs,Father,Federal,figures,FRG,German,Germany,kitsch,kitschy,Kringle,Kringles,Kris,market,markets,mas,Nicholas,Nick,Nikolaus,nobody,North,of,ornament,ornaments,outdoor,photo,photos,Republic,Rhine,Rhine-Westphalia,Saint,Santa,Santas,season,shot,shots,St,time,Westphalia,X-mas,Xmas,yule,yuletide#Barbara Boensch#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3409ibljhx02097787.jpg#Hufeisensiedlung, housing estate in the shape of a horseshoe by Bruno Taut, Stavenhagener Strasse, Berlin Modernism housing development, UNESCO World Heritage Site, Berlin-Britz, Neukoelln District, Berlin, Germany, Europe#apartment,architecture,Berlin,Berlin-Britz,Britz,Bruno,building,buildings,by,condo,condominium,condominiums,condos,day,daylight,daytime,development,District,during,estate,estates,Europe,European,exterior,exteriors,Federal,FRG,German,Germany,Heritage,horseshoe,house,houses,housing,Hufeisensiedlung,in,living,market,markets,modern,Modernism,Neukoelln,nobody,of,outdoor,photo,photos,properties,property,real,realties,realty,Republic,shape,shot,shots,Site,Sites,space,Stavenhagener,Strasse,Taut,the,UNESCO,World#Jürgen Henkelmann#No#No#RM#Portrait#imagebroker.com#50 MB#3422x5111iblgvi02098111.jpg#Spicy chicken wings, Caribbean#appetising,appetizing,appetizingly,aromatic,available,Caribbean,chicken,course,courses,dish,dishes,eating,,flavorful,flavorsome,flavourful,flavoursome,Food,food,foods,foodstill,foodstills,foodstuff,foodstuffs,for,fried,ginger,hearty,hot,lime,limes,main,mains,meal,meals,meat,nourishment,nourishments,nutrition,piquant,poultry,product,products,,roasted,savory,savoury,Sea,served,shot,Spicy,spicy,still,stills,studio,tasty,wings#gourmet-vision#No#No#RM#Landscape#imagebroker.com#50 MB#4704x3715iblimw02098226.jpg#MS Norwegian Star, cruise liner in front of Mount Rainier, Olympic Peninsula, Washington, Strait of Juan de Fuca, United States of America, USA, PublicGround, North America#America,American,bodies,body,complete,completely,cruise,cruises,day,daylight,daytime,de,during,entire,entirely,exterior,exteriors,face,front,Fuca,in,Juan,lateral,liner,Mount,MS,nobody,North,Norwegian,of,Olympic,one,outdoor,Peninsula,photo,photos,PublicGround,Rainier,separate,separately,ship,ships,shot,shots,side,sidewise,single,singly,Star,States,Strait,the,tourism,touristic,touristical,touristically,touristy,United,US,US-American,USA,view,views,Washington,water,waters,whole,wholly#Michael Weber#No#No#RM#Landscape#imagebroker.com#50 MB#6048x3328iblsce02098411.jpg#Jacques Offenbach, 1819 - 1880, born as Jakob Eberst, a French composer and cellist of German and Jewish descent, considered the founder of modern operetta, wood engraving, 1880#1819,1880,aged,and,as,black,black-and-white,born,cellist,character,characters,composer,considered,depiction,depictions,descent,Eberst,engraving,Europe,European,figure,figures,founder,France,French,German,head,heads,historic,historical,historically,history,Jacques,Jakob,Jewish,modern,of,Offenbach,old,operetta,personage,personages,personalities,personality,picture,pictures,portrait,portraits,representation,representations,the,white,wood#BAO#No#No#RM#Portrait#imagebroker.com#50 MB#3552x5024iblsce02098460.jpg#Carl Philipp Euler, 1828 - 1901, German gymnastics teacher and writer, wood engraving, 1880#1828,1880,1901,aged,and,black,black-and-white,Carl,character,characters,depiction,depictions,engraving,Euler,Europe,European,figure,figures,FRG,German,Germany,gymnastics,head,heads,historic,historical,historically,history,old,personage,personages,personalities,personality,Philipp,picture,pictures,portrait,portraits,representation,representations,teacher,white,wood,writer#BAO#No#No#RM#Portrait#imagebroker.com#50 MB#3788x4614iblsce02098511.jpg#Fantasia, traditional equestrian sport in the Maghreb, especially in Morocco, wood engraving, 1880#19,1880,Africa,African,african,aged,and,animal,animals,being,beings,black,black-and-white,centuries,century,depiction,depictions,engraving,equestrian,equestrianism,Equidae,especially,Fantasia,figure,figures,historic,historical,historically,history,Horse,Horses,human,humans,in,Maghreb,Moroccan,Morocco,North,old,people,person,persons,picture,pictures,representation,representations,ride,rider,riders,rides,riding,sport,the,traditional,white,wood#BAO#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblhdf02099406.jpg#Historic print, woodcuts from 1480 and 1490 - 1552, by Hans Brosamer, German painter, copperplate engraver and print cutter, printed around 1560 by Ulrich Han or Haan, Hahn, Gallus, one of the oldest German book printers, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887#1480,1490,1552,1560,1887,aged,an,and,around,atlas,Bildatlas,black,black-and-white,book,Brosamer,by,copperplate,cutter,depiction,depictions,der,Deutschen,engraver,Europe,European,figure,figures,from,Gallus,German,Germany,Geschichte,Gustav,Haan,Hahn,Han,Hans,Historic,historic,historical,historically,history,illustrated,Koennecke,literature,Nationalliteratur,of,old,oldest,one,or,painter,picture,pictures,print,printed,printers,representation,representations,the,Ulrich,white,woodcuts,zur#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4882x5545iblhdf02099422.jpg#Historic print, 1582, front page of the Frankfurt Volksbank songbook, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887#1582,1887,aged,an,atlas,Bildatlas,book,books,by,color,colors,colour,colours,depiction,depictions,der,Deutschen,document,documents,Europe,European,figure,figures,file,files,Frankfurt,from,front,German,Germany,Geschichte,Gustav,historic,Historic,historical,historically,history,illustrated,Koennecke,literature,Nationalliteratur,of,old,page,paper,papers,picture,pictures,print,representation,representations,song,songbook,songs,the,tune,tunes,Volksbank,writ,writing,writings,writs,zur#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#3732x5763iblhdf02100871.jpg#Historic manuscript, 1703, page form the play Simson by Christian Weise or Siegmund Gleichviel, Orontes, Catharinus Civilis, Tarquinius Eatullus, 1642 - 1708, a German writer, playwright and educationalist, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887#19,1642,1703,1708,1887,aged,an,and,atlas,Bildatlas,black,black-and-white,book,books,by,Catharinus,centuries,century,Christian,Civilis,der,Deutschen,document,documents,Eatullus,educationalist,Europe,European,Federal,file,files,form,FRG,from,German,Germany,Geschichte,Gleichviel,Gustav,hand,hand-written,handwriting,handwritings,Historic,historic,historical,historically,history,illustrated,Koennecke,literature,manuscript,Nationalliteratur,of,old,or,Orontes,page,paper,papers,play,playwright,Republic,Siegmund,Simson,Tarquinius,text,texts,the,Weise,white,writ,writer,writing,writings,writs,written,zur#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4272x7074iblwmi02100992.jpg#Tourists standing in front of the Painted Ladies, Victorian houses in front of the San Francisco skyline with Transamerica Pyramid, Steiner Street, Alamo Square, San Francisco, California, United States of America, USA, North America#Alamo,America,American,and,architecture,being,beings,black,black-and-white,building,buildings,California,cities,city,day,daylight,daytime,during,exterior,exteriors,Francisco,front,house,houses,human,humans,in,Ladies,North,of,outdoor,Painted,people,person,persons,photo,photos,Pyramid,San,shot,shots,skyline,Square,standing,States,Steiner,Street,the,tourism,tourist,touristic,touristical,touristically,tourists,Tourists,touristy,town,towns,Transamerica,United,US,US-American,USA,Victorian,white,with#Michael Weber#No#No#RM#Landscape#imagebroker.com#50 MB#6048x4032iblbdn02102018.jpg#Wat Phra Mahathat Woramahawihaan temple, Nakhon Si Thammarat, Thailand, Asia#architecture,Asia,asian,belief,Buddhism,buddhist,buddhistic,buddhistical,building,buildings,creed,cultural,culturally,culture,cultures,day,daylight,daytime,during,East,exterior,exteriors,faith,historic,historical,historically,history,Mahathat,Nakhon,nobody,outdoor,photo,photos,Phra,Religion,religious,shot,shots,Si,site,sites,South,South-East,temple,temples,thai,Thailand,Thammarat,the,Wat,Woramahawihaan#XYZ PICTURES#No#No#RM#Landscape#imagebroker.com#50 MB#5301x3534iblblo02102994.jpg#Aerial view, Phoenix-See Lake, artificial lake, Emscher river, Hoerde, Dortmund, Ruhr Area, North Rhine-Westphalia, Germany, Europe#above,aerial,Aerial,angle,Area,artificial,artificially,birds,birds-eye,bodies,body,day,daylight,daytime,Dortmund,during,elevated,Emscher,Europe,European,exterior,exteriors,eye,fake,Federal,FRG,from,German,Germany,high,high-angle,Hoerde,imitated,imitation,lake,Lake,lakes,mock,nobody,North,NRW,of,outdoor,perspective,perspectives,Phoenix,Phoenix-See,photo,photograph,photographs,photos,Republic,Rhine,Rhine-Westphalia,Rhine-Westphalian,river,Ruhr,See,shot,shots,simulated,the,top,topview,topviews,view,views,water,waters,Westphalia,Westphalian#Hans Blossey#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblrku02103174.jpg#Petrol pump labelled with Benzin, German for petrol, with the nozzle in the form of a serpent's head, symbolic image#Benzin,benzine,consumption,for,form,fuel,fuels,gas,gasoline,German,head,image,in,inboard,indoor,indoors,inside,interior,internal,labelled,nozzle,nozzles,of,Petrol,petrol,photo,picture,pictures,price,prices,pump,pumps,punp,serpents,snake,snakes,station,stations,symbol,symbolic,symbols,tap,taps,the,with#Ralf Kunstmann#No#No#RM#Portrait#imagebroker.com#50 MB#4000x5000iblsce02103385.jpg#Wilhelm Schrader, 1817-1907, a German politician, wood engraving, about 1880#19,1817,1817-1907,1880,1907,about,aged,and,black,black-and-white,centuries,century,character,characters,depiction,depictions,engraving,Europe,European,Federal,figure,figures,FRG,German,Germany,head,heads,historic,historical,historically,history,of,old,personage,personages,personalities,personality,picture,pictures,politician,portrait,portraits,representation,representations,Republic,Schrader,white,Wilhelm,wood#BAO#No#No#RM#Portrait#imagebroker.com#50 MB#3654x4783iblsce02103416.jpg#Prince Johann of Saxony, wood engraving, around 1880#19,1880,aged,and,around,black,black-and-white,centuries,century,character,characters,depiction,depictions,engraving,Europe,European,figure,figures,German,Germany,head,heads,historic,historical,historically,history,Johann,of,old,painting,paintings,personage,personages,personalities,personality,picture,pictures,portrait,portraits,Prince,representation,representations,Saxony,white,wood#BAO#No#No#RM#Portrait#imagebroker.com#50 MB#3855x4534iblabc02103459.jpg#Graffiti, underground passage, Ungererstrasse, Muenchner Freiheit, Munich, Bavaria, Germany, Europe#architecture,Bavaria,Bavarian,building,buildings,colored,coloured,Europe,European,Federal,Freiheit,FRG,German,Germany,graffiti,Graffiti,graffito,illuminated,illumination,illuminations,indoor,indoors,inside,interior,lighting,lit,Muenchner,Munich,nobody,of,painted,painting,paintings,passage,photo,Republic,Southern,sprayed,underbridge,underbridges,underground,Ungererstrasse,up,view,views#Manfred Bail#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblomk02104850.jpg#Rock Ptarmigan (Lagopus muta), Johan Petersen Fjord, East Greenland#animal,animals,Aves,bird,birds,body,Danish,dappled,day,daylight,daytime,Denmark,dotted,during,East,entire,Europe,European,exterior,exteriors,fauna,Fjord,flecked,full,full-body,Galliformes,Greenland,Johan,Kalaallit,kingdom,Lagopus,length,muta,mutus,nature,nobody,North,Northern,Nunaat,one,outdoor,Petersen,Phasianidae,photo,photos,portrait,portraits,Ptarmigan,Ptarmigans,Rock,rock,rocks,rocky,Scandinavia,Scandinavian,separate,separately,shot,shots,single,singly,specked,speckled,spotted,spotty,stone,tetrapod,Vertebrata,vertebrate,vertebrates,whole,wild,wildlife,world#Olaf Krüger#No#No#RM#Landscape#imagebroker.com#50 MB#5122x3415iblsox02105405.jpg#Chimpanzee (Pan troglodytes troglodytes), subadult, resting, captive, Florida, USA, North America#animals in the wild,animals,animal,Apes,Ape,arms crossed,arms folded,big,bodies,body,break,cameras,camera,Catarrhines,Catarrhine,chimpanzees,chimpanzee,Chimps,Chimp,chimp,Common chimpanzees,Common chimpanzee,cropped,cub,direct look,fauna,Florida,Great apes,Great ape,habitat,head shots,head shot,heads,head,Hominidae,Hominids,Hominid,large,laying,lays,lay,lengths,length,lies,lie,looking,looks,look,lying,Mammalians,Mammalian,Mammals,Mammal,Monkeys,Monkey,natural environments,natural environment,natural habitat,natural landmark,nature,nobody,no one,No People,North America,out,pans,pan,Partial View,portraits,portrait,Primates,Primate,pups,pup,relaxing,restful,resting,rests,rest,Robust chimpanzees,Robust chimpanzee,suckling,United States of America,United States,USA,US,wild animals,wild animal,wildlife photography,wildlife,worlds,world,young animals,young animal#Sohns#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblhdf02107423.jpg#Historic print, copper engraving, 1762, portrait of Anna Louisa Karsch also known as Karschin, 1722 - 1791, a German poet, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887#19,1722,1762,1791,1887,aged,also,an,and,Anna,as,atlas,autograph,autographing,autographs,Bildatlas,black,black-and-white,by,centuries,century,character,characters,copper,depiction,depictions,der,Deutschen,engraving,Europe,European,figure,figures,from,German,Germany,Geschichte,Gustav,hand,hand-written,handwriting,handwritings,head,heads,historic,Historic,historical,historically,history,illustrated,Karsch,Karschin,known,Koennecke,literature,Louisa,Nationalliteratur,of,old,painting,paintings,personage,personages,personal,personalities,personality,personally,picture,pictures,poet,portrait,portraits,print,representation,representations,signature,signatures,white,written,zur#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#3170x5515iblkec02107635.jpg#Harley Davidson Street Bob#bike,bikes,black,Bob,chopper,chrome,chrome-plated,chromed,complete,completely,cycle,cycles,Davidson,day,daylight,daytime,during,entire,entirely,exterior,exteriors,face,Harley,lateral,locomotion,machine,machines,motor,motor-cycle,motor-cycles,motorcycle,motorcycles,nobody,one,outdoor,photo,photos,plated,road,separate,separately,shot,shots,side,sidewise,single,singly,stand,standing,stands,Street,traffic,vehicle,vehicles,view,whole,wholly#Thomas Schneider#No#No#RM#Landscape#imagebroker.com#50 MB#5122x3415iblmzj02107839.jpg#Bode Museum on the Museumsinsel, Museum Island, UNESCO World Cultural Heritage Site, Berlin Mitte, Germany, Europe#architecture,Berlin,Bode,building,buildings,Cultural,cultural,culturally,culture,cultures,day,daylight,daytime,detail,details,during,Europe,European,exterior,exteriors,Federal,figure,figures,FRG,German,Germany,Heritage,Island,Mitte,Museum,museum,museums,Museumsinsel,nobody,of,on,outdoor,photo,photos,Republic,sculpture,sculptures,shot,shots,site,Site,sites,Sites,statuary,statue,statues,the,UNESCO,World,writing,writings#Michael Zegers#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblawu02108316.jpg#Book pages#Book,book,books,education,inboard,indoor,indoors,inside,interior,internal,life,literature,lives,open,opened,openly,over,page,pages,photo,shot,still,stills,Stills,studio,the,turn,turning,turns#cipolla#No#No#RM#Landscape#imagebroker.com#50 MB#5184x3456iblshu02108333.jpg#View of the Tiber river and the Vatican from Castel Sant'Angelo, Rome, Italy, Europe#above,aged,and,angle,architecture,Basilica,belief,building,buildings,capital,capitals,Castel,Catholic,Catholicism,Christian,Christianity,cities,city,city-scape,city-scapes,cityscape,cityscapes,creed,day,daylight,daytime,during,elevated,Europe,European,exterior,exteriors,faith,from,high,high-angle,historic,italian,Italy,landmark,landmarks,look,look-out,look-outs,lookout,lookouts,of,old,out,outdoor,outs,overlook,overview,panoramic,perspective,perspectives,Peters,photo,photos,Religion,religious,river,rivers,Roman,Rome,SantAngelo,scape,scapes,seeing,shot,shots,sight,sights,South,Southern,St,the,Tiber,top,topview,topviews,town,towns,urban,Vatican,view,View,views,worth#Stefan Huwiler#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblawu02108371.jpg#Diesel refuelling system#benzine,consumption,Diesel,diesel,fuel,fuels,gas,gasoline,inboard,indoor,indoors,inside,interior,internal,life,lives,nozzle,nozzles,petrol,photo,picture,pictures,price,prices,pump,pumps,punp,refuelling,shot,station,stations,still,stills,Stills,studio,symbol,symbolic,symbols,system,tap,taps#cipolla#No#No#RM#Landscape#imagebroker.com#50 MB#5184x3456ibldjo02108719.jpg#A tower of the castle in Richmond, Yorkshire, United Kingdom, Europe#architecture,Britain,British,building,buildings,castle,castles,day,daylight,daytime,during,England,English,Europe,European,exterior,exteriors,fortification,fortifications,fortress,fortresses,Great,in,Kingdom,nobody,of,outdoor,photo,photos,Richmond,shot,shots,stronghold,strongholds,the,tower,towers,UK,United,Yorkshire#Jörg Dauerer#No#No#RM#Portrait#imagebroker.com#50 MB#3404x5140iblblo02109362.jpg#Aerial view, Nuerburg castle ruin, Nuerburg, Eifel mountain range, Rhineland-Palatinate, Germany, Europe#above,aerial,Aerial,angle,architecture,birds,birds-eye,building,buildings,castle,castles,day,daylight,daytime,decayed,delapidated,derelict,deteriorated,down,during,Eifel,elevated,Europe,European,exterior,exteriors,eye,Federal,fortification,fortifications,fortress,fortresses,FRG,from,German,Germany,high,high-angle,mountain,neglected,nobody,Nuerburg,of,outdoor,Palatinate,perspective,perspectives,photo,photograph,photographs,photos,range,Republic,Rhineland,Rhineland-Palatinate,ruin,ruined,ruinous,ruins,run,run-down,rundown,shot,shots,stronghold,strongholds,the,top,topview,topviews,view,views#Hans Blossey#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblgvi02109960.jpg#Chicken lasagna, green pasta and tender chicken with bechamel sauce and a crispy cheese crust, Italy, Europe#and,appetising,appetizing,appetizingly,au,available,bechamel,cheese,chicken,Chicken,crispy,crust,cuisine,cuisines,dish,dishes,eating,Europe,European,,food,Food,foods,foodstill,foodstills,foodstuff,foodstuffs,for,gratin,gratinated,gratine,gratined,green,hearty,inboard,indoor,indoors,inside,interior,internal,italian,Italy,lasagna,lasagnas,lasagne,lasagnes,life,lives,meal,meals,meat,noodle,noodles,nourishment,nourishments,nutrition,pasta,pastas,photo,poultry,product,products,,sauce,savory,savoury,scalloped,scolloped,served,shot,South,Southern,still,stills,Stills,studio,tender,with#gourmet-vision#No#No#RM#Landscape#imagebroker.com#50 MB#4723x3706iblomk02110038.jpg#Warning sign indicates lack of petrol stations in the highlands, Ring Road, northern Iceland, Europe#board,boards,caution,cautionary,danger,dangerous,dangerously,dangers,day,daylight,daytime,during,Europe,European,exterior,exteriors,fill,filling,fills,fuel,fueling,fuels,gas,gasoline,get,gets,getting,highlands,Iceland,Icelandic,in,indicates,indicating,indication,indications,info,information,label,labels,lack,nobody,North,northern,Northern,notice,notices,of,outdoor,petrol,photo,photos,refuel,refueling,refuelling,refuels,Ring,risk,risks,risky,Road,sentinel,sentinels,shot,shots,sign,signboard,signboards,signs,station,stations,the,up,venture,ventures,warn,Warning,warning,warnings,warns#Olaf Krüger#No#No#RM#Portrait#imagebroker.com#50 MB#3412x5128iblomk02110227.jpg#Altar, cathedral, Hólar, former seat of a bishop, Skagafjoerdur bay, northern Iceland, Iceland, Europe#altar,Altar,altars,architecture,bay,belief,bishop,building,buildings,cathedral,Christian,Christianity,church,churches,creed,decoration,design,Europe,European,faith,former,Hólar,Holar,Iceland,Icelandic,inboard,indoor,indoors,inside,interior,internal,nobody,North,northern,Northern,of,photo,Religion,religious,seat,Skagafjoerdur,view,views#Olaf Krüger#No#No#RM#Landscape#imagebroker.com#50 MB#5121x3414iblmox02110684.jpg#Koetztinger Pfingstritt, one of the largest mounted religious processions in Europe, at Pentecost, Bad Koetzting, Bavaria, Germany, Europe, PublicGround, Europe#adorned,animal,animals,at,Bad,Bavaria,Bavarian,being,beings,cortege,corteges,costume,costumes,cultural,culturally,culture,cultures,custom,customs,day,daylight,daytime,decorated,decoration,decorations,decorative,decoratively,during,Equidae,Europe,European,exterior,exteriors,Federal,festive,folklore,FRG,German,Germany,hooved,horse,Horse,horseback,Horses,human,humans,in,Koetzting,Koetztinger,largest,man,mounted,national,of,one,ornamental,ornamented,outdoor,pageant,pageants,parade,parades,Pentecost,people,person,persons,Pfingstritt,photo,photos,procession,processions,PublicGround,religious,Republic,ride,rider,riders,rides,riding,shot,shots,Southern,Sunday,the,tradition,traditional,traditions,ungulate,ungulates,wearing,Whit,Whitsun,Whitsunday,Whitsuntide,woman#Martin Moxter#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblmox02110707.jpg#Koetztinger Pfingstritt, one of the largest mounted religious processions in Europe, at Pentecost, Bad Koetzting, Bavaria, Germany, Europe, PublicGround, Europe#adorned,animal,animals,at,Bad,Bavaria,Bavarian,being,beings,cortege,corteges,costume,costumes,cultural,culturally,culture,cultures,custom,customs,day,daylight,daytime,decorated,decoration,decorations,decorative,decoratively,during,Equidae,Europe,European,exterior,exteriors,Federal,festive,folklore,FRG,German,Germany,hooved,horse,Horse,horseback,Horses,human,humans,in,Koetzting,Koetztinger,largest,man,mounted,national,of,one,ornamental,ornamented,outdoor,pageant,pageants,parade,parades,Pentecost,people,person,persons,Pfingstritt,photo,photos,procession,processions,PublicGround,religious,Republic,ride,rider,riders,rides,riding,shot,shots,Southern,Sunday,the,tradition,traditional,traditions,ungulate,ungulates,wearing,Whit,Whitsun,Whitsunday,Whitsuntide,woman#Martin Moxter#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616ibljre02110717.jpg#Bronze statue of a lottery vendor on Largo Trindade Coelho square in the Bairro Alto, Chiado, Lisbon, Portugal, Europe#Alto,Bairro,bronze,Bronze,bronzes,Chiado,Coelho,Europe,European,exterior,exteriors,figure,figures,in,Largo,Lisbon,lottery,memorial,memorials,monument,monuments,nobody,of,on,outdoor,photo,photos,Portugal,portuguese,sculpture,sculptures,shot,shots,South,Southern,square,statuary,statue,statues,the,Trindade,vendor#Joerg Reuther#No#No#RM#Portrait#imagebroker.com#50 MB#3416x5124iblhdf02111617.jpg#Historic print, copper engraving, 1798, portrait of Friedrich Gottlieb Klopstock, 1724 - 1803, a German poet, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887#1724,1798,1803,1887,aged,an,and,atlas,Bildatlas,black,black-and-white,by,copper,cultural,culturally,culture,cultures,depiction,depictions,der,Deutschen,engraving,entire,figure,figures,fill,filling,fills,frame,Friedrich,from,full,full-frame,German,Geschichte,Gottlieb,Gustav,head,heads,Historic,historic,illustrated,image,image-filling,Klopstock,Koennecke,male,man,men,Nationalliteratur,of,old,photo,photograph,picture,pictures,poet,poets,portrait,portraits,print,representation,representations,shot,white,zur#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4045x5064iblbmb02111900.jpg#Khao San Road, Bangkok, Thailand, Asia#Asian,Asiatic,Asia,atmosphere,atmospheric,Bangkok,busy,buying,buys,buy,Central Thailand,cities,city,crowded,dim,dusky,Dusk,Eastern,East,evening atmospheres,evening atmosphere,evenings,evening,filled,illuminated,illuminations,illumination,Krung Thep Maha Nakhon,Krung Thep Mahanakhon,lively,mood,Oriental,overcrowded,pedestrians,pedestrian,precincts,precinct,purchases,purchase,purchasing,retail,road signs,road sign,saves,save,saving,Several People,shopping streets,shopping street,shopping,shops,shop,South Asia,Southeast Asia,Southeastern Asia,Southern Asia,stores,store,storing,street signs,street sign,Thailand,Thai,tourism,touristical,touristic,tourists,tourist,trades,trade,trading,Twilight,twilight,urban environment,urban#Bernd Bieder#No#No#RM#Landscape#imagebroker.com#50 MB#5124x3416iblset02112685.jpg#Weeping woman with endless tears and many U.S. dollar banknotes, symbolic image for devaluation or inflation, composing#1 person,35-39 years,background white,banknotes,banknote,bank note,bill,bowls,bowl,Caucasian Ethnicity,Caucasian,composing,crying,crys,cry,currencies,currency,despaired,despairing,despair,desperate,desperation,digital composings,digital composing,digital composite,digital compositing,digitally altered,disappointed,disappointment,dollars,dollar,Europeans,European,female,forward-looking,forward looking,future-oriented,future oriented,inflations,inflation,jugs,jug,light-colored background,light-coloured background,light-skinned,mid-adult woman,mid-adult women,miserable,money,one person,people,person,plain-colored background,plain-coloured background,pouring,pours,pour,sadness,sad,single-colored background,single-coloured background,single person,sobbing,sobs,sob,Studio Shots,Studio Shot,studio,symbolic image,symbolic pictures,symbolic picture,teardrop,tears,tear,unhappy,values,value,weeping,weeps,weep,white background,woman,women#Tommy Seiter#Yes#No#RM#Portrait#imagebroker.com#50 MB#3307x5287ibljwl02113087.jpg#Colorful sunset over the cupola of the Convento de Santa Clara, Trujillo, La Libertad, Peru, South America#ambiance,ambient,America,american,American,architecture,atmosphere,atmospheric,belief,building,buildings,Christian,Christianity,church,churches,Clara,cloister,cloisters,Colorful,convent,Convento,convents,creed,cupola,cupolaed,cupolas,de,dome,domed,domes,dusk,evening,exterior,exteriors,faith,filled,full,La,Libertad,monasteries,monastery,mood,mood-filled,moods,nobody,of,outdoor,over,Peru,photo,photos,Religion,religious,Santa,shot,shots,south,South,structure,structures,sunset,the,Trujillo,twilight#Jason Langley#No#No#RM#Landscape#imagebroker.com#50 MB#5120x3414iblman02115041.jpg#Laine-Tal valley, Jachenau, Upper Bavaria, Bavaria, Germany, Europe#action,actions,active,activities,activity,Bavaria,Bavarian,being,beings,day,daylight,daytime,during,Europe,European,exterior,exteriors,Federal,forest,free,FRG,German,Germany,hike,hiker,hikers,hikes,hiking,hobby,human,humans,Jachenau,Laine,Laine-Tal,lane,lanes,leisure,Oberbayern,of,off,outdoor,outdoors,past,pastime,pastimes,pasttime,pasttimes,path,paths,pathway,pathways,people,person,persons,photo,photos,racy,recreation,recreational,Republic,shot,shots,Southern,spare,sportier,sporting,sportive,sports,sporty,Tal,the,through,time,times,trail,trails,Upper,valley,way,ways,woods#Martin Siepmann#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblukr02115096.jpg#Jermaine Jones, of football club Schalke 04, left, and Patrick Herrmann, of football club Borussia Moenchengladbach, right, DFB Cup match last sixteen, Borussia Moenchengladbach 3 - 1 Schalke 04, Borussia-Park, Moenchengladbach, North Rhine-Westphalia, Germany, Europe#04,action,actions,active,activities,activity,and,ball,balls,being,beings,body,Borussia,Borussia-Park,Bundesliga,cling,clinging,clings,club,clutch,clutches,clutching,Cup,day,daylight,daytime,DFB,during,entire,Europe,European,exterior,exteriors,Federal,field,fields,football,footballer,footballers,footballs,FRG,full,full-body,game,games,German,Germany,grip,gripping,grips,ground,grounds,hang,hanging,hangs,Herrmann,hold,holding,holds,human,humans,Jermaine,Jones,kicker,kickers,last,lawn,league,left,length,male,man,match,matches,men,Moenchengladbach,national,North,NRW,of,outdoor,Park,Patrick,people,person,persons,photo,photos,pitch,pitches,player,players,racy,Republic,Rhine,Rhine-Westphalia,Rhine-Westphalian,right,run,running,runs,Schalke,shot,shots,sixteen,soccer,sport,sportier,sporting,sportive,sports,sporty,stadium,stadiums,tackle,tackling,team,teams,two,Westphalia,Westphalian,whole#Uwe Kraft#No#No#RM#Landscape#imagebroker.com#50 MB#4990x3507iblaro02115834.jpg#Truc Lam pagoda, Dalat, Vietnam, Southeast Asia, Asia#architecture,Asia,asian,Buddhism,buddhist,buddhistic,buddhistical,building,buildings,cultural,culturally,culture,cultures,Dalat,day,daylight,daytime,during,East,exterior,exteriors,from,front,front-view,frontal,Lam,nobody,outdoor,pagoda,pagodas,photo,photos,Religion,religious,shot,shots,site,sites,South,South-East,Southeast,staircase,staircases,stairs,stairway,stairways,steps,temple,temples,tower,towers,Truc,Vietnam,Vietnamese,view,viewed,views#Andreas Rose#No#No#RM#Landscape#imagebroker.com#50 MB#5120x3414iblaro02116005.jpg#Harbour entrance and the lighthouse of Doung Dong Town on Phu Quoc Island, Vietnam, South East Asia, Asia#and,architecture,Asia,asian,boat,boats,building,buildings,day,daylight,daytime,Dong,Doung,during,East,entrance,exterior,exteriors,fishing,harbor,harbors,Harbour,harbour,harbours,house,houses,Island,light,lighthouse,lighthouses,nobody,of,on,outdoor,photo,photos,Phu,Port,port,ports,Quoc,shot,shots,South,South-East,the,tower,towers,Town,vessel,vessels,Vietnam,Vietnamese#Andreas Rose#No#No#RM#Landscape#imagebroker.com#50 MB#5124x3416ibldjo02116124.jpg#Ornate facade in TelÄ?, Telc, Teltsch, UNESCO World Heritage Site, southern Moravia, Czech Republic, Europe#?eská republika,adorned,arches,architecture,arch,blue skies,blue sky,blue,building house,buildings,building,characteristics,characteristic,cloudless,Czechia,Czech Republic,daylight,daytime,day,decorated,decorations,decoration,decorative,Eastern Europe,East European,East Europe,Europe,facades,facade,frontage,frontal,front views,front view,front,good weather,houses,house,natural landmarks,natural landmark,nobody,no one,No People,ornate,skies,sky,southern,typical,UNESCO World Heritage Sites,UNESCO World Heritage Site,UNESCO world natural heritage,view from the front,viewing,views,view,world natural heritage#Jörg Dauerer#No#No#RM#Portrait#imagebroker.com#50 MB#3383x5168ibldjo02116263.jpg#A small boat in the harbour of Trani, Apulia, Italy, Europe#Apulia,boats,boat,Caucasian,cutters,cutter,daylight,daytime,day,Europeans,European,Europe,fishing boats,fishing boat,fishing,fish trawler,harbours,harbour,high-angle shot,high-angle view,High Angle View,Italian,Italia,Italy,nobody,no one,No People,paddles,paddle,paddling,Puglia,rowboats,rowboat,rowing boats,rowing boat,rudders,rudder,Southern Europe,Southern Italy,South Europe,topviews,topview,top view#Jörg Dauerer#No#No#RM#Portrait#imagebroker.com#50 MB#3277x5341ibldjo02116920.jpg#Jantar Mantar, a collection of architectural astronomical instruments, built by Maharaja Jai Singh II in the Pink City of Jaipur, Rajasthan, India, Asia#architecture,Asian,Asiatic,astronomy,blue skies,blue sky,blue,buildings,building,calculates,calculate,calculating,city views,city view,cloudless,collections,Collection,daylight,daytime,day,frontal,front views,front view,good weather,Indian,India,instruments,instrument,Jantar Mantar,nobody,no one,No People,observatories,observatory,Oriental,Rajasthan,rosy,skies,sky,steps,step,tools,tool,view from the front#Jörg Dauerer#No#No#RM#Landscape#imagebroker.com#50 MB#5110x3421iblgvi02117129.jpg#Pumpkin with chicken filling, Thailand, Asia#Asia,asian,available,charge,chicken,contents,dish,dishes,East,eating,,fill,filled,filling,Food,food,foods,foodstill,foodstills,foodstuff,foodstuffs,for,life,lives,meal,meals,meat,nobody,nourishment,nourishments,nutrition,product,products,pumpkin,Pumpkin,pumpkins,,shot,South,South-East,still,Stills,stills,studio,stuffing,thai,Thailand,with#gourmet-vision#No#No#RM#Portrait#imagebroker.com#50 MB#3485x5021iblhdf02117338.jpg#Historic print, engraving, 1827, summer house of Johann Wolfgang von Goethe in Weimar, from Bildatlas zur Geschichte der Deutschen Nationalliteratur by Gustav Koennecke, picture atlas, 1887#1827,1887,aged,and,atlas,Bildatlas,black,black-and-white,by,der,Deutschen,engraving,Europe,European,from,German,Germany,Geschichte,Goethe,Gustav,hand,hand-written,handwriting,handwritings,Historic,historic,historical,historically,history,house,in,Johann,Koennecke,Nationalliteratur,of,old,picture,print,summer,von,Weimar,white,Wolfgang,written,zur#H.-D. Falkenstein#No#No#RM#Landscape#imagebroker.com#50 MB#5905x4762iblvic02117474.jpg#Via Panisperna in the Monti district at dusk, view of Santa Maria Maggiore at the end of the street, Rome, Italy, Europe#ambiance,architecture,atmosphere,atmospheric,Central Italy,Christian,churches,church,dim,dusky,Dusk,ends,end,European District,evening atmospheres,evening atmosphere,evenings,evening,Italian,Latio Region,Lazio,mood,nobody,no one,No People,Roma,Rome,Santa Maria,Twilight,twilight#Mirko Milovanovic#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblclx02119222.jpg#Building of the Spiegel publishing house and the Ericus-Contor building on Ericusspitze, Hafencity district, Hamburg, Germany, Europe#bodies,body,building house,businesses,business,centers,center,centres,centre,cities,city center,city centre,city,corporate headquarters,corporations,corporation,daylight,daytime,day,Downtown,Elbe,enterprise,European District,Europe,federal offices,federal office,German Federal Republic,Germany,Hamburg,Hanseatic cities,Hanseatic city,heads,head,joint-stock company,joint stock company,JSC,locations,location,Main,media,middle,midtown,modern,nobody,no one,No People,Norddeutschland,Northern Germany,Northern German,North Germany,North German,office buildings,office building,publishers,publisher,publishing companies,publishing company,rivers,river,town center,Town centre,town hall,town houses,town house,townhouse,towns,town,urban centers,urban center,viewing,views,view#Carsten Leuzinger#No#No#RM#Panorama#imagebroker.com#50 MB#6137x2850iblrbb02119578.jpg#Kreishaus Aachen, administrative buildings, Aachen, North Rhine-Westphalia, Germany, Europe, PublicGround, Europe#Aachen,administrative buildings,administrative building,Aix-la-Chapelle,architecture,Caucasian,daylight,daytime,day,Europeans,European,Europe,German Federal Republic,Germany,German,High Rhine,nobody,no one,No People,North Rhine-Westphalia,NRW,Rhineland,rises,rise,rising,towering,towers,tower,Westfalen,Westphalian,Westphalia#Thomas Robbin#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblrbb02119616.jpg#Aachen Cathedral, Imperial Cathedral, UNESCO World Heritage Site, Aachen, North Rhine-Westphalia, Germany, Europe, PublicGround, Europe#Aachen Cathedral,Aix-la-Chapelle,architecture,belief,blue skies,blue sky,blue,building house,buildings,building,cathedrals,cathedral,Caucasian,Christianity,Christians,Christian,churches,church towers,church tower,church,cloudless,cloudy,court houses,court house,courts,courtyards,courtyard,court,daylight,daytime,day,Europeans,European,facades,facade,faith,Famous Places,Famous Place,frontage,frontal,front views,front view,front,German,good weather,Imperial Cathedral,Kaiserdom,natural landmarks,natural landmark,periods,period,pilgrimage church,pilgrimage places,pilgrimage place,pilgrim churches,pilgrim church,pinnacle,place of interest,religions,religion,religious people,religious person,religious,Rhine,rivers,river,sights,sight,skies,sky,spire,steeples,steeple,tourist attractions,tourist attraction,towering,towers,tower,UNESCO World Heritage Sites,UNESCO World Heritage Site,UNESCO world natural heritage,view from the front,viewing,views,view,Westfalen,Westphalian,Westphalia,world natural heritage#Thomas Robbin#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblhsh02119675.jpg#Federal eagle image on money bag filled with euro coins, coins in front of it, symbolic image for Germany's prosperity#bags,bag,business,cashes,cashing,cash,Caucasian,changes,change,changing,coinages,coinage,coins,coin,currencies,currency,cutout,cut out,cuts,cutting,cut,eagle figures,eagle figure,eagle,economical,economic,economy,Euro coins,Euro coin,Europeans,European,Europe,Euros,Euro,exchanges,exchange,exchanging,federal eagle,filled,finances,finance,financial markets,financial market,financing,German Federal Republic,Germany,German,heraldic animals,heraldic animal,Indoors,indoor,markets,market,money,national emblems,national emblem,nobody,no one,No People,prosperity,sacking,sacks,sack,states,state,Studio Shots,Studio Shot,studio,symbolic,symbols,symbol,thrift,wealth#Hartmut Schmidt#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132iblhym02119807.jpg#Family with two children playing on a double bed#2,4 people,4,affectionate,affection,bald heads,bald head,bald,bedding,beds,bed,belief,boys,boy,brown-haired,brown hair,brunette,Caucasian,cheerful,children,child,closes,close,closing,confidence,cosy,cuddles,cuddle,cuddling,cuddly,dads,dad,daughters,daughter,direct look,double-bed,double beds,double bed,Europeans,European,fairs,fair,faith,families,family,fathers,father,female,fortune,four,friendly,girls,Girls,girl,give me five,happiness,happy,high-angle shot,high-angle view,high-fives,high-five,high-fiving,High Angle View,high five,high fiving,Indoors,indoor,intimacy,intimate,jolly,joyful,laying,lays,lay,lies,lie,light brown,long haired,looking,looks,look,loves,love,loving,luck,lying,male,man,men,merry,mom,mothers,mother,people,person,planting,plants,plant,playing,plays,play,pointing,points,point,reliance,shuts,shutting,shut,smiles,smile,smiling,snuggles,snuggle,snuggling,snuggly,solidarity,sons,son,tender,topviews,topview,top view,trusting,trusts,trust,two,woman,women#Felix Vogel#Yes#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblomk02120837.jpg#Young Indian woman on a billboard for Remy, Swamimalai, Tamil Nadu, South India, India, Asia#1 person,ad posters,ad poster,ads,advertisements,advertisement,advertising posters,advertising poster,ad,beauty products,beauty product,cosmetic products,cosmetic product,cosmetics,female,fillings,filling,frames,frame,full-frame,Indian woman,Indian women,India,media,nobody,no one,No People,powdery,powder,promotional signs,promotional sign,signboard,signing,signs,sign,South Asia,Southern Asia,Southern India,South India,Tamil Nadu,writes,write,writing,young#Olaf Krüger#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132iblrbb02121310.jpg#Georgstor, George s Gate, Blankenheim, Eifel, North Rhine-Westphalia, Germany, Europe, PublicGround, Europe#accommodations,accommodation,architecture,buildings,building,Caucasian,daylight,daytime,day,Europeans,European,gates,gate,German,hotels,hotel,lodging,nobody,no one,No People,Rhine,rivers,river,roads,road,street of houses,streets,street,tourism,touristical,touristic,tourist,viewing,views,view,Westfalen,Westphalian,Westphalia#Thomas Robbin#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblrbb02121641.jpg#Residential building, Eisenach, Thuringia, Germany, Europe, PublicGround, Europe#apartments,apartment,architecture,building house,Caucasian,condominiums,condominium,condo,daylight,daytime,day,Eastern Europe,Eastern Germany,East Europe,East Germany,Europeans,European,Europe,facades,facade,flat,framed,frontage,front,German Federal Republic,Germany,German,living space,markets,market,real estates,real estate,realties,realty,residential properties,residential property,Thuringian,Thuringia,Thüringen,timber buildings,timber building,wooden house#Thomas Robbin#No#No#RM#Landscape#imagebroker.com#50 MB#5240x3744iblnip02121828.jpg#The Danish Music Museum, Copenhagen, Denmark, Europe#1 person,architecture,bikers,biker,complete,Copenhagen,cultural sites,cultural site,cultural,cyclists,cyclist,Danish,Danmark,daylight,daytime,day,Denmark,Europe,frontal,front views,front view,heritage buildings,heritage building,houses,house,København,museum buildings,museum building,museums,museum,music,Northern Europe,North Europe,one person,people,person,Scandinavian,Scandinavia,single person,view from the front#NielsDK#No#No#RM#Landscape#imagebroker.com#50 MB#5400x3600iblnip02121829.jpg#Football match on the lawn in front of Rosenborg Castle, Copenhagen, Denmark, Europe#actions,action,aged,architecture,castles,castle towers,castle tower,castle,Caucasian,Danish,Danmark,daylight,daytime,day,Denmark,Europeans,European,Europe,field sports,football game,football match,free,games,game,lawns,lawn,leisure sports,leisure sport,matches,matchstick,match,museum buildings,museum building,museums,museum,Northern Europe,North Europe,north,old buildings,old building,over,palaces,palace,past,people,recreational activities,recreational activity,recreational sport,releases,release,releasing,Scandinavian,Scandinavia,soccer games,soccer game,soccer match,time,towering,towers,tower#NielsDK#No#No#RM#Landscape#imagebroker.com#50 MB#5400x3600iblnip02121854.jpg#The Spirit of Hven, distillery, Backafallsbyn, on the island of Hven or Ven in Oresund, Sweden, Europe#1 person,architecture,buildings,building,Danish,Danmark,daylight,daytime,day,Denmark,distilleries,distillery,entrances,entrance,entry,Europe,islands,island,liquors,liquor,nobody,no one,No People,Northern Europe,North Europe,one person,people,person,Scandinavian,Scandinavia,single person,Sweden,whiskey,whisky#NielsDK#No#No#RM#Landscape#imagebroker.com#50 MB#5400x3600ibljue02122718.jpg#Priest holding a small bell during a Hindu temple ceremony, Nusa Dua, Bali, Indonesia, Southeast Asia, Asia#2 people,animal sounds,animal sound,Asian,Asiatic,Bali,belief,believers,believer,belling,bells,bell,ceremonial,ceremonies,ceremony,close-ups,close-up,closes,closeup,close up,close,closing,daylight,daytime,day,details,detail,dining tables,dining table,faith,feeding,feeds,feed,food photography,food still-lifes,food still-life,food,Food,Hinduism,Hindu,holding,holds,hold,indigenous,Indonesian,Indonesia,locals,local,natives,native,nutrition,Oriental,populations,population,priests,priest,products,product,religions,religion,religious people,religious person,shuts,shutting,shut,small bells,small bell,Southeast Asia,Southeastern Asia,south,temple complex,temple sites,temple site,temples,temple,travel photography,travel#Juergen Hasenkopf#No#No#RM#Landscape#imagebroker.com#50 MB#5315x3752ibljue02122745.jpg#Arrangement in a health spa, Nusa Dua, Bali, Indonesia, Southeast Asia, Asia#arrangements,arrangement,array,Asian,Asiatic,Bali,bowls,bowl,daylight,daytime,day,equipments,equipment,fluids,fluid,gatherings,gathering,gears,gear,groupings,grouping,groups,group,Indonesian,Indonesia,liquid,lives,live,living,nobody,no one,No People,Oriental,personal hygiene,Southeast Asia,Southeastern Asia,south,spas,spa,still lifes,still life,still,utensils,utensil#Juergen Hasenkopf#No#No#RM#Landscape#imagebroker.com#50 MB#5315x3446iblgab02123735.jpg#Panorama over the Douro river and the historic center of Porto, Unesco World Heritage Site, Portugal, Europe#architecture,bodies,body,buildings,building,Caucasian,cities,city,daylight,daytime,day,elevated,Europeans,European,Europe,high-angle shot,high-angle view,High Angle View,historic centers,historic center,natural landmarks,natural landmark,nobody,no one,No People,panoramas,panorama,Portugal,Portuguese,rivers,river,Southern Europe,South Europe,topviews,top views,topview,top view,UNESCO World Heritage Sites,UNESCO World Heritage Site,UNESCO world natural heritage,urban environment,urban,world natural heritage#GTW#No#No#RM#Panorama#imagebroker.com#50 MB#8200x2480iblgab02124201.jpg#Viaduct at Peso da Regua, Alto Douro, Tras-os-Montes, Portugal, Europe#architecture,boats,boat,bodies,body,bridges,bridge,buildings,building,Caucasian,daylight,daytime,day,Europeans,European,Europe,nobody,no one,No People,pesos,peso,Portugal,Portuguese,river boats,river boat,rivers,river,South Bridge,Southern Europe,South Europe,viaducts,viaduct#GTW#No#No#RM#Landscape#imagebroker.com#50 MB#5325x3543iblrbb02124287.jpg#University of Applied Sciences Gelsenkirchen, extension, Gelsenkirchen, Ruhr Area, North Rhine-Westphalia, Germany, Europe, PublicGround, Europe#architecture,basins,basin,blue,building house,Caucasian,college,daylight,daytime,day,educational institutions,educational institution,education,Europeans,European,facades,facade,frontage,frontal,front views,front view,front,Gelsenkirchen,German,hours,hour,houses,house,institutions,institution,modern,nobody,no one,No People,Rhine,rivers,river,Ruhr,school buildings,school building,schools,school,sciences,science,scientific research,universities,university colleges,university college,university,view from the front,viewing,views,view,Westfalen,Westphalian,Westphalia#Thomas Robbin#No#No#RM#Landscape#imagebroker.com#50 MB#5568x4623iblhdf02124566.jpg#Historical manuscript, poem by August Heinrich Hoffmann or Hoffmann von Fallersleben, 1798 - 1874, a German university teacher in Germanic, poet, collector and editor of ancient scripts, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, Illustrated Atlas of the History of German National Literature, by Gustav Koennecke, 1887#ancient,atlases,atlas,August,black-and-white,Caucasian,collectors,collector,college,Europeans,European,Europe,German Federal Republic,Germanic,Germany,German,hands,handwritings,handwriting,hand,history,Hoffmann von Fallersleben,literature,national,old,poets,poet,teachers,teacher,universities,university buildings,university building,university,written#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4961x6303ibldwb02125126.jpg#Saint Virgilius, court of the Alte Saline or old salt works, Bad Reichenhall, Upper Bavaria, Germany, Europe#art objects,art object,artpieces,artpiece,artworks,artwork,Bad Reichenhall,Bavarian,Bavaria,Caucasian,Christianity,Christians,Christian,darts,dart,daylight,daytime,day,Europeans,European,Europe,figures,figure,German Federal Republic,Germany,German,laboring,labors,labor,labouring,labours,labour,male statues,male statue,nobody,no one,No People,Oberbayern,objects,object,Old Court,pieces,piece,religions,religion,religious,saints,saint,salines,saline,salt mine,salt works,sculptures,sculpture,Southern Germany,South Germany,statues,statue,Upper Bavaria,working,works,work#Dr. Wilfried Bahnmüller#No#No#RM#Portrait#imagebroker.com#50 MB#3412x5128ibljbt02127010.jpg#Prostitute in a brothel#1 person,brothels,brothel,districts,district,female,girls,girl,Indoors,indoor,people,prostitutes,prostitute,prostitution,red lights,red light,sexual intercourse,sex,Women#scully#No#No#RM#Portrait#imagebroker.com#50 MB#3623x4831iblaxs02127946.jpg#The most powerful floating crane in the Port of Hamburg, HHLA IV, Hamburg, Germany, Europe#Caucasian,cities,city,cranes,crane,daylight,daytime,day,Europeans,European,Europe,floating,floats,float,German Federal Republic,Germany,Hamburg Harbor,Hanseatic cities,Hanseatic city,harbour cranes,harbour crane,nobody,no one,No People,Norddeutschland,Northern Germany,Northern German,North Germany,North German,ports,port,powerful,towns,town#Alexander Schnurer#No#No#RM#Portrait#imagebroker.com#50 MB#3415x5122iblaxs02127950.jpg#Elbphilharmonie Hamburg concert hall and the HafenCity district seen from the Elbe River, Hamburg, Germany, Europe#architecture,buildings,building,cities,city hall,city,concert halls,concert hall,construction sites,construction site,constructions,construction,daylight,daytime,day,Elbe,European District,Europe,German Federal Republic,Germany,Hamburg,Hanseatic cities,Hanseatic city,laboring,labors,labor,labouring,labours,labour,nobody,no one,No People,Norddeutschland,Northern Germany,Northern German,North Germany,North German,philharmonics,rivers,river,townhalls,townhall,town hall,towns,town,trades,trade,trading,working,works,work#Alexander Schnurer#No#No#RM#Landscape#imagebroker.com#50 MB#5121x3414iblabc02128046.jpg#Buildings of MAN Truck & Bus AG, Dachauer Strasse 667, Munich, Bavaria, Germany, Europe#667,AG,architecture,Bavaria,Bavarian,building,buildings,Buildings,Bus,business,businesses,companies,company,concern,concerns,Dachauer,day,daylight,daytime,during,economic,economical,economically,economy,Europe,European,exterior,exteriors,Federal,firm,firms,FRG,German,Germany,MAN,modern,Munich,nobody,Oberbayern,of,outdoor,photo,photos,Republic,shot,shots,Southern,Strasse,the,Truck,Upper#Manfred Bail#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblkkr02128434.jpg#Son Serra de Marina, Majorca, Balearic Islands, Spain, Europe#architecture,Australasia,Balearic Islands,Balearics,belief,buildings,building,Caucasian,Christians,Christian,churches,church,daylight,daytime,day,Europeans,European,Europe,faith,harbors,harbor,harbour,Majorcan,Majorca,Mallorca,Mallorquin,marinas,marina,Mediterranean,New Zealand,nobody,no one,No People,Oceania,port,religions,religion,religious,sons,son,Southern Europe,South Europe,South Island,Spain,Spanish,Te Wai-pounamu#Katja Kreder#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3410iblrbb02128640.jpg#Federal Labour Court of Germany, Germany, Thuringia, Germany, Europe, PublicGround, Europe#architecture,building house,buildings,building,Caucasian,courthouses,court houses,courthouse,court house,daylight,daytime,day,Eastern Europe,Eastern Germany,East Europe,East Germany,Europeans,European,Europe,German Federal Republic,Germany,German,labouring,labours,labour,modern,nobody,no one,No People,Thuringian,Thuringia,Thüringen#Thomas Robbin#No#No#RM#Landscape#imagebroker.com#50 MB#5577x4433iblrbb02128694.jpg#Allerheiligenkirche church, Domplatz square, Erfurt, Thuringia, Germany, Europe, PublicGround, Europe#ambiance,architecture,atmosphere,atmospheric,building house,Caucasian,church squares,church square,dim,dusky,Dusk,Eastern Europe,Eastern Germany,East Europe,East Germany,Europeans,European,Europe,evening atmospheres,evening atmosphere,evenings,evening,facades,facade,framed,frontage,front,German Federal Republic,Germany,German,mood,squares,square,Thuringian,Thuringia,Thüringen,timber buildings,timber building,Twilight,twilight,wooden house#Thomas Robbin#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblrbb02129081.jpg#Town hall, Weimar, Thuringia, Germany, Europe, PublicGround, Europe#3 people,architecture,Caucasian,city hall,daylight,daytime,day,Eastern Europe,Eastern Germany,East Europe,East Germany,Europeans,European,Europe,German Federal Republic,Germany,German,Thuringian,Thuringia,Thüringen,townhalls,townhall,town hall,Weimar Republic#Thomas Robbin#No#No#RM#Landscape#imagebroker.com#50 MB#5345x4799iblbas02129264.jpg#Red telephone booth near Big Ben, London, England, United Kingdom, Europe#4 people,architecture,attractions,attraction,Big Ben,blue skies,blue sky,blue,British,buildings,building,calling,calls,call,clocks,Clock Tower,clock,cloudless,custom,daylight,daytime,day,Elizabeth Tower,England,English,European boxes,European box,famous,good weather,International Landmark,landmarks,landmark,nobody,no one,No People,on the phone,phone booths,phone booth,phones,phone,phoning,red coloured,red,renowned,skies,sky,telephones,telephone,telephoning,time measurements,time measurement,tourism,touristical,touristic,tourist,towering,towers,tower,tradition#Bettina Strenske#No#No#RM#Portrait#imagebroker.com#50 MB#3414x5120ibluni02129578.jpg#Young man covering face with his hand#1 person,afraid,anxieties,anxiety,anxious,burn-out,burnouts,burnout,Caucasian,concerned,considering,considers,consider,contemplates,contemplate,contemplating,contemplative,covering,covers,cover,creepy,dejected,deliberates,deliberate,deliberating,depressed,depressions,depression,depressive,despaired,despairing,desperate,desperation,doubtful,doubting,doubts,doubt,downcast,down,eerie,Europeans,European,faces,face,fairs,fair,fears,fear,frightened,frightening,frightens,frighten,hands,hand,Indoors,indoor,life,lowered,male,man,meditative,men,muses,muse,musing,pensive,people,person,pondering,ponders,ponder,ruminates,ruminate,ruminating,scared,scares,scare,scaring,scary,spooky,symbolic,symbols,symbol,terrifies,terrifying,terrify,thinking,thinks,think,thoughtful,tired,weary,worried#Ulrich Niehoff#Yes#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblfso02129991.jpg#Strong snowstorm in Erfurt, Thuringia, Germany, Europe#architecture,blizzards,blizzard,building house,Caucasian,concealed,condominiums,condominium,condo,covered,daylight,daytime,day,drifts,drift,dropping,drops,drop,Europeans,European,Europe,falling,falls,fall,German Federal Republic,Germany,German,hidden,houses,house,nobody,no one,No People,powerful,snow-covered,snowcapped,snow covered,snowdrifts,snowdrift,snow drift,snow flurries,snow flurry,snowing,snowstorm,snows,snowy,snow,storming,storms,storm,strong,Thuringia,Thüringen,wintery,winter,wintry#Frank Sommariva#No#No#RM#Landscape#imagebroker.com#50 MB#5123x3415iblfso02130032.jpg#Sign, Einfahrt freihalten! German for Keep entrance clear, yellow on a red wooden gate, Germany, Europe#boarding,boards,board,Caucasian,close-ups,close-up,closes,closeup,close up,close,closing,daylight,daytime,day,details,detail,Do not block,driveways,driveway,embarking,embarks,embark,entrance gates,entrance gate,entries,entry,Europeans,European,Europe,free,German Federal Republic,Germany,German,get on,gets on,getting on,indicates,indicate,indicating,keep driveway clear,Keep entry clear,labeling,labels,label,nobody,no one,No People,red coloured,red,releases,release,releasing,shuts,shutting,shut,sign boards,sign board,tagging,tags,tag,wooden signs,wooden sign,writes,write,writing,yellow#Frank Sommariva#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412ibltbd02130283.jpg#Businessman wearing a black suit holding a historical W 38 phone#30,30-35,30-40,35,35-40,38,40,aback,age,aged,astonish,astonished,astonishes,astonishing,baffled,be,being,beings,bewildered,black,burden,business,Businessman,businessman,businessmen,businesspeople,businessperson,call,calling,calls,Caucasian,Caucasians,communicate,communicates,communicating,communication,communications,communicative,conversation,conversations,dumbfounded,dumbstruck,economic,economical,economically,economy,European,fair,gray,gray-haired,grey,grey-haired,haired,historic,historical,holding,human,humans,inboard,indoor,indoors,inside,interior,internal,light,lightskinned,male,man,manager,managers,men,mystified,old,out,overworked,people,perplexed,person,persons,phone,phones,phoning,photo,shot,skinned,something,somethings,strain,stress,stressed,stressed-out,stresses,stressful,stressfully,studio,stunned,stupefied,suit,surprise,surprised,surprises,surprising,taken,telephone,telephones,telephoning,tenseness,tension,thirty,thirty-something,thirty-somethings,thirtysomething,thirtysomethings,to,wearing,year,year-old,years,years-old#Torsten Becker#Yes#No#RM#Portrait#imagebroker.com#50 MB#3412x5128ibltbd02130309.jpg#Businessman wearing a black suit holding a mobile phone#30,30-35,30-40,35,35-40,40,aback,age,aged,astonish,astonished,astonishes,astonishing,attire,baffled,be,being,beings,bewildered,black,burden,business,businessman,Businessman,businessmen,businesspeople,businessperson,businesswear,call,calling,calls,Caucasian,Caucasians,cell,cellular,clothes,clothing,communicate,communicates,communicating,communication,communications,communicative,conversation,conversations,dumbfounded,dumbstruck,economic,economical,economically,economy,European,fair,gray,gray-haired,grey,grey-haired,haired,holding,human,humans,inboard,indoor,indoors,inside,interior,internal,light,lightskinned,male,man,manager,managers,men,mobile,mobiles,mystified,office,old,out,overworked,people,perplexed,person,persons,phone,phones,phoning,photo,shot,skinned,something,somethings,strain,stress,stressed,stressed-out,stresses,stressful,stressfully,studio,stunned,stupefied,suit,suits,surprise,surprised,surprises,surprising,taken,telephone,telephones,telephoning,tenseness,tension,thirty,thirty-something,thirty-somethings,thirtysomething,thirtysomethings,to,wear,wearing,year,year-old,years,years-old#Torsten Becker#Yes#No#RM#Portrait#imagebroker.com#50 MB#3412x5128ibljot02131540.jpg#Various kitchen tools and utensils#accessories,accessory,cutout,cut out,cuts,cutting,cut,different,differing,diverse,equipments,equipment,household appliances,household appliance,Indoors,indoor,kitchen device,kitchens,kitchen tool,kitchen utensils,kitchen utensil,kitchen,lives,live,living,nobody,no one,No People,objects,object,still lifes,still life,still,Studio Shots,Studio Shot,studio,supplies,tools,tool,utensils,utensil,varied,various,varying#Jochen Tack#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblmir02132535.jpg#Woman holding grapes above her open mouth#1 person,20,allures,allure,alluring,brown-haired,brown hair,brunette,Caucasian,challenging,closed eyes,closed,erotic,Europeans,European,Europe,eyes closed,eyes shut,eyes,eye,faces,face,fairs,fair,feeding,feeds,feed,female,feminine,food photography,food still-lifes,food still-life,food,Food,fresh,fruits,fruit,grapes,grape,holding,holds,hold,licking,licks,lick,light brown,locked,mouths,mouth,naked,nude,nutrition,opening,opens,open,people,person,poses,pose,posing,provocation,provocative,provoking,seduces,seduce,seducing,seductions,seduction,seductive,sensous,sensuality,sensual,sexy,shuts,shutting,shut,sticking,sticks,stick,strapless,temptations,temptation,tongues,tongue,torso,twenty,upper bodies,upper body,viewing,views,view,woman,women#michael steiner#Yes#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblhdf02132637.jpg#Historical print from the 19th Century, portrait of Giuseppe Parini, 1729 - 1799, an Italian poet and satirist#1 person,black-and-white,Caucasian,centuries,century,cropped,cutout,cut out,cuts,cutting,cut,depictions,depiction,Europeans,European,Europe,figures,figure,head shots,head shot,heads,head,history,illustrated,illustrations,illustration,Italian,old,Partial View,personalities,personality,poets,poet,portraits,portrait,printing,prints,print,Southern Europe,South Europe#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#3822x4577ibldwh02132672.jpg#Aachen Christmas market and City Hall at night, Aachen, North Rhine-Westphalia, Germany, Europe#Aachen,aged,Aix-la-Chapelle,architecture,Blurred Motion,blurred,blurry,buildings,building,bulb exposure,Caucasian,Christmas markets,Christmas market,Christmas seasons,Christmas season,Christmassy,Christmasy,city halls,city hall,Europeans,European,Europe,fairs,fair,flavoring,flavors,flavor,flavouring,flavours,flavour,German Federal Republic,Germany,German,illuminated,illuminations,illumination,motion blur,night markets,night market,North Rhine-Westphalia,NRW,old buildings,old building,out of focus,people,Rhineland,Rhine,rivers,river,seasoning,seasons,season,spices,spice,spicing,standing,stands,stand,time exposure,towering,towers,tower,townhalls,townhall,town hall,viewing,views,view,Westfalen,Westphalia,wetness,wet,X-mas#Movementway#No#No#RM#Landscape#imagebroker.com#50 MB#5377x3584ibljot02132723.jpg#Automatic rolling tape measure#accuracy,accurate,automatical,automatic,cutout,cut out,cuts,cutting,cut,exact,Indoors,indoor,lives,live,living,measurements,measurement,measures,measure,measuring,nobody,no one,No People,precise,rolling,rolls,roll,still lifes,still life,still,Studio Shots,Studio Shot,studio,tape measures,tape measure,test results,test result#Jochen Tack#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744ibljot02132883.jpg#Various credit cards, Mastercard, American Express, Visa, Maestro, bank card#American,bank cards,bank card,cash card,cashes,cashing,cash,close-ups,close-up,closes,closeup,close up,close,closing,credit cards,credit card,details,detail,different,differing,displays,display,diverse,expresses,expressing,express,free,high-angle shot,high-angle view,High Angle View,Indoors,indoor,nobody,no one,No People,releases,release,releasing,several,shuts,shutting,shut,Studio Shots,Studio Shot,studio,topviews,topview,top view,varied,various,varying,writes,write,writing#Jochen Tack#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744ibljwl02133037.jpg#Kodak Disc film, Kodacolor HR, with exposed negative images, inversed#circles,circle,circling,circular,colorful,coloring,colors,color,coloured,colourful,colouring,colours,colour,film studios,film studio,formed,history,Indoors,indoor,lives,live,living,movie studio,multi-colored,multi-coloured,multicolored,multi colored,multi coloured,multicoloured,negative,nobody,no one,No People,old,photographers,photographer,photographic,picture of a saint,pictures of saints,ringing,rings,ring,shaped,still lifes,still life,still,variegated#Jason Langley#No#No#RM#Square#imagebroker.com#50 MB#4183x4183iblpsf02133272.jpg#Marina at Bayside Marketplace, downtown Miami, Florida, USA, North America#architecture,boats,boat,building house,cities,city,daylight,daytime,day,Florida,harbors,harbor,harbour,marinas,marina,Miami,motorboats,motorboat,motor yachts,motor yacht,nobody,no one,No People,North America,port,rises,rise,rising,sailboats,sailboat,skylines,skyline,towering,towers,tower,town hall,town houses,town house,townhouse,towns,town,United States of America,United States,urban environment,urban,USA,US,viewing,views,view,yachts,yacht#peter schickert#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblpsf02133961.jpg#Street in the Old City, Casco Viejo, Panama City, Panama, Central America#American,Americas,America,Central America,daylight,daytime,day,Latin,Middle America,nobody,no one,No People,old,Panama City,Panamá, Ciudad de Panamá,people,roads,road,scenes,scene,street of houses,street scenes,street scene,streets,street#peter schickert#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblsce02134440.jpg#Storm clouds above the Abbazia Chiaravalle della Colomba, oldest Cistercian abbey in Italy, Emilia Romagna, Italy, Europe#Abbey of Santa Maria di Rovegnano, Chiaravalle Milanese,abbeys,abbey,ambiance,architecture,atmosphere,atmospheric,belief,buildings,building,casting,casts,cast,Caucasian,Chiaravalle Abbey,Christianity,Christians,Christian,cloisters,cloister,cloud formations,cloud formation,clouds,cloudy,cloud,convents,convent,cross-coat,daylight,daytime,day,dramatic,dreary,Europeans,European,Europe,faith,gloomy,heads,head,Italian,monasteries,monastery complex,monastery,mood,nobody,no one,No People,rain clouds,rain cloud,religions,religion,religious buildings,religious building,religious,Sanctæ Mariæ Clarævallis Mediolanensis,Southern Europe,South Europe,storming,storms,stormy atmospheres,stormy atmosphere,storm,thundercloud,thunderheads,thunderhead#BAO#No#No#RM#Landscape#imagebroker.com#50 MB#5239x3340iblsce02134627.jpg#Basilica Minore di San Marco, Boretto, Emilia Romagna, Italy, Europe#architecture,basilicas,basilica,belfries,Belfry,belief,bell towers,Bell tower,buildings,building,Campanile,Caucasian,Christianity,Christians,Christian,churches,church towers,church tower,church,Clock tower,daylight,daytime,day,Europeans,European,Europe,faith,Italian,nobody,no one,No People,pinnacle,religions,religion,religious,Southern Europe,South Europe,spire,steeples,steeple#BAO#No#No#RM#Portrait#imagebroker.com#50 MB#3678x5517iblsce02134785.jpg#Stacked chairs#chairs,chair,furnishings,furnishing,furniture,Indoors,indoor,nobody,no one,No People,packing,packs,pack,pieces,piece,piled,piles,pile,piling,seating accommodations,seating accommodation,stacked,stacking,stacks,stack,top views,top view,viewing,views,view#BAO#No#No#RM#Portrait#imagebroker.com#50 MB#3460x5053iblhdf02134858.jpg#Historical engraving from 19th Century, portrait of Lord Byron or George Gordon Noel Byron, 6th Baron Byron of Rochdale, 1788-1824, British poet#1 person,black-and-white,British,Caucasian,centuries,century,cropped,England,English,engravings,engraving,Europeans,European,head shots,head shot,heads,head,history,old,Partial View,poets,poet,portraits,portrait#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#3663x4781iblhdf02134888.jpg#Historical engraving from the 19th Century, portrait of Willem Bilderdijk, 1756-1831, Dutch lawyer and writer#1 person,advocate,attorney,author,autographing,autographs,autograph,Benelux countries,Benelux,black-and-white,Caucasian,centuries,century,cropped,depictions,depiction,Dutch,engravings,engraving,Europeans,European,figures,figure,hands,handwritings,handwriting,hand,head shots,head shot,heads,head,history,Holland,lawyers,lawyer,Nederland,old,Partial View,personalities,personality,portraits,portrait,signatures,signature,sign autograph,signing autograph,signs autograph,The Netherlands,writers,writer,written#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#3661x5104iblhdf02134892.jpg#Copper engraving from the 19th Century, The Boarding of the Chesapeke by the Crew of the Shannon, 1812, the frigate USS Chesapeake commanded by Captain James Lawrence is attacked by the crew of the HMS Shannon during the British-American War#black-and-white,black Americans,black American,boarding,boards,board,British,captains,captain,Caucasian,centuries,century,copper engravings,copper engraving,crews,crew,depictions,depiction,embarking,embarks,embark,England,English,Europeans,European,figures,figure,get on,gets on,getting on,Great Britain,history,North America,old,Shannon Town,Shannon,UK,United States of America,United States,USA,US,wars,war#H.-D. Falkenstein#No#No#RM#Landscape#imagebroker.com#50 MB#7447x4975iblcof02135005.jpg#View Point, look-out tower, and ferris wheel in HafenCity of Hamburg, Germany, Europe#architecture,buildings,building,Caucasian,cities,city,crow's nest,daylight,daytime,day,Europeans,European,Europe,German Federal Republic,Germany,Hamburg,Hanseatic cities,Hanseatic city,look at,looking at,looking,lookouts,lookout tower,lookout,looks at,looks,look,nobody,no one,No People,Norddeutschland,Northern Germany,Northern German,North Germany,North German,observation towers,observation tower,towers,tower,towns,town,viewing points,viewing point,viewing,views,view,watches,watching,watchtowers,watchtower,watch tower,watch#Christian Ohde#No#No#RM#Portrait#imagebroker.com#50 MB#3395x5154iblchg02135084.jpg#San Francesco della Vigna cloister, Castello district, Venice, UNESCO World Heritage, Venetia, Italy, Europe#arcade,arcades,architecture,belief,building,buildings,Castello,Christian,Christianity,cities,city,cloister,cloisters,coat,coats,colonnade,colonnades,column,columns,convent,convents,creed,cross,cross-coat,cross-coats,day,daylight,daytime,della,district,during,Europe,European,exterior,exteriors,faith,Francesco,Heritage,italian,Italy,monasteries,monastery,nobody,outdoor,photo,photos,pillar,pillars,portico,porticos,Religion,religious,San,shot,shots,Site,Sites,South,Southern,the,town,towns,UNESCO,Venetia,venetian,Veneto,Venezia,Venice,Vigna,World#Christian GUY#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblbdn02135492.jpg#Damnoen Saduak floating market near Bangkok, Thailand, Asia#Asia,Bangkok,boats,boat,Central Thailand,Damnoen Saduak,daylight,daytime,day,Eastern,East,feeding,feeds,feed,female salesperson,floating,floats,float,food trade,food,fresh,fruits,fruit,grocery trade,healthy,Krung Thep Maha Nakhon,Krung Thep Mahanakhon,market woman,market women,nutrition,people,products,product,salesman,salesmen,salesperson,saleswoman,saleswomen,sales,sale,selling,sells,sell,South Asia,Southeast Asia,Southeastern Asia,Southern Asia,Thailand,Thai,vendor#XYZ PICTURES#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblchg02135687.jpg#San Marco district, Canal or Canale Grande, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe#architecture,being,beings,belief,boat,boating,boats,bodies,body,building,buildings,canal,Canal,Canale,canals,Christian,Christianity,church,churches,creed,day,daylight,daytime,district,during,Europe,European,excursion,excursions,exterior,exteriors,faith,Grande,Heritage,human,humans,italian,Italy,Marco,of,or,outdoor,people,person,persons,photo,photos,pleasure,Religion,religious,San,ship,ships,shot,shots,Site,Sites,South,Southern,the,tour,tourism,touristic,touristical,touristically,touristy,tours,trip,trips,UNESCO,Venetia,venetian,Veneto,Venezia,Venice,water,waters,World#Christian GUY#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblchg02135706.jpg#Cannaregio district by night, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe#ambiance,ambient,architecture,at,atmosphere,atmospheric,building,buildings,by,Cannaregio,district,Europe,European,exterior,exteriors,filled,full,Heritage,italian,Italy,mood,mood-filled,moods,night,night-time,nights,nighttime,nobody,of,outdoor,photo,photograph,photographs,photos,shot,shots,Site,Sites,South,Southern,time,UNESCO,Venetia,venetian,Veneto,Venezia,Venice,World#Christian GUY#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744ibljwl02136305.jpg#Colorful graffiti on a building in Portland, Oregon, United States, North America#abandoned,architecture,art buildings,art building,barred,building house,closed,colorful,coloured,colourful,daylight,daytime,day,deserted,desolated,desolate,disused,doors,door,dreary,entrance gates,entrance gate,entrances,entrance,entry,facades,facade,forsaken,frontage,front doors,front door,front,graffitis,graffiti,hopeless,houses,house,jilted,laboring,labors,labor,labouring,labours,labour,locked,multi-colored,multi-coloured,multicolored,multi colored,multi coloured,multicoloured,mural paintings,mural painting,nobody,no one,No People,North America,painted,shuts,shutting,shut,sprayed,United States of America,United States,USA,US,variegated,wall paintings,wall painting,working,works,work#Jason Langley#No#No#RM#Square#imagebroker.com#50 MB#4184x4184ibljwl02136399.jpg#Small sailboat below Golden Gate Bridge, view from Marin Headlands, Golden Gate National Recreation Area, Sausalito, California, United States, North America#architecture,attractions,attraction,boats,boat,bridges,bridge,buildings,building,California,daylight,daytime,day,famous,Golden Gate Bridge,headlands,headland,International Landmark,landmarks,landmark,national,nobody,no one,No People,North America,recreation,renowned,sailboats,sailboat,San Francisco,suspension bridges,suspension bridge,tourism,touristical,touristic,tourist,United States of America,United States,USA,US,viewing,views,view#Jason Langley#No#No#RM#Landscape#imagebroker.com#50 MB#5124x3416ibljwl02136414.jpg#Laughing woman with dreadlocks and a flower in her hair, Golden Gate Park, San Francisco, California, United States, North America#1 flower,1 person,18,19,20,California,cheerful,cheering,cheers,cheer,coiffures,coiffure,cropped,daylight,daytime,day,does hair,do hair,doing hair,Dreadlocks,Dreadlock,Dreads,Dread,eighteen,faces,face,female,flowering,flowers,flower,fortune,Golden Gate,hairstyles,hairstyle,happiness,happy,head shots,head shot,heads,head,jolly,joyful,laughing,laughs,laugh,luck,merry,nineteen,North America,one flower,parking,parks,Partial View,portraits,portrait,rejoices,rejoice,rejoicing,San Francisco,Single Flower,styles,style,styling,twenty,United States of America,United States,USA,US,viewing,views,view,ZÅ?ota Brama#Jason Langley#Yes#No#RM#Square#imagebroker.com#50 MB#4184x4184iblosr02136591.jpg#Wat Choumkhongsourin Temple, Luang Prabang, UNESCO World Heritage Site, Laos, Indochina, Asia#aged,architecture,art buildings,art building,artworks,artwork,Asian,Asiatic,belief,Buddha statues,Buddha statue,Buddhas,Buddha,Buddhism,Buddhistic,Buddhist,cultural history,cultures,culture,daylight,daytime,day,Eastern,East,faith,figures,figure,gilded,gild,gilt,golden,gold,historical,historic,laboring,labors,labor,labouring,labours,labour,Laos,Luang Prabang,old buildings,old building,old,Oriental,religions,religion,religious,sculptures,sculpture,South Asia,Southeast Asia,Southeastern Asia,Southern Asia,statues,statue,temple complex,temple sites,temple site,temples,temple,travel photography,travel,working,works,work#Otto Stadler#No#No#RM#Landscape#imagebroker.com#50 MB#5140x3405iblcht02138208.jpg#Drawbridge and road, Finkenwerder, Hamburg, Germany, Europe#architecture,bridges,bridge,buildings,building,Caucasian,daylight,daytime,day,draw-bridges,draw-bridge,drawbridges,drawbridge,draw bridge,Europeans,European,Europe,German Federal Republic,Germany,German,Hamburg,Hanseatic cities,Hanseatic city,lorries,lorry,nobody,no one,No People,Norddeutschland,Northern Germany,North Germany,roads,road traffic,road,street of houses,streets,street,traffic,transportation,transport vehicles,transport vehicle,trucks,truck,vehicles,vehicle#Christian Hütter#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132iblosr02138671.jpg#Production of Khaipen or Kaipen, a Laotian snack made of dried fresh water green algae, Luang Prabang, Laos, Indochina, Asia#algae,alga,Asian,Asiatic,Chlorobionta,daylight,daytime,day,dishes,dish,dried,Eastern,East,feeding,feeds,feed,food photography,food still-lifes,food still-life,food,Food,fresh,green algae,green alga,Laos,Luang Prabang,makes,make,making,manufactures,manufacture,manufacturing,nobody,no one,No People,nutrition,Oriental,produces,produce,producing,productions,production,products,product,snacks,snack,South Asia,Southeast Asia,Southeastern Asia,Southern Asia,specialties,specialty#Otto Stadler#No#No#RM#Landscape#imagebroker.com#50 MB#5351x3461iblosr02138675.jpg#General store on the morning market, Luang Prabang, Laos, Indochina, Asia#2 people,Asian,Asiatic,bleachers,break of dawn,consumption,daylight,daytime,day,Eastern,East,feeding,feeds,feed,food trade,food,general stores,general store,grocery trade,indigenous,Laos,locals,local,Luang Prabang,market stalls,market stall,market stand,markets,market,morning atmosphere,morning,natives,native,nutrition,Oriental,populations,population,products,product,sales booths,sales booth,sales stall,sales,sale,saves,save,saving,selling,sells,sell,shopping,shops,shop,South Asia,Southeast Asia,Southeastern Asia,Southern Asia,stable,stalls,stall,standing,stands,stand,stores,store,storing,terrace#Otto Stadler#No#No#RM#Landscape#imagebroker.com#50 MB#5139x3408iblfcs02138804.jpg#Apples for sale at the Hauptmarkt market in Nuremberg, Bavaria, Germany, Europe#Bavarian,Bavaria,Bayern,bleachers,Caucasian,colorful,coloured,colourful,daylight,daytime,day,different,differing,diverse,Europeans,European,Europe,feeding,feeds,feed,food trade,food,Franconian,Franconia,fresh,fruit stall,fruit stands,fruit stand,fruits,fruit,German Federal Republic,Germany,German,grocery trade,healthy,kind,market stalls,market stall,market stand,markets,market,Middle Franconia,Mittelfranken,multi-colored,multi-coloured,multicolored,multi colored,multi coloured,multicoloured,nobody,no one,No People,Nuremberg,nutrition,products,product,sales booths,sales booth,sales stall,sales,sale,sorting,sorts,sort,Southern Germany,South Germany,stable,stalls,stall,standing,stands,stand,terrace,varied,variegated,various,varying#Cristina Fumi#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblchg02139394.jpg#Carennac, labelled Les Plus Beaux Villages de France, The Most Beautiful Villages of France, Dordogne valley, Haut Quercy, Lot, France, Europe#architecture,Beautiful,Beaux,being,beings,building,buildings,Carennac,day,daylight,daytime,de,Dordogne,during,Europe,European,exterior,exteriors,France,French,Haut,human,humans,labelled,Les,Lot,Most,of,outdoor,people,person,persons,photo,photos,place,places,Plus,Quercy,shot,shots,small,The,the,town,towns,valley,village,villages,Villages#Christian GUY#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblchg02139399.jpg#Medieval village of Martel, the covered market, Place de la Halle, Causse du Quercy, Lot, France, Europe#being,beings,booth,booths,Causse,covered,day,daylight,daytime,de,du,during,eating,Europe,European,exterior,exteriors,food,Food,foods,foodstuff,foodstuffs,France,French,Hall,hall,Halle,halls,human,humans,la,Lot,market,Market,markets,Markthalle,Martel,Medieval,nourishment,nourishments,nutrition,of,outdoor,people,person,persons,photo,photos,Place,product,products,Quercy,sales,shot,shots,stall,stalls,stand,stands,the,trade,vegetable,vegetables,vendors,village#Christian GUY#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblcht02139662.jpg#Houses in Zaanse Schans open-air museum, Zaanstad, North Holland, Holland, Netherlands, Europe#2 people,architecture,Benelux countries,Benelux,bodies,body,building house,buildings,building,Caucasian,cultures,culture,daylight,daytime,day,Dutch,Europeans,European,Famous Place,Holland,museum buildings,museum building,museums,museum,Nederland,North Europe,open-air museums,open-air museum,open air,place of interest,sights,sight,The Netherlands,tourist attractions,tourist attraction,viewing,views,view#Christian Hütter#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3409iblrsn02139918.jpg#Axel Schaefer, SPD, spokesman for the Working Group on European Union Affairs and Chairman of the SPD Parliamentary Group of North Rhine-Westphalia, Berlin, Germany, Europe#1 person,affairs,affair,Berlin,Bundestag,chairman,chairmen,confidence,confident,European Union,EU,faith,friendly,German Parliament,Indoors,indoor,liaison,love affair,male,man,members,member,men,optimism,optimistic,optimists,optimist,parliamentarians,parliamentarian,parliamentary caucus,parliamentary groups,parliamentary group,parliamentary party,people,political,politicians,politician,Rhine,rivers,river,smiles,smile,smiling,Social Democratic Party of Germany,SPD,trust,Westfalen,Westphalia,working man,working men#Rolf Schulten#No#No#RM#Landscape#imagebroker.com#50 MB#5123x3415iblchg02140354.jpg#Vieux Port, old port of Marseille, church of Notre Dame de la Garde at back, Bouches-du-Rhone, Provence, France, Europe#architecture,at,back,belief,boat,boats,Bouches,Bouches-du-Rhone,building,buildings,Christian,Christianity,church,churches,creed,Dame,day,daylight,daytime,de,du,during,Europe,European,exterior,exteriors,faith,France,French,Garde,harbor,harbour,la,marina,marinas,Marseille,motor,motor-boat,motor-boats,motorboat,motorboats,nobody,Notre,of,old,outdoor,photo,photos,port,Port,ports,Provence,Religion,religious,Rhone,sail,sailboat,sailing,shot,shots,South,southern,Southern,the,Vieux,yacht,yachts#Christian GUY#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblchg02140371.jpg#Fort Saint-Jean, entrance of the Vieux Port, old port, Marseille, Bouches-du-Rhone, Provence, France, Europe#above,angle,architecture,boat,boats,Bouches,Bouches-du-Rhone,building,buildings,cities,city,city-scape,city-scapes,cityscape,cityscapes,day,daylight,daytime,du,during,elevated,entrance,Europe,European,exterior,exteriors,fort,Fort,forts,France,French,from,harbor,harbour,high,high-angle,Jean,marina,marinas,Marseille,motor,motor-boat,motor-boats,motorboat,motorboats,nobody,of,old,outdoor,overlook,overview,panoramic,perspective,perspectives,photo,photos,port,Port,ports,Provence,Rhone,sail,sailboat,sailing,Saint,Saint-Jean,scape,scapes,shot,shots,South,Southern,southern,the,top,topview,topviews,tower,towers,town,towns,urban,Vieux,view,views,yacht,yachts#Christian GUY#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblchg02140381.jpg#L'Estaque neighborhood, Marseille, Bouches-du-Rhone, Provence, France, Europe#above,angle,architecture,Bouches,Bouches-du-Rhone,building,buildings,cities,city,city-scape,city-scapes,cityscape,cityscapes,cruise,cruises,day,daylight,daytime,du,during,elevated,Europe,European,exterior,exteriors,France,French,from,harbor,harbour,high,high-angle,LEstaque,Marseille,neighborhood,nobody,of,outdoor,overlook,overview,panoramic,perspective,perspectives,photo,photos,Port,ports,Provence,Rhone,scape,scapes,ship,shipping,ships,shot,shots,South,Southern,southern,the,top,topview,topviews,tourism,touristic,touristical,touristically,touristy,town,towns,traffic,view,views#Christian GUY#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744ibljot02141222.jpg#Sugar pearls and sprinkles, decoration for cakes and other desserts#5,cakes,cake,capillary tubes,capillary tube,colorful,coloured,colourful,containers,container,cutout,cut out,cuts,cutting,cut,decorations,decoration,desserts,dessert,different,differing,diverse,feeding,feeds,feed,five,food photography,food still-lifes,food still-life,food,Food,granules,granule,Indoors,indoor,kind,lines,line,multi-colored,multi-coloured,multicolored,multi colored,multi coloured,multicoloured,nobody,no one,No People,nutrition,paddles,paddle,paddling,products,product,rowing,rows,row,several,sorting,sorts,sort,Studio Shots,Studio Shot,studio,sweet,test tubes,test tube,varied,variegated,various,varying#Jochen Tack#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblcck02141618.jpg#Town Church of St. George, Marktplatz square, Weikersheim on the Tauber River, Tauber Valley, Tauber Franconia, Baden-Wuerttemberg, Germany, Europe, PublicGround, Europe#aged,architecture,atmosphere,atmospheric,belief,building house,Caucasian,Centro histórico,Christianity,Christians,Christian,church squares,church square,cities,city,dim,dusky,Dusk,Europeans,European,evening atmospheres,evening atmosphere,evenings,evening,faith,Franconia,Franken,German,historic center,historic centre,historic city center,historic city centre,houses,house,illuminated,illuminations,illumination,market squares,market square,mood,nobody,no one,No People,old towns,old town,religions,religion,religious buildings,religious building,religious,rivers,river,Twilight,twilight,valley views,valley view,viewing,View of,views,view,Wuerttembergs,Wuerttemberg#Caroline Kreutzer#No#No#RM#Portrait#imagebroker.com#50 MB#3365x5194iblmox02141733.jpg#World Trade Centre, Barcelona, Catalonia, Spain, Europe, PublicGround, Europe#architecture,Barcelona province,Barcelona,bodies,body,buildings,building,Catalan,Catalonia,Catalunya,Caucasian,centres,centre,daylight,daytime,day,España,Europeans,European,Europe,Mediterranean Sea,Mediterranean,modern,nobody,no one,No People,Province of Barcelona,Southern Europe,South Europe,Spain,Spanish,towering,towers,tower,travel photography,travel,viewing,views,view,water towers,water tower,world views,world view,worldview#Martin Moxter#No#No#RM#Landscape#imagebroker.com#50 MB#5575x3716ibljmc02141781.jpg#Palheiros, colourful houses, Costa Nova, Aveiro, Beiras region, Portugal, Europe#architecture,Arecaceae,building house,buildings,building,Caucasian,colorful,coloured,colourful,Costa Nova,daylight,daytime,day,different,differing,diverse,Europeans,European,Europe,line,multi-colored,multi-coloured,multicolored,multi colored,multi coloured,multicoloured,nobody,no one,No People,paddles,paddle,paddling,Palm trees,Palm tree,Portugal,Portuguese,rowing,rows,row,Southern Europe,South Europe,street of houses,streets,tree houses,tree house,varied,variegated,various,varying#Jose Antonio Moreno castellano#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132ibljmc02141880.jpg#Capela de Ossos, Chapel of the Bones, San Francisco Church, Evora, Alto Alentejo, Portugal, Europe#architecture,belief,bones,bone,buildings,building,California,Caucasian,chapels,chapel,Christians,Christian,churches,church,design,Europeans,European,Europe,faith,Indoors,indoor,nobody,no one,No People,Portugal,Portuguese,religions,religion,religious,San Francisco,skulls,skull,Southern Europe,South Europe,viewing,views,view#Jose Antonio Moreno castellano#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132iblhdf02142210.jpg#Historical drawing from the 19th century, portrait of Philip Jacob Spener, 1685 - 1705, founder of Pietism#1 person,black-and-white,cameras,camera,caps,cap,Caucasian,centuries,century,cropped,cutout,cut out,cuts,cutting,cut,depictions,depiction,direct look,Europeans,European,Europe,figures,figure,German Federal Republic,Germany,German,headdresses,headdress,headgears,headgear,head shots,head shot,heads,head,history,looking,looks,look,male,old man,old men,old,Partial View,personalities,personality,portraits,portrait,sketches,sketch,white caps,white cap#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4381x4921iblgab02142324.jpg#Central nave, Nossa Senhora da Peneda Sanctuary, Peneda Geres National Park, Minho province, Portugal, Europe#architecture,belief,benches,bench,buildings,building,Caucasian,Central Province,chancel,choir,Christianity,Christians,Christian,churches,church,design,Europeans,European,Europe,faith,Indoors,indoor,interiors,interior views,interior view,interior,national,naves,nave,nobody,no one,No People,park benches,park bench,pews,pew,pilgrimage church,pilgrim churches,pilgrim church,Portugal,Portuguese,religions,religion,religious,rooms,room,sanctuaries,sanctuary,Southern Europe,South Europe,viewing,views,view#GTW#No#No#RM#Portrait#imagebroker.com#50 MB#3543x5324ibldwb02142872.jpg#Ruins of the former Franciscan monastery, Askeaton, County Limerick, Ireland, Europe#aged,belief,Caucasian,Christianity,Christians,Christian,cloisters,cloister,convents,convent,cross-coat,daylight,daytime,day,decayed,derelict,dilapidated,Eire,Europeans,European,Europe,faith,Franciscan monasteries,Franciscan monastery,historical buildings,historical building,history,Ireland,Irish Republic,Irish,monasteries,monastery complex,monastery,neglected,nobody,no one,No People,old buildings,old building,old,over,past,religions,religion,religious,Republic of Ireland,ruined,ruins,ruin,run-down#Dr. Wilfried Bahnmüller#No#No#RM#Landscape#imagebroker.com#50 MB#5128x3412iblosr02142962.jpg#Street in Luang Prabang, Laos, Indochina, Asia#Asian,Asiatic,daylight,daytime,day,Eastern,East,eatery,gastronomy,inn,Laos,Luang Prabang,moped,motor-scooters,motor-scooter,Oriental,outdoor catering,outdoor gastronomy,pavements,pavement,paving,people,restaurants,restaurant,roads,road traffic,road,saves,save,saving,scenes,scene,scooter,services,service,shopping,shops,shop,sidewalk cafe,sidewalk cafés,South Asia,Southeast Asia,Southeastern Asia,Southern Asia,stores,store,storing,street of houses,street scenes,street scene,streets,street,tarmac,taverns,tavern,trades,trade,trading,traffic,vehicles,vehicle#Otto Stadler#No#No#RM#Landscape#imagebroker.com#50 MB#5130x3414iblhdf02143509.jpg#Historical drawing from the 19th century, portrait of Friedrich Wilhelm Heinrich Alexander von Humboldt, 1769 - 1859, a German naturalist#1 person,Alexander von Humboldt,black-and-white,Caucasian,centuries,century,cropped,cutout,cut out,cuts,cutting,cut,depictions,depiction,Europeans,European,Europe,figures,figure,German Federal Republic,Germany,German,head shots,head shot,heads,head,male,natural history,old,Partial View,personalities,personality,portraits,portrait,presentations,presentation,printing,prints,print,sciences,science,scientific research,sketches,sketch#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4307x5143iblkkr02143691.jpg#Church on the Nomos Lassithi Plateau, eastern Crete, Greece, Europe#architecture,Australasia,Balkan Peninsula,Balkans,Balkan,belief,buildings,building,Caucasian,Christians,Christian,churches,church,Crete,daylight,daytime,day,Eastern Europe,East Europe,Europeans,European,Europe,faith,Greece,Greek Orthodox,islands,island,Kriti,Mediterranean,New Zealand,nobody,no one,No People,Oceania,plateaus,plateau,religions,religion,religious,Southeastern Europe,Southeast Europe,Southern Europe,southern,South Europe,South Island,tableland,Te Wai-pounamu#Katja Kreder#No#No#RM#Portrait#imagebroker.com#50 MB#3410x5132iblpia02144922.jpg#Girl, 5, portrait#1 person,5,aged,cameras,camera,Caucasian,children,child,close-ups,close-up,closes,closeup,close up,close,closing,cropped,details,detail,direct look,Europeans,European,faces,face,fairs,fair,female,five,friendly,frontal,front views,front view,girls,Girls,girl,head shots,head shot,heads,head,Indoors,indoor,looking,looks,look,Partial View,people,person,portraits,portrait,shuts,shutting,shut,smiles,smile,smiling,Studio Shots,Studio Shot,studio,view from the front#Doreen Zorn#Yes#No#RM#Landscape#imagebroker.com#50 MB#5315x3543iblmzc02145354.jpg#Gold-coloured lion as a hanging sign of the Residenz zum Loewen guesthouse, Oberthorstrasse, Lahr, Baden-Wuerttemberg, Germany, Europe#animal,animals,as,Baden,Baden-Wuerttemberg,catering,colored,coloured,day,daylight,daytime,during,Europe,European,exterior,exteriors,Federal,FRG,gastronomy,German,Germany,gild,gilded,gilt,gilted,Gold,gold,gold-colored,Gold-coloured,gold-coloured,golden,guesthouse,guesthouses,hanging,hotel,hotels,indicating,inn,inns,label,labels,Lahr,leo,lion,lions,Loewen,nobody,Oberthorstrasse,of,outdoor,panthera,photo,photos,Republic,Residenz,restaurant,restaurants,service,shot,shots,sign,signboard,signboards,signs,Southern,tavern,taverns,the,tourism,touristic,touristical,touristically,touristy,trade,Wuerttemberg,zum#Helmut Meyer zur Capellen#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132iblbej02145395.jpg#Lychees (Litchi chinensis)#affluent,exotic,feeding,feeds,feed,food,fresh,fruits,fruit,healthy,Indoors,indoor,lives,live,living,nutrition,products,product,rich,sliced,still lifes,still life,still,Studio Shots,Studio Shot,studio,vitamins,vitamin,wealthy#Bernard Jaubert#No#No#RM#Portrait#imagebroker.com#50 MB#3405x5139iblgvi02146040.jpg#Creamy caramel sauce with raisins and whiskey, Great Britain#appetising,appetizing,apple sauces,apple sauce,apples,apple,British,caramel,creamy,delicious,desserts,dessert,feeding,feeds,feed,food,liquors,liquor,nobody,no one,No People,nutrition,products,product,raisins,raisin,recipes,recipe,sauces,sauce,savory,savoury,served,stills,still,Studio Shots,Studio Shot,studio,sweet,waffles,waffle,whiskey,whisky#gourmet-vision#No#No#RM#Landscape#imagebroker.com#50 MB#4283x4081iblwga02148391.jpg#Burg Landshut Castle in Bernkastel-Kues, Rhineland-Palatinate, Germany, Europe, PublicGround, Europe#architecture,Caucasian,daylight,daytime,day,Europeans,European,Europe,Famous Place,fortifications,fortification,fortresses,fortress,German Federal Republic,Germany,German,nobody,no one,No People,Nordrhein-Westfalen,North Rhine-Westphalia,NRW,Palatinate,place of interest,Rheinland-Pfalz,Rhineland-Palatinate,Rhineland,sights,sight,tourist attractions,tourist attraction#Walter G. Allgöwer#No#No#RM#Portrait#imagebroker.com#50 MB#3409x5132iblnit02148431.jpg#In the kitchen, illustration in The House in the Sun by Carl Larsson, 1917#2 people,2,children,child,cooking,cooks,cook,daily routine,depictions,depiction,everyday life,figures,figure,girls,Girls,girl,grinding,grinds,grind,homes,home,houses,house,illustrated,illustrations,illustration,kitchens,kitchen,look at,looking at,looking,looks at,looks,look,milling,mills,mill,mom,mothers,mother,old woman,old women,people,person,sketches,sketch,sun,two,viewing,views,view,watches,watching,watch#Michael Nitzschke#No#No#RM#Landscape#imagebroker.com#50 MB#5092x3433iblsce02149414.jpg#A rainy day in the Bavarian Alps, Bavaria, Germany, historic wood engraving, ca. 1880, Europe#1880,aged,Alps,and,article,articles,arts,Arts,avenue,avenues,bad,Bavaria,Bavarian,being,beings,black,black-and-white,bricolage,ca,cloud,clouds,crafted,crafting,craftmanship,crafts,damp,dampish,dampishly,dampishness,damply,dampness,day,depiction,depictions,drip,drips,drop,drops,engraving,engravings,figure,figures,German,Germany,good,goods,hand,hand-crafted,hand-made,handicraft,handicrafts,handicraftsmanship,handmade,heavy,historic,historical,historically,history,human,humans,in,item,items,made,method,methods,moist,moistful,moistly,moistness,old,painting,paintings,people,person,persons,picture,pictures,presentation,presentations,procedure,procedures,rain,rain-swept,raindrop,raindrops,raininess,raining,rains,rainy,representation,representations,road,roads,scene,scenes,Southern,street,streets,swept,technique,techniques,technologies,technology,the,umbrella,umbrellas,waterdrop,waterdrops,weather,wet,wetness,white,wood,xylograph,xylographs,xylography#BAO#No#No#RM#Landscape#imagebroker.com#50 MB#5167x3384iblcck02149775.jpg#Old Town Hall and Milchlingsbrunnen Fountain, Marktplatz square, Bad Mergentheim, Tauber, Hohenlohe, Baden-Wuerttemberg, Germany, Europe, PublicGround, Europe#ambiance,architecture,atmosphere,atmospheric,Bad Mergentheim,buildings,building,Caucasian,city halls,city hall,dim,dusky,Dusk,Europeans,European,Europe,evening atmospheres,evening atmosphere,evenings,evening,figures,figure,fountain figures,fountain figure,fountains,fountain,German Federal Republic,Germany,German,illuminated,illuminations,illumination,mood,nobody,no one,No People,old buildings,old building,statues,statue,town hall squares,town hall square,Twilight,twilight,well,Wuerttembergs,Wuerttemberg#Caroline Kreutzer#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblisa02149981.jpg#Parson Russell Terrier, portrait#1 animal,alertly,alert,animal breeds,animal breed,animal of prey,animal portraits,animal portrait,animals,animal,attentively,attentive,beast of prey,breeding,breeds,breed,Canoidea,Carnivora,Carnivores,cropped,Domestic animal breeds,Domestic animal breed,domestic animals,domestic animal,Domestic Horses,Domestic Horse,farm animal,head shots,head shot,heads,head,horse breeds,horse breed,horses,horse,laying,lays,lay,marine animals,marine animal,marine mammals,marine mammal,nobody,no one,No People,Odd-toed ungulates,Odd-toed ungulate,one animal,Partial View,pets,petting,pet,portraits,portrait,predatory animal,Predator,productive livestock,sea mammal,Single Animal,Studio Shots,Studio Shot,studio,Terriers,Terrier,thoroughbreds,thoroughbred,underwater worlds,underwater world,watchfully,watchful,water animals,water animal,wildlife photography#Anni Sommer#No#Yes#RM#Landscape#imagebroker.com#50 MB#5128x3412iblbdn02150035.jpg#Ciabatta bread#bakes,bake,baking,basic foods,basic food,bread loaf,bread loaves,breads,bread,cutout,cut out,cuts,cutting,cut,Europe,feeding,feeds,feed,food,goods,high-angle shot,high-angle view,High Angle View,Indoors,indoor,Italian,Italia,Italy,lives,live,living,nobody,no one,No People,nutrition,product,Southern Europe,South Europe,staple foods,staple food,staples,staple,still lifes,still life,still,Studio Shots,Studio Shot,studio,topviews,topview,top view#XYZ PICTURES#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblmox02150326.jpg#Old bridge to the entrance of Schloss Stolzenfels Castle, Koblenz, UNESCO World Heritage Upper Middle Rhine Valley, Rhineland-Palatinate, Germany, Europe, PublicGround, Europe#architecture,archway,Bavarian,Bavaria,Bayern,bottom view,bridges,bridge,castles,castle,Caucasian,Coblenz,daylight,daytime,day,entrances,entrance,entry,Europeans,European,Europe,from below,German Federal Republic,Germany,German,heritage buildings,heritage building,Koblenz,low-angle view,Low Angle shot,low angle view,nobody,no one,No People,North Rhine-Westphalia,NRW,Oberpfalz,old buildings,old building,Rheinland-Pfalz,Rheintal,Rhineland-Palatinate,Rhineland,Rhine Valley,Southern Germany,South Germany,stone arches,stone arch,UNESCO,Upper Palatinate,view from below,world views,world view,worldview#Martin Moxter#No#Yes#RM#Portrait#imagebroker.com#50 MB#3430x5145iblski02150691.jpg#Oranges in the wholesale market, Dublin City Fruit and Vegetable Market, in a Victorian indoor market hall in the Smithfield area, Dublin, Ireland, Europe#business,Caucasian,Citrus sinensis,city halls,city hall,economy,Eire,Europeans,European,Europe,feeding,feeds,feed,food hall,food trade,food,fruits,fruit,grocery trade,Indoors,indoor,Ireland,Irish Republic,Irish,market halls,market hall,markets,market,nutrition,Oranges,Orange,packaged,packaging,palettes,palette,piled,piles,pile,piling,products,product,Republic of Ireland,stacked,stacking,stacks,stack,thrift,transportation,transporting,transports,transport,vegetable markets,vegetable market,Victorian,viewing,views,view,wholesale,wrapped,wrapping,wraps,wrap#Stefan Kiefer#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblcag02151776.jpg#Traffic sign at the end of a 30 km h zone against a blue sky#blue skies,blue sky,blue,cloudless,crossed,daylight,daytime,day,ends,end,good weather,indicates,indicate,indicating,labeling,labels,label,nobody,no one,No People,number,road traffic,signing,signs,sign,skies,sky,speed limits,speed limit,tagging,tags,tag,traffic#Georg Stelzner#No#No#RM#Portrait#imagebroker.com#50 MB#7500x10260iblsce02151829.jpg#Alfred Edmund Brehm, 1829-1884, a German zoologist and writer, Brehm's Life of Animals, historical engraving, circa 1870#1 person,authors,author,bearded,beards,beard,black-and-white,Caucasian,cropped,depictions,depiction,engravings,engraving,Europeans,European,Europe,German Federal Republic,Germany,German,head shots,head shot,heads,head,life,literature,male animals,male animal,male,Partial View,portraits,portrait,presentations,presentation,printing,prints,print,sketches,sketch,writers,writer#BAO#No#No#RM#Portrait#imagebroker.com#50 MB#3846x4547iblman02151886.jpg#For Sale sign, house sale, Glencolumbcille, also Glencolumbkille, County Donegal, Ireland, Europe, PublicGround, Europe#building house,Caucasian,County Donegal,daylight,daytime,day,Donegal,Eire,estate,Europeans,European,Europe,houses,house,Ireland,Irish Republic,Irish,markets,market,nobody,no one,No People,properties,property,real estates,real estate,realties,realty,Republic of Ireland,residential buildings,residential building,residential house,sales,sale,signing,signs,sign,writes,write,writing#Martin Siepmann#No#No#RM#Landscape#imagebroker.com#50 MB#5625x3750iblski02151942.jpg#Headquarters of Liberty Seguros, an insurance company belonging to the American insurance group, Liberty Mutual, in Lisbon, Portugal, Europe#architecture,branding,brands,brand,business,Caucasian,centers,center,centre,companies,company logos,company logo,company,corporate headquarters,daylight,daytime,day,economy,emblems,emblem,Europeans,European,Europe,firm,head offices,head office,ideograms,ideogram,insurance company,insurance groups,insurance group,locations,location,logos,logo,main buildings,main building,middle,mutual,nobody,no one,No People,office buildings,office building,Portugal,Portuguese,reciprocal,South American,Southern Europe,South Europe,thrift,trade mark,writes,write,writing#Stefan Kiefer#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblski02151997.jpg#Elevador de Santa Justa, Santa Justa Elevator, at night, connecting the two historic districts of Baixa and Chiado, Lisbon, Portugal, Europe#2,ambiance,architecture,atmosphere,atmospheric,at night,attractions,attraction,Carmo Lift,Caucasian,connecting,connects,connect,dim,districts,district,dusky,Dusk,Elevador de Santa Justa,elevators,elevator,Europeans,European,Europe,evening atmospheres,evening atmosphere,evenings,evening,famous,illuminations,illumination,International Landmark,landmarks,landmark,lifting,lifts,lift,mood,night photograph,night shot,night,nobody,no one,No People,Portugal,Portuguese,renowned,Santa Justa Lift,Southern Europe,South Europe,stemming,stems,stem,Twilight,twilight,two#Stefan Kiefer#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblski02152026.jpg#Laundry hanging to dry outside a house facade with tiles in the district of Bairro Alto, Lisbon, Portugal, Europe#architecture,Bairro Alto,building house,buildings,building,ceramic tile,clotheslines,clothesline,clothes line,daylight,daytime,day,dries,drying,dry,European District,Europe,facades,facade,frontage,front,hanging,hangs,hang,houses,house,laundry,local loop,nobody,no one,No People,outside lines,outside line,Portugal,Portuguese,Southern Europe,South Europe,tiles,tile#Stefan Kiefer#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744ibldwh02152412.jpg#Snow-covered road sign, entry forbidden, Hotzenwald, Black Forest, Baden-Wuerttemberg, Germany, Europe, PublicGround, Europe#black,Caucasian,daylight,daytime,day,entries,entry,Europeans,European,Europe,forbidden,forests,forest,German Federal Republic,Germany,German,indicates,indicate,indicating,labeling,labels,label,nobody,no one,No People,prohibited,prohibition signs,prohibition sign,prohibitions,prohibition,road traffic,signing,signs,sign,snow-covered,snowcapped,snow covered,snowy,snow,tagging,tags,tag,traffic,winter forests,winter forest,wintery,winter,wintry,wood,Wuerttembergs,Wuerttemberg#Movementway#No#No#RM#Portrait#imagebroker.com#50 MB#3744x5616iblhdf02152897.jpg#Historical illustration from the 19th Century, a mercenary captain in the 16th Century#1 person,armed,armies,armor,armours,armour,army,black-and-white,captains,captain,Caucasian,centuries,century,defence,defenses,defense,depictions,depiction,Europeans,European,Europe,fighters,fighter,German Federal Republic,Germany,German,illustrated,illustrations,illustration,lengths,length,male bodies,male body,military,old,presentations,presentation,printing,prints,print,sketches,sketch,soldiers,soldier,weapons,weapon#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4961x7055iblhdf02152908.jpg#Historical illustration from the 19th Century, depiction of the capture of Muenster in the 16th Century, Anabaptists in the Anabaptist Kingdom of Muenster, 1530#believers,believer,black-and-white,blazes,blaze,blazing,bodies,body,Caucasian,centuries,century,Christianity,Christians,Christian,communities,community,depictions,depiction,escapes,escape,escaping,Europeans,European,Europe,fires,fire,firing,fleeing,flees,flee,German Federal Republic,Germany,German,history,illustrated,illustrations,illustration,lengths,length,naked,nude,nudity,old,people,presentations,presentation,printing,prints,print,religions,religion,religious communities,religious community,religious person,religious,sects,sect,sketches,sketch#H.-D. Falkenstein#No#No#RM#Portrait#imagebroker.com#50 MB#4992x6140iblski02153697.jpg#Bank building of Banco Espanol de Credito, in the Palacio de la Equitativa Palace, Madrid, Spain, Europe#aged,architecture,bank buildings,bank building,banking,banks,bank,bottom view,building house,Caucasian,Centro histórico,cities,city palaces,city palace,city views,city view,city,clouds,cloud,daylight,daytime,day,distorted,España,Europeans,European,Europe,finance industry,finance sector,financial institutions,financial institution,from below,historic center,historic centre,historic city center,historic city centre,houses,house,institutions,institution,low-angle view,Low Angle shot,low angle view,Madrid,old towns,old town,skew,skies,sky,Southern Europe,South Europe,Spain,Spanish,towns,town,upward,urban palace,view from below,warped,wide#Stefan Kiefer#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744iblflp02153873.jpg#Domestic cattle, cow with calf, standing on coastal grazing marsh at dawn, Elmley Marshes NNR, North Kent Marshes, Isle of Sheppey, Kent, England, United Kingdom, Europe#adult,adults,animal,animals,at,atlantic,babies,baby,bovid,bovidae,bovids,britain,british,calf,calves,cattle,coast,coastal,coasts,cow,cows,dawn,Domestic,domestic,domesticated,elmley,Elmley,England,england,english,estuary,europe,Europe,european,farm,farming,farms,female,females,grazing,herbivore,herbivores,hoofed,Isle,isle,Kent,kent,Kingdom,livestock,mammal,mammals,maritime,marsh,Marshes,marshes,marshland,marshlands,morning,mother,mothers,national,NNR,north,North,of,on,parent,parents,pasture,pastures,reserve,reserves,sheppey,Sheppey,spring,standing,sunrise,sunrises,temperate,thames,uk,United,wetland,wetlands,with,young#Robert Canis/FLPA#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3409iblflp02154033.jpg#Domestic dog, Shih Tzu, adult, sitting#adult,adults,animal,animals,background,breed,breeds,canid,canidae,canids,cut,cut-out,cut-outs,cutout,cutouts,dog,dogs,domestic,Domestic,domesticated,mammal,mammals,one,out,outs,pedigree,pet,pets,Shih,shih,sitting,studio,toy,Tzu,tzu,tzus,white#Chris Brignell/FLPA#No#No#RM#Portrait#imagebroker.com#50 MB#3559x4960iblflp02154081.jpg#Domestic dog, Bernese Mountain Dog, puppy, lying#animal,animals,babies,baby,background,Bernese,bernese,breed,breeds,canid,canidae,canids,cut,cut-out,cut-outs,cute,cutout,cutouts,dog,Dog,dogs,domestic,Domestic,domesticated,lying,mammal,mammals,Mountain,mountain,one,out,outs,pedigree,pet,pets,pup,puppies,puppy,pups,studio,white,young#Chris Brignell/FLPA#No#No#RM#Portrait#imagebroker.com#50 MB#3728x4960iblflp02154231.jpg#Domestic dog, mongrel, adult, sitting, with collar#adult,adults,animal,animals,background,canid,canidae,canids,collar,collars,cross,crossbred,crossbreed,crossbreeds,cut,cut-out,cut-outs,cutout,cutouts,dog,dogs,domestic,Domestic,domesticated,mammal,mammals,mongrel,mongrels,one,out,outs,pet,pets,sitting,studio,wearing,white,with#Chris Brignell/FLPA#No#No#RM#Portrait#imagebroker.com#50 MB#3672x4960iblflp02154277.jpg#Donkey, adult, portrait, wearing bridle and headcollar, England, United Kingdom, Europe#adult,adults,and,animal,animals,ass,asses,autumn,bridle,bridles,britain,british,domestic,domesticated,Donkey,donkey,donkeys,england,England,english,equid,equidae,europe,Europe,european,face,faces,farm,farming,farms,head,headcollar,headcollars,heads,Kingdom,livestock,mammal,mammals,one,portrait,tack,temperate,uk,United,wearing#Chris Brignell/FLPA#No#No#RM#Portrait#imagebroker.com#50 MB#3416x5123iblbfm02154448.jpg#Red heart, Valentine's Day card, illustration#abstract,affection,formed,furs,fur,hearts,heart,illustrated,illustrations,illustration,loves,love,loving,nobody,no one,No People,patterned,patterns,pattern,Red card,shaped,symbolic,symbols,symbol,white#Maria Breuer#No#No#RM#Portrait#imagebroker.com#50 MB#4000x5500iblbfm02154457.jpg#Abstract illustration#abstract concepts,abstract concept,artistic,arts,art,concepts,concept,formed,furs,fur,illustrated,illustrations,illustration,multi-colored,multi-coloured,multicolored,multi colored,multi coloured,multicoloured,nobody,no one,No People,patterned,patterns,pattern,rippled,ripple mark,ripples,ripple,shaped,undulating,variegated,wavy#Maria Breuer#No#No#RM#Landscape#imagebroker.com#50 MB#5000x4000iblfbd02154472.jpg#Artist making a statue for religious occasions, manufactory in Tollygunj, a suburb of Kolkata, West Bengal, India, Asia#1 person,artists,artist,art objects,art object,artpieces,artpiece,arts,art,Asian,Asiatic,busy,Calcutta,craftings,crafting,craftsman,craftsmen,cultural,cultures,culture,customs duty,customs,custom works,custom work,custom,darts,dart,daylight,daytime,day,factory,figures,figure,handcrafted good,handcrafts,handcraft,handicrafts,handicraft,handmade goods,handmade good,Indians,Indian,India,indigenous,Kolkata,laboring,labors,labor,labouring,labours,labour,locals,local,makes,make,making,manufactories,manufactory,natives,native,objects,object,occasions,occasion,Oriental,pieces,piece,populations,population,religious people,religious person,statues,statue,suburbia,suburbs,suburb,trades,trade,trading,tradition,West Bengal,working,works,work#Frank Bienewald#No#No#RM#Landscape#imagebroker.com#50 MB#5139x3404iblhsh02154590.jpg#Old wooden wall with weathered paint#chips,Citrus sinensis,daylight,daytime,day,fillings,filling,frames,frame,full-frame,nobody,no one,No People,old,Oranges,Orange,painting,paints,paint,peeled,peeling,peels,peel,walls,wall,weathered,weatherings,weathering,wood boards,wood chips,wood chip,wooden board#Hartmut Schmidt#No#No#RM#Landscape#imagebroker.com#50 MB#5132x3409iblsce02160633.jpg#Oil pump near Marmul, Oman, Arabian Peninsula, Middle East, Asia#Arabian Peninsula,Arabian,Arabia,authorities,authority,bureau,business,daylight,daytime,day,department,economical,economic,economy,electricity provider,energies,energy company,energy sources,energy source,energy,fossilization,fossils,fossil,generations,generation,government agency,historical,historic,Middle East,Mid East,Mideast,Near East,nobody,no one,No People,oil industries,oil industry,Oman,over,past,peninsulas,peninsula,power suppliers,power supplier,prehistoric,productions,production,pumping,pumps,pump,South Asia,Southern Asia,Southwest Asia,Southwestern Asia,Sultanate of Oman,Sultanate Oman,supplies,supply,thrift,West Asia,Western Asia#BAO#No#No#RM#Landscape#imagebroker.com#50 MB#5616x3744ibljwl02160832.jpg#Sign warning Vorsicht! Kein Trinkwasser", German for "Caution! No drinking water", Leipzig, Saxony, Germany, Europe